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Edité par C & Le sagittaire, Paris, 1955
Vendeur : Frances Wetherell, Cambridge, Royaume-Uni
Livre Edition originale
Hardcover. Etat : Very Good. Etat de la jaquette : No Jacket as issued. 1st Edition. 121 pp., (36). Black cloth with illustrated paste-ons, front and rear. Text is in French; number 201 from an unsigned, limited edition of 2,000. Included are reprints of various documents from the French Surrealist movement, dating from 1924-1946. Complete with the magnifying glass inserted in a cut-out in the illustrated pages. Book designed by Pierre Faucheux. This edition issued by Club Francais du Livre with certificate of satisfaction loosely enclosed. All in very good state. Appears unused.
Edité par France, 1955
Vendeur : Flat & Bound c/o Integral Lars Müller GmbH, Zürich, Suisse
Softcover with dustjacket. Etat : In very nice condition. Le Sagittaire. Original from 1924. With magnifying glass on black ribbon. Cut-outs in the last 32 pages, 16 pages in the form of a loupe, 16 pages in the form of a circle. Pages 160. Size: 21 x 18.3 cm.
Edité par Paris, Kra, Juin 1929., 1929
Vendeur : Peter Bichsel Fine Books, Zürich, Suisse
With frontispiece showing a frottage drawing by Max Ernst. 206 pp., 1 leaf. Small 8vo. Orig. red warppers, uncut. Les Documentaires". Second enlarged edition of Breton s Manifeste du surréalisme" (1924). Browned. Good in all.
Edité par La Sagittaire, Paris, 1955
Vendeur : Exquisite Corpse Booksellers, Houston, TX, Etats-Unis
Livre
Cloth. Etat : Fine Condition. Bound in black cloth covered boards with a pair of paper labels affixed to both front and back covers as published, there is a slight degree of fading to the spine. Text is in French; number 1619 from an unsigned, limited edition of 2,000. Included are reprints of various vital documents from the French Surrealist movement, dating from 1924-1946. Of particular interest is a large section at the rear of the book that includes facsimile reprints of original letters, manifestoes, photo-montages, and snapshots of the key figures. These pages feature a die-cast magnifying glass form hollowed out of the sheets to house a dangling monocle bound into the book by a black ribbon.
Edité par Aux Editions du Sagittaire, Chez Simon Kra, Paris, 1924
Vendeur : Moroccobound Fine Books, IOBA, Lewis Center, OH, Etats-Unis
Membre d'association : IOBA
Livre Edition originale
Soft cover. Etat : Very Good. 1st Edition. Stated second edition, but a deliberate misstatement to increase sales of this, the first edition. Softcover, bound in orange wraps. Un-cut copy. The cover with a light circular stain on the front panel; decorative ink stamp on the title page; a few scattered blemishes.
Edition originale Signé
P., Kra, Éditions du Sagittaire, 1924, in-12, br., 190 p., non coupé. Edition originale (il n'a été tiré que 19 ex. en grand papier). Service de presse. Envoi autographe signé au journaliste et critique littéraire André Chaumeix, "sympathique hommage André Breton".
Edité par Paris Editions du Sagittaire, Chez Simon Kr 1924, 1924
Vendeur : Buddenbrooks, Inc., Newburyport, MA, Etats-Unis
Edition originale Signé
First Edition of Breton's first Surrealist Manifesto. This copy is an RARE INSCRIBED PRESENTATION COPY from Breton to the author Pierre Lièvre, noted French writer and biographer of the period, WITH "sympathique hommage". 8vo, in the publisher's original orange paper wrappers printed in black on the upper cover and spine. 190 pp. A beautifully preserved copy, just a bit mellowed at the edges and corners and with very minor toning mostly at the prelims. AN IMPORTANT FIRST EDITION PRESENTATION COPY OF THE FIRST OF BRETON'S SURREALIST MANIFESTOS, issued in 1924 during the Surrealist movement. Leading up to 1924, two rival surrealist groups had formed, each claiming to be true successors of the revolution launched by Guillaume Apollinaire. One group was led by Yvan Goll, and the other, led by Breton, included Louis Aragon, Robert Desnos, Paul Éluard, Jacques Baron, Jacques-André Boiffard, Jean Carrive, René Crevel and Georges Malkine, among others. Goll and Breton clashed openly, even fighting at the Comédie des Champs-Élysées over the right to use the term Surrealism. In the end it was Breton who won the battle, though the history of surrealism from that moment would remain marked by fractures, resignations, and resounding ex-communications, with each surrealist having their own view of the issue and goals, and accepting more or less the definitions laid out by André Breton. Breton's Manifesto includes examples of Surrealism in poetry and literature, but states that the tenets of Surrealism can be applied to all aspects of life, not just to the worlds of art and literature.