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Edité par CASIMIRO, 2012
ISBN 10 : 849396784XISBN 13 : 9788493967840
Vendeur : KALAMO LIBROS, S.L., La Puebla de Montalbán, TO, Espagne
Livre
Encuadernación de tapa blanda. Etat : Nuevo.
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Edité par CASIMIRO, 2023
ISBN 10 : 8419524689ISBN 13 : 9788419524683
Vendeur : KALAMO LIBROS, S.L., La Puebla de Montalbán, TO, Espagne
Livre
Encuadernación de tapa blanda. Etat : Nuevo.
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Edité par Ediz.Medusa, Milano,, 2004
ISBN 10 : 8888130683ISBN 13 : 9788888130682
Vendeur : FIRENZELIBRI SRL, Reggello, FI, Italie
Livre
Etat : COME NUOVO. Traduzione di Giancarlo Pontiggia. Saggio intr.di Marco Vallora. cm.14x22, pp.126, Collana Le Porte Regali,24. NOTA:Scritta a penna alla prima pagina bianca, altrimenti libro come nuovo. / Milano, Ediz.Medusa cm.14x22, pp.126, brossura copertina figurata a colori. Collana Le Porte Regali,24. brossura copertina figurata a colori.
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Edité par Scalpendi, Milano,, 2021
ISBN 10 : 8832203790ISBN 13 : 9788832203790
Vendeur : FIRENZELIBRI SRL, Reggello, FI, Italie
Livre
brossura copertina figurata. Etat : NUOVO. Il grande poeta Stéphane Mallarmé celebra in questo testo uno dei maggiori pittori della storia dell'arte: Edouard Manet. Scritto con uno stile chiaro e dettagliato, il testo mette in luce il rapporto di Manet con gli impressionisti, di condivisione ma distaccato nella sua ricerca pittorica. cm.14x20,5, pp.236, ill.bn.nt. Coll.Materiali Dispersi,2. Milano, Scalpendi cm.14x20,5, pp.236, ill.bn.nt. brossura copertina figurata. Coll.Materiali Dispersi,2.
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Edité par Medusa, Milano, 2004
Vendeur : Libreria Tara, Roma, RM, Italie
Storia e Critica Dal Romanticismo ai Contemporanei Fine arts History and Criticism From Romanticism to Contemporary art Le porte regali trad. di Giancarlo Pontiggia bross. edit. ill. con bandelle,gora al taglio inferiore, timbro di appartenenza, rare sottolineature a matita illustrazioni a colori fuori testo.
Edité par nrf gallimard, Paris, 1925
Vendeur : Encore Books, Montreal, QC, Canada
Livre
Soft cover. Etat : Good. Soft cover book in good condition. Exemplaire No. 521. Text in French. Toning and wear to wraps. Interior pages clean and bright. Overall still a lovely copy. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.
Date d'édition : 2022
Vendeur : S N Books World, Delhi, Inde
Livre impression à la demande
LeatherBound. Etat : New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1925 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 108 Language: French Pages: 108.
Edité par N.R.F Libraire Gallimard. Editions de la Nouvelle Revue Française, Paris, 1925
Vendeur : Librairie Rouchaleou, MONTPELLIER, FR, France
Livre
Broché. Etat : Bon. 1 volume broché, 81 pages [2], avec un portrait gravé sur bois par Georges Aubert d'après le tableau d'Edouard Manet, et 3 pages fac-similé du manuscrit autographe. Stéphane Mallarmé, 1842-1898. Troisième édition. Achevé d'imprimer à la date du 10 juillet 1925. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).
Edité par Editions L.C.L., Paris,, 1969
Vendeur : Bouquinerie du Varis, Russy, FR, Suisse
230x215mm, illustrations n/b in et hors texte, reliure toile de l'éditeur. Tirage limité à 300 exemplaires. Bel exemplaire. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.
Vendeur : Librairie LOVE, Vichy, France
Unknown Binding. Etat : Used: Very Good. Edition numérotée de la Guilde du Livre Lausanne.
Amsterdam, De Lange Afstand, 1991. Ingenaaid. 20 p. Met de hand gezet uit de Baskerville en de Lutetia en gedrukt op Zerkall-Bütten in een oplage van 60 exemplaren. 1e druk. Een Nederlandse bibliofiele uitgave, maar geheel in het Frans. Het betreft dan ook een édition originale van drie brieven van Mallarmé, uitmuntend toegelicht door Harry G.M. Prick, de absolute kampioen tekstbezorging: als inleiding een - niet zonder detectivewerk gereconstrueerd - verslag van de ontmoeting van Frans Erens en Isaäc Israëls met Stéphane Mallarmé bij de schilderes Berthe Morisot (de schoonzuster van Manet). Als toetje volgen enkele zeer lezenswaardige noten van Prick over Mallarmé en de andere betrokkenen. Dit alles in een helder, beeldschoon bibliofiel boek, gezet en gedrukt door margedrukker Peter Yvon de Vries.
Edité par Paris, Gallimard, 1925
Vendeur : LA CARTOUCHE, Paris, France
Livre Edition originale
Couverture souple. Etat : Bon. Edition originale. (23,5 x 19 cm), 86pp, broché. Contient un portrait de Mallarmé gravé sur bois d après le fameux tableau de Manet. ÉDITION ORIGINALE, mention de sixième édition. Agréable exemplaire. ENVOI SOUS COLISSIMO ET EMBALLAGE GARANTI. L OUVRAGE EST DISPONIBLE À LA LIBRAIRIE LA CARTOUCHE, SITUÉE AU 7 RUE DU JOURDAIN, 75020 PARIS (06 80 98 28 88).
Edité par [Paris]: Durand-Ruel, 1896., 1896
Vendeur : Joe Maynard, Newburgh, NY, Etats-Unis
Livre
Soft cover. Etat : Very Good. 2nd Edition. Printed by Imprimerie de L Art. 2nd edition. Quarto, 48pp, last signature uncut, others trimmed, deckled, opened, photographic frontispiece reproducing a painting of Madame with tissue guard, publisher s printed wrappers (external toning and soiling, a few bumps to edges, hint of rippling, internally clean and fresh, very good).
Edité par Durand-Ruel, 1896
Vendeur : Librairie du Monde Entier, Argilliers, France
Broché. Etat : Très bon Etat. Edition Originale sur pap. Vergé. 16 pp de préf. de Stéphane Mallarmé suivi de la liste des 394 oeuvres exposées chez Durand-Ruel du 5 au 21 mars 1896. Portrait de l'artiste photogravé d'après un tableau d'Edouard Manet. Couverture brunie.
Vendeur : Chez les libraires associés, Paris, France
Membre d'association : ILAB
Paris, Imprimerie de l'Art E. Moreau & Cie, (1896). In-4, 48 pp., portrait photogravé en frontispice, broché, non coupé. Mention de Deuxième édition sur la couverture. Bel exemplaire.* Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte sur rendez-vous.
Vendeur : L'Ancienne Librairie, Paris, France
Livre
Paris, Imprimerie de l'Art E. Moreau & Cie, (1896). In-4, 48 pp., portrait photogravé en frontispice, broché, non coupé. Mention de Deuxième édition sur la couverture. Bel exemplaire.* Voir photographie(s) / See picture(s). Livres.
Date d'édition : 1889
Vendeur : LIBRERIA PAOLO BONGIORNO, Modena, MODEN, Italie
Livre
Rilegato. Etat : molto buono. Paris, Léon Vanier, Libraire-éditeur, 1889. In 8vo (cm. 25); copertina originale illustrata con forti arrossature, ritratto; pp. XII, 167. "A la mémoire de Baudelaire, que la Mort empêcha d'achever, en traduisant l'ensemble de ces poèmes, le monument magnifique et fraternel dédié par son génie à Edgar Poe". Traduzione in prosa di Stéphane Mallarmé, illustrata con nove riproduzioni di disegni in inchiostro indiano di Édouard Manet, tra cui un ritratto di Poe sul frontespizio, sette tavole senza testo e la vignetta di copertina che rappresenta il corvo della poesia. Axs.
Edité par Durand-Ruel, Paris, 1896
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Paperback. Tan wraps with black lettering, 47 pp, deckled edges, bw frontispiece with protective guard sheet. Text in French. "Avec portrait photograve d'apres Edouard Manet"- front cover. An exposition held March 5-23, 1896. Preface by Stephane Mallarme. Lists 394 works divided by; paintings, landscapes, marines, still life, pastels, drawings, watercolors, copies, and sculptures. Good (heavy wear, age toning to wraps. Pages are lightly age toned but otherwise clean and clear.).
Couverture souple. Etat : Bon. 1ère édition. 24,3 x 18,4 cm, plaquette brochée, couverture crème imprimée en noir, 44 pp. Edition originale de ce catalogue de la rétrospective Berthe Morisot publié au lendemain de sa mort.Préface originale de douze pages de Stéphane Mallarmé. Portrait photogravé d'après Edouard Manet. Imprimé à petit nombre sur beau papier vergé. Petites rousseurs dans la marge du frontispice. Rare exemplaire du premier tirage sans mention d'édition. Réf. bibliographiques : Maurice Imbert - Une bibliographie des écrits de Stéphane Mallarmé, 30. Livre épuisé.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
Paris, Durand-Ruel, Imprimerie de L'Art, 1896, in-4°, 23,5 x 18.5 cm, 44 pp + (2)nn pp , avec portrait de Morisot en frontispice, broché, couverture souple d'origine en papier crème. Le catalogue est imprimé sur papier vergé. Bel exemplaire , sans tâches ou rousseurs. Dans une chemise en demi-maroquin brun, dos à 5 nerfs avec titre doré, plats marbrés, dans une emboitage assortie emboitage avec légères traces d'usage.
Edité par Walker and Company - Harvard College Library, 720 Fifth Avenue, New York - Cambridge, Mass., 1968
Vendeur : The BiblioFile, Rapid River, MI, Etats-Unis
Edition originale
Hard Cover. Etat : Good. Etat de la jaquette : Good. Manet, Edouard (illustrateur). First Edition. Stated with number hand-inked at limitation page: "This edition limited to 1,000 copies. Copy number '465'". Rare first edition thus with a new introduction by Phillip Hofer. Large 8.5" x 11" design. Presented in E. A. Poe's original English adjacent Manet's illustrations with Stéphane Mallarmé's French translation following in sequence. This edition was produced by photographing the limited edition from 1875, and makes available to readers what is considered one of history's great artistic and literary collaborations. The original limited edition of Le Corbeau is part of the Rare Book Collections Division at the Library of Congress; one of only 150 known to exist. White marbled boards with black lettering to spine and pictorial design depicting raven's head on front cover, moderate shelf wear, bend, crease to front and back board. Pages very good. String-bind good. Original wrapper with Manet's raven and spine titles, moderate edge wear, rub, some crease; unclipped 10.00, protected in new clear sleeve. Poem in both English and French on adjacent pages. Vintage inscription in French inside cover: "Mars 1973, À Albert Sonnenfeld, de la part d'an disciple (jusqu'ici très peu discipline) en reconnaissant l'influence des leçons du cher maître - Jack Deaver, Marquis de Façades. P. S. Poeme Mallarmien contre la guerre. Ce Mal, l'Arme. Un mâle, larme, Si mal arme, m'alarme. Eh?" Or, approximately translated: "March 1973, To Albert Sonnenfeld, on behalf of a disciple (until now very little discipline) recognizing the influence of the lessons of the dear master. - Jack Deaver, Marquis de Facades. P. S. Mallarmien Poem against War. This Evil, the army. A male, tears. So evil weapon, alarms me. Hey?" Apparently, Albert Sonnenfeld is a French literature and comparative literature educator, food historian and since 2004 a Professor emeritus. He is a Fulbright fellow, 1966-1967; 1958 - 1986: Professor, French and comparative literature Princeton University; 1986 - 2004: M.F. Chevalier professor , French and department chairman University Southern California; and a member of The Athenaeum (London). Also, interestingly, listed as a noteworthy literature educator and historian by Marquis Who's Who. Translation by Stephane Mallarme, whose real name was Etienne Mallarme, was a French poet and critic, and a major French symbolist poet. His work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as Dadaism, Surrealism, and Futurism. Edgar Allan Poe was an American author, poet, editor and literary critic, considered part of the American Romantic Movement. Prolificly famous for his tales of mystery and the macabre, he was one of the earliest American practitioners of the short story and considered the originator of detective fiction. He is further credited with contributing to the emerging genre of science fiction and was the first well-known American author to solely rely on his writing, resulting in hard times intersperced w/splendor. The 1875 Parisian edition marked a turning point in the history of the illustrated book. Translated by Mallarmé, w/lithographs by Manet, the bilingual volume was a bold, early attempt at a new type of collaboration -the livre d'artiste, a genre which eventually flourished in the twentieth century. The constellation of Mallarmé, Manet and Poe appealed to the avant-garde in French literature and art. When first published, Le Corbeau faced hostile criticism in regards to Manet's modernist imagery. It sold poorly and nearly twenty-five years passed before any publisher dared a similar combination of art and literature. Nevertheless, a door had been opened. Manet's illustrations are believed to have been printed directly from stone by transfer lithography. Edgar Allan Poe's hazy narrative begins on a night in December when "The Raven" haunts the unnamed narrator who sits reading "forgotten lore" to sublimate the loss of his love, Lenore. A "rapping at his chamber door" reveals nothing, yet excites his soul to "burning". A similar rapping, slightly louder, is heard at his window. Oversize, insured post. Size: 4to - over 9¾" - 12" tall.
Edité par Paris, Leon Vanier., 1887
Vendeur : Antiquariat Weinek, Salzburg, Autriche
Livre
16 S. OBrosch. In franz. Sprache. Mit allen Abbildungen. - Leichte Gbrsp. Gutes Expl. Sprache: französisch.
couverture souple. - Galerie Durand-Ruel, Paris 1896, 18,5x24,5cm, broché. - Edition originale, imprimée sur vergé et sans mention, de ce catalogue de l'exposition consacrée à Berthe Morisot, au lendemain de sa mort, à la Galerie Durand-Ruel du 5 au 21 Mars 1896. Préface originale de Stéphane Mallarmé. En frontispice, un portrait photogravé de Berthe Morisot par Edouard Manet. Infimes taches sans gravité sur les plats, une restauration en tête du premier plat, agréable état intérieur sans rousseur. [ENGLISH TRANSLATION FOLLOWS] Galerie Durand-Ruel | Paris 1896 | 18.5 x 24.5 cm | original wrappers. First edition, printed on vergé but not stated, of this catalogue of the exhibition devoted to Berthe Morisot the day after her death at the Galerie Durand-Ruel from 5 to 21 March 1896. Preface by Mallarmé. With a photoengraved portrait of Morisot by Manet as frontispiece. Very slight staining, not serious, to covers, head of upper cover restored in one place, internally good, no foxing.
Edité par Bruxelles: Edmond Deman, 1897
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Edition originale
Etat : Good. Large 8vo. 20 x 28.3 cm. New wraps with original cut-outs of raven by Manet on front and hands grabbing a staff on rear by Fernand Khnopff. 198 pp. Engraved bookplate of Livraria Gomes, Lisboa and ink dedication from 1902; signature not identified. One of 550 numbered copies, this one on Hollande.Carteret, IV, p. 320: "Rare et cotée." Not in Monod; OCLC Number: 29124773 Grand in-8, broché. Portrait de Poe par Edouard Manet en frontispice. Qq. rousseurs, . Signature (illisible) sur le faux-titre. Tirage à 550 ex. numérotés dont celui-ci, un des 525 ex. sur papier de Hollande (n° 123). La première édition de la traduction de Mallarmé fut pubiée par Deman en 1888. Exemplaire de la deuxième édition, il s'agit d'une émission identique à celle de l'édition originale de 1888 à l'exception du premier cahier qui est "renouvelé". (titre, justification, annonce des ouvrages du même auteur, etc.). En effet les exemplaires invendus de 1888 furent réutilisés et seul le premier cahier fut changé. Comme l'édition de 1888 elle est illustrée du portrait d'Edgar Poe en frontispice par Edouard Manet, d'une tête de corbeau par Manet sur le premier plat de couverture et de la vignette de l'éditeur sur le titre et le second plat dessinée par Fernand Khnopff. (voir Fontainas, Bibliographie Edmond Deman).
Vendeur : Fahrenheit 451 Antiquarian Booksellers, Leiden, Pays-Bas
Paris, Léon Vanier, Libraire-Éditeur, 1887, 1st Manet illustrated edition, 16 pag., woodengraved frontispice, ex-libris, head- and tailpiece by Édouard Manet, printed by Imp. Burdin et Cie (Angers) in an unspecified, very limited edition, sewn in original wrappers printed in black and red, untrimmed, 24,9 x 16,2 cm. = Splendid, delicate publication. Carteret II, p.95. According to Carteret only a few copies were printed on Japanese paper. Third edition, the first to be illustrated by Manet. The printed backwrapper lists other delicacies by the same publisher: "Curiosités littéraires, volumes et plaquettes de luxe tirés à très petit nombre publiés par Léon Vanier (.)." "Julie L. Mellby, Stéphane Mallarmé and Édouard Manet (Princeton): "In 1865, Stéphane Mallarmé composed a poem about the sensual experiences of a faun who wakes from an afternoon nap and recounts his encounter with several nymphs earlier in the day. Originally titled Le Faune, intermède héroique (The Faun, a Heroic Intermezzo), Mallarmé submitted it to the Théâtre-Français, only to be rejected. Ten years later, the work was again rejected, under the title Improvisation d un Faune, by Alphonse Lemerre, who had previously published Mallarmé work in Parnasse contemporain. Mallarmé left Lemerre and found Alphonse Derenne, a publisher of medical books who wanted to expand his business. Under the title L après-midi d un faune, Mallarmé s pastoral was finally published in April 1876. His best friend, Édouard Manet (1832-1883), created four wood-engraved embellishments that were printed in black and hand tinted in pink by Manet himself to save money. Although Mallarmé is a seminal figure of our modern literary heritage, few editions of his own work were published during his lifetime. Mallarmé s work would become the inspiration for many musical pieces, the most prominent of which was Claude Debussy s Prélude à l après-midi d un faune (1894), a ten-minute tonal interpretation of Faune. Other composers who adapted the melodic aspects of Mallarmé s poetry were Maurice Ravel in Trois poèmes de Stéphane Mallarmé (1913), Darius Milhaud with Chansons bas de Stéphane Mallarmé (1917), and Pierre Boullez, whose hour-long solo soprano and orchestra piece Pli selon pli (1957-62). The poem also served as the basis for the ballet L après-midi d un faune, choreographed by Vaslav Nijinsky for the Ballets Russes and first performed in the Théâtre du Châtelet in Paris on May 29, 1912. Nijinsky danced the main part himself, which became a seminal moment in the history of dance."Wrappers frayed/ creased along edges and slightly dustsoiled.
Edité par Léon Vanier, Paris, 1889
Vendeur : Bauer Rare Books, San Diego, CA, Etats-Unis
Second edition. 4to. [viii], 165 pp. Illustrated. Original wrappers (conserved), very good copy in clam-shell case. (30456). Frontispiece, followed by full-page illustration (Le Tombeau d'Edgar Poe), with seven gravures (tissue guards), by Manet in-text, and with Manet's portrait of the Raven on the cover.
Vendeur : Orsi Libri ALAI, ILAB, Milan, Italie
Brossura. Etat : ottimo. Bruxelles, Éditeur Edmond Deman, [1888] MDCCCLXXXVIII [luglio], in ottavo, brossura color crème risvoltata a tamburo illustrata in nero (riproduzione di un disegno della testa di un corvo eseguito da Édouard Manet; al piatto posteriore logo editoriale che pare raffigurare il passaggio di un fiaccola tra due mani), pagine: [2] 196 [8]; 1 tavola con riproduzione di un ritratto di Poe eseguito da Manet fuori testo. Prima edizione. Esemplare 539 di 800 numerati da 51 a 850 «sur papier de Holande», in ottime condizioni (piccola gora al piatto anteriore, qualche piega e minimi strappi marginali alla fragile brossura, come normale; minima mancanza non deturpante al margine esterno del piatto posteriore). Qualche scritta a matita alle prime carte. Raro nella sua brossura originale. Rara prima edizione francese delle poesie di Poe. La versione in prosa di Mallarmé è preceduta dal sonetto «Le Tombeau d Edgar Poe» («envoyé par le traducteur des Poèmes, lors de l érection à Baltimore du tombeau de Poe, et lu en cette solennité», come precisato qui a pagina 151) e si apre con «Il corvo», che era stato pubblicato in forma autonoma nel 1875 per Lesclide accompagnato dalle illustrazioni di Manet. Le altre poesie, apparse in rivista negli anni settanta, compaiono qui per la prima volta in volume.