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Edité par Princeton University Press, 1997
ISBN 10 : 0691015554ISBN 13 : 9780691015552
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Livre
Etat : Good. Used book that is in clean, average condition without any missing pages.
Edité par Princeton University Press, 1995
ISBN 10 : 0691029628ISBN 13 : 9780691029627
Vendeur : Better World Books: West, Reno, NV, Etats-Unis
Livre
Etat : Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Edité par Princeton University Press, Princeton, NJ, 1997
ISBN 10 : 0691015554ISBN 13 : 9780691015552
Vendeur : LEFT COAST BOOKS, Santa Barbara, CA, Etats-Unis
Livre
Paperback. Etat : Very Good. 2nd printing. xiv, 234 pages, illustrations; 26 cm. With Corrections and New Material. Near fine. Tight, clean copy. Light shelfwear to wraps (slight bend, back cover). "In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a 'guilty secret'--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to 'order'--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism." - Publisher. CONTENTS: List of Illustrations; Acknowledgments; 1. Introduction; 2. The Critical Reception; 3. The Dislocating Impact of the Commune on the Impressionists; 4. The Impressionist Agenda; 5. Mapping the Terrain; Epilogue: Georges Seurat's Un Dimanche a La Grande Jatte and Post-Commune Utopianism; Appendix: On Olin Levi Warner's Draft of a Speech in Defense of the French Commune; Notes; Postscript; Index. Size: 4to.
Edité par Princeton University Press, Princeton, 1995
ISBN 10 : 0691029628ISBN 13 : 9780691029627
Vendeur : Kenneth Mallory Bookseller ABAA, Decatur, GA, Etats-Unis
Livre
Hardcover. Etat : Very good. Hardcover. xiv, 225pp+ index. Very good hardback in a jacket that is a bit sunned on the spine.
Edité par Princeton University Press, Princeton, 1995
ISBN 10 : 0691029628ISBN 13 : 9780691029627
Vendeur : Design Books, New York, NY, Etats-Unis
Livre Edition originale
Hard Cover. Etat : Fine. Etat de la jaquette : Fine. First Edition. This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. 162 black & white illustrations. 10" high X 8" wide, 234 pages. This book will be securely packed and shipped with tracking.
Edité par Ewing, New Jersey, U.S.A.: Princeton Univ Pr, 1995
ISBN 10 : 0691029628ISBN 13 : 9780691029627
Vendeur : Bingo Books 2, Vancouver, WA, Etats-Unis
Livre Edition originale
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. hardback book and dust jacket in near fine condition.
Edité par Princeton University Press, 1997
ISBN 10 : 0691015554ISBN 13 : 9780691015552
Vendeur : Jason Books, Auckland, AUCKL, Nouvelle-Zélande
Livre
Paperback. In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism. 1.389 Centimeters X 20.3 Centimeters X 25.2 Centimeters.
Edité par Princeton University Press, Princeon, 1995
ISBN 10 : 0691029628ISBN 13 : 9780691029627
Vendeur : Hackenberg Booksellers ABAA, El Cerrito, CA, Etats-Unis
Livre
2d Printing. [xv] 234p., b/w illus., dj, quarto format (The Princeton series in nineteenth-century art, culture, and society).
Edité par Princeton University Press, 1995
ISBN 10 : 0691029628ISBN 13 : 9780691029627
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Livre
Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Edité par Princeton University Press, 1997
ISBN 10 : 0691015554ISBN 13 : 9780691015552
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : As New. Unread book in perfect condition.
Edité par Princeton University Press, 1995
ISBN 10 : 0691029628ISBN 13 : 9780691029627
Vendeur : ANARTIST, New York, NY, Etats-Unis
Livre
Hardcover with dustjacket, 234 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Edité par Princeton University Press, 1995,, 1995
ISBN 10 : 0691029628ISBN 13 : 9780691029627
Livre
Hardcover. Etat : As New. Etat de la jaquette : As New. Hbk 4to an excellent clean tight unmarked copy in sleeve-protected dj as new.
Edité par Princeton University Press, 1997
ISBN 10 : 0691015554ISBN 13 : 9780691015552
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : New.
Edité par Princeton U. P. Princeton 1995, 1995
Vendeur : Andrew Barnes Books / Military Melbourne, Melbourne, VIC, Australie
reprint dust jacket As New lge. octavo 234pp., b/w plates, text ills., notes, index,
Edité par Princeton University Press, 1997
ISBN 10 : 0691015554ISBN 13 : 9780691015552
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Livre
Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. Exploring the political forces that shaped Impressionism, this work proposes that at the heart of the modern is a "guilty secret" - the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology.
Edité par Princeton University Press, 1997
ISBN 10 : 0691015554ISBN 13 : 9780691015552
Vendeur : GreatBookPricesUK, Castle Donington, DERBY, Royaume-Uni
Livre
Etat : New.
Edité par Princeton Univ Pr, 1997
ISBN 10 : 0691015554ISBN 13 : 9780691015552
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre
Paperback. Etat : Brand New. 256 pages. 10.25x7.75x0.75 inches. In Stock.
Edité par Princeton University Press, 1995
ISBN 10 : 0691029628ISBN 13 : 9780691029627
Vendeur : online-buch-de, Dozwil, Suisse
Livre
Etat : Sammlerstück; sehr gut. Buchschnitt leicht fleckig, ansonsten ungebraucht.
Edité par Princeton University Press, 1997
ISBN 10 : 0691015554ISBN 13 : 9780691015552
Vendeur : GreatBookPricesUK, Castle Donington, DERBY, Royaume-Uni
Livre
Etat : As New. Unread book in perfect condition.
Edité par Princeton University Press, 1995
ISBN 10 : 0691029628ISBN 13 : 9780691029627
Vendeur : Aragon Books Canada, OTTAWA, ON, Canada
Livre
Etat : New.
Edité par Princeton Univ Pr, 1997
ISBN 10 : 0691015554ISBN 13 : 9780691015552
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre
Paperback. Etat : Brand New. 256 pages. 10.25x7.75x0.75 inches. In Stock.
Edité par Princeton University Press, 1997
ISBN 10 : 0691015554ISBN 13 : 9780691015552
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Livre impression à la demande
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a 'guilty secret'--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to 'order'--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to 'rebuild' Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat.Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism.