Edité par Berlin: Adolph Fürstner, p/no.A.7354F., 1918. Assigned to Boosey & Hawkes 1943, renewed 1946. *, 1946
Vendeur : Travis & Emery Music Bookshop ABA, London, Royaume-Uni
12mo 76 pages. Paperback, margins slightly browned.
Edité par Adolph Fürstner, Berlin, 1918
Vendeur : Colin Coleman Music, Stewkley, Royaume-Uni
Partition de musique
First edition. Trenner p.233. Size: Folio. 125pp. Red half cloth with decorative boards.
Edité par Berlin, Adolph Fürstner
Vendeur : Chiemgauer Internet Antiquariat GbR, Altenmarkt, BAY, Allemagne
Halbleinen der Zeit. 33 cm. Etat : Sehr gut. Nur der Einband mit leichten Gebrauchsspuren. Stempel "Professor Hanns Schindler, Würzburg" am oberen Rand des Vorsatzes, am unteren Rand " C. Peters, Musikalienhandlung" Sonst SEHR gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1200.
Edité par Berlin - Paris, Fürstner 1918., 1918
Vendeur : Antiquariat Löcker, Wien, Autriche
Edition originale
Asow S.599. Erste Ausgabe, selten. 4°. 125 S., HLn. mit mont. Orig.-Vorderumschlag, sehr schönes Exemplar.
Edité par Bln., Fürstner (VN 7355) (1918)., 1918
Vendeur : Musik-Antiquariat Heiner Rekeszus, Wiesbaden, WI, Allemagne
Partition de musique Edition originale
Folio. 125 S. Hln. d. Zt. * Mueller von Asow S. 599. - Erstausgabe dieser Fassung.
Edité par Adolph Fürstner [PN A.7352.F. et al.], Berlin W. - Paris, 1918
Vendeur : J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, Etats-Unis
Partition de musique
Large folio. Original decorative wrappers printed in dark green and red. [1] (title), [2] (performing rights notice), [3] (printed dedication by Strauss and Hofmannsthal to Max Reinhardt), [4] (blank), [5] (cast), [i] (blank), 7-125, [i] (blank) pp. Prefatory matter in facsimile of the copyist's manuscript. Note to lower right corner of final page of music: "Stich und Druck von C.G. Röder, Leipzig." The basic plate number is 7352. Much of the first two acts has the double plate number 6303.7352 or triple number 6303.6332.7352.; p. 93 (act 3) has the odd plate number 7385 (only). Wrappers frayed at edges and spine, with some loss to spine. Slightly browned; final signature detached; smudge to p. 42. First Edition of the second version. Trenner 228b. Müller von Asow II, p. 599. Incidental music. First performance of this version at Deutsches Theater, Berlin, on April 9, 1918. The plates with the numbers 6303 and 6332 are carried over from the original 1912 edition (see Müller von Asow II, p. 532), which included both the incidental music to Der Bürger als Edelmann and the opera Ariadne auf Naxos (first version), two works conceived as a double bill and premiered as such at the Kleines Haus in Stuttgart on October 25, 1912. "[After Der Rosenkavalier, Hugo von Hofmannsthal] remained preoccupied with the stylized world of the 17th and 18th centuries, especially the work of Molière, which had partly inspired the Rosenkavalier libretto. The immediate result was Ariadne auf Naxos (1911-12), a theatrical hybrid combining spoken theatre - a German adaptation of Molière's Le bourgeois gentilhomme (Der Bürger als Edelmann) with incidental music - and opera. The work, first performed in Stuttgart in 1912, fell short of critical acclaim and was revised to greater success, four years later, when Strauss and Hofmannsthal replaced the play with a lively operatic prologue." Bryan Gilliam in Grove Music Online. The revised Ariadne of Naxos became a repertory piece; the incidental music to Der Bürger als Edelmann is, however, rarely performed.