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Evaluation du vendeur
Edité par photo planet N.A, china
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Size: Tabloid format.
Edité par Not Available, china, 2002
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. The book is in fine condition.
Edité par Mainichishinbunsha, china, 2002
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. The book is in fine condition.
Edité par photo planet N.A
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Size: Tabloid format.
Edité par The Mainichi Newspaper, 2002
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. The book is in fine condition.
Edité par Not Available, 2002
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. The book is in fine condition.
VG near fine hardcovers. no dj. delightful condition/gift quality appears unread. no markings. or inscriptions. not price clipped. internally a good crisp clean copy. From the personal collection of a dealer/collector. " Based on the retrospective exhibition organized by the Andalusian Centre of Contemporary Art in Seville in March 2007, this interesting book provides a fresh look at the work of Japanese photographer Daido Moriyama. Visionary relentless fragmented postmodern world, Moriyama is famous for its raw images of urban life and the transformation that makes the everyday. The black and white photographs, high contrast and unexpected angles, illustrate various periods of his career. The attractiveness of images plus cover art, the work of prominent Japanese designer Tadanori Yokoo. ".
Edité par Eds Fondation Cartier, Paris, 2004
ISBN 10 : 2742747044ISBN 13 : 9782742747047
Vendeur : Books+, Saint Maurice, France
Livre
In-4 , 29 cm , 152pp. illustr. , photos hors-texte , reliure cart. de l'editeur , Ats7 ,
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Trouvez également Edition originale
Edité par Actes Sud, Paris, 2003
ISBN 10 : 0500970130ISBN 13 : 9780500970133
Vendeur : LaRosa Books, Allston, MA, Etats-Unis
Livre Edition originale
Hardcover. Etat : Near Fine. 1st Edition. In excellent condition. 122 pages, hardcover in laminated pictorial boards, 11.25" by 9". Text in English and French, including a conversation between Moriyama and photographer Nobuyoshi Araki. Superb book published in conjunction with the major exhibition of Moriyama's photographer at the Fondation Cartier in Paris in 2002. Very finely printed on glossy paper, with superb reproductions of over 100 vanguard images. EXTRA POSTAGE WILL BE REQUIRED FOR INTERNATIONAL SHIPMENT.
Edité par NITESHA, Tokyo, 2019
Vendeur : Vincent Borrelli, Bookseller, Albuquerque, NM, Etats-Unis
Edition originale Signé
Soft cover. Etat : New. 1st Edition. First edition thus (facsimile reissue), first printing. Three soft cover volumes with a supplement including translations of all texts in English and Chinese. Enclosed in a clear plastic carrying bag (with the title "PROVOKE" printed in white). All texts in Japanese, with English and Chinese translations printed separately to accompany the volumes as a supplement. This facsimile reprint maintains the original size of the images and includes all original texts, along with the ones by Takahiko Okada (excluded from "The Japanese Box" reissue due to copyright issues). Volume 2 is boldly signed in pencil (in English, "Daido") opposite the first page by Moriyama. Volume 1: 210×210mm, 68 pages, printed soft cover wrappers. Photographs by Koji Taki, Yutaka Takanashi, and Takuma Nakahira. Texts by Takahiko Okada and Koji Taki. Volume 2: 242×180mm, 109 pages, printed soft cover wrappers with printed wrap-around obi band. Photographs by Takuma Nakahira, Daido Moriyama, Yutaka Takanashi, and Koji Taki. Texts by Takahiko Okada. Signed by Moriyama. Volume 3: 240×184mm, 110 pages, printed soft cover wrappers. Photographs by Yutaka Takanashi, Koji Taki, Daido Moriyama, and Takuma Nakahira. Texts by Gozo Yoshimasu and Takahiko Okada. New in publisher's packaging. From the publisher: "2018 marks the 50th year since Provoke had first been published. Provoke was first published in November 1968 as a dojin-shi, or self-published magazine. It was originally conceived by art critic Koji Taki (1928-2011) and photographer Takuma Nakahira (1938-2015), with poet Takahiko Okada (1939-1997) and photographer Yutaka Takanashi as dojin members. The subtitle for the magazine was "Provocative Materials for Thought," and each issue was composed of photographs, essays and poems. After releasing the second and third issue with Daido Moriyama as a subsequent member, the group broke up with their last publication First, Abandon the World of Pseudo-Certainty - an overview edition of the three issues. Provoke's grainy, blurry, and out-of-focus photographs were initially ridiculed as are-bure-boke and stirred a great deal of controversy, yet it had created a strong impact inside and outside of the photography world during that time. However, today, Provoke has become an extremely rare book and very few people have seen the original. Why does Provoke matter today? Provoke has been attracting increasing attention in recent years, in and out of Japan. In 2016, an extensive photography exhibition entitled Provoke: Between Protest and Performance Photography in Japan, 1960-1975 opened first in Austria, then toured to Switzerland, France and the United States. Provoke has challenged existing photographic conventions and posed fundamental questions of visual perception, in the midst of the social and political upheaval during the late sixties. Now the world is gradually recognizing and re-examining its significance in a multitude of contexts. How does NITESHA's Provoke Complete Reprint differ from the one in The Japanese Box, released in 2001?: Published as part of The Japanese Box: Facsimile Reprint of Six Rare Photographic Publications of the Provoke Era, Provoke's facsimile reprint has its photographic images cropped approximately 3 mm from the edges for bookbinding purposes. The reprint also does not include texts by Takahiko Okada due to copyright reasons. Provoke Complete Reprint by NITESHA maintains the original size of the images and includes all original texts, along with the ones by Takahiko Okada. In addition, the volumes will be accompanied by complete English and Chinese translations of the original Japanese texts as a booklet.". Signed by Author.
Edité par Mainichishinbunsha N.A, china
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. The book is in fine condition.
Edité par The Mainichi Newspaper N.A
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. The book is in fine condition.
Vendeur : 5Uhr30, Köln, Allemagne
Livre Edition originale
Etat : Wie neu. National Museum of Modern Art, Tokyo. 1974. First edition, first printing. Catalogue published for an exhibition of the leading Japanese photographers of the day, including Nobuyoshi Araki, Kazuo Kitai, Hajime Sawatari, Kishin Shinoyama, Yutaka Takanashi, Shigeru Tamura, Masatoshi Naito, Takuma Nakahira, Takao, Niikura, Shoko Hashimoto, Masahisa Fukase, Daido Moriyama, Shin Yanagisawa, Shuji Yamada, Katsumi Watanabe. Two photographs by each photographer, as well as a snapshot of each artist. Condition: Covers lightly used. First and last page lightly foxed. Overall excellent condition without marks or defects. Collector`s copy! Scarce!***************National Museum of Modern Art, Tokio. 1974. Japanische Erstausgabe. Originalausgabe. Früher, weitgehend unbekannter Katalog der führenden japanischen Fotografen: Nobuyoshi Araki, Kazuo Kitai, Hajime Sawatari, Kishin Shinoyama, Yutaka Takanashi, Shigeru Tamura, Masatoshi Naito, Takuma Nakahira, Takao, Niikura, Shoko Hashimoto, Masahisa Fukase, Daido Moriyama, Shin Yanagisawa, Shuji Yamada, Katsumi Watanabe. Pro Fotograf zwei Fotos und ein Porträt des Künstlers. Zustand: Cover mit leichtesten Gebrauchsspuren. Erste und letzte Seite ganz leicht stockig. Alles in allem sehr guter Zustand ohne Besitzvermerke oder Mängel! Sammler-Exemplar! Selten! ja Gewicht in Gramm: 1600.
Date d'édition : 1976
Vendeur : AboveParBooks, Jersey City, NJ, Etats-Unis
Livre Edition originale Signé
Soft cover. Etat : Very Good. 1st Edition. Newspaper-style publication from the Workshop Photography School started by Moriyama in 1974, including articles and photographs by Fukase, Moriyama, Ishimoto, Fukase, Araki, Tatsuki, Kurata, Hosoe and others. *** Volume 5 has been signed by Hosoe Eikoh and Nobuyoshi Araki ("Arakiss" in red and black) at their respective sections. Volume 6 has been signed by Daido Moriyama, signed and dated by Kikuji Kawada (July 7, 2007), signed in pencil by Yasuhiro Ishimoto, signed by Yoshihiro Tatsuki, and signed in gold ink by Eikoh Hosoe. Also included is a postcard from the 2007 event in Tokyo where Kawada signed the book. Volume 7 has been signed on the cover by Araki. Volume 8 has been signed on the cover by Moriyama and in gold ink by Hosoe; Seiji Kurata has signed inside at his section, and Araki has drawn a self-caricature in red felt by his section. Signed by Author(s).