poems friendship, Signé (25 résultats)

Soft cover. Etat : Good. No Jacket. This book is dedicated to poems of friendship by Linden E. Brooks. On the first page of the book Linden Brooks writes a message to his dear friend Cleo Dawson. The only issue with the book is a discoloration on the cover. The pages are in good shape. It is more of a booklet than a book. It has 22 pages. Signed by Author(s).

Hardcover. Etat : Near Fine. 1st Edition. Facsimile edition of the manuscript original. Limited to 1000 copies. "His personal album, expressing thoughts and sentiments of Stuart and those who loved him." Introduction by Jack Milne, owner of the manusctipt. Signed by Milne beneath the introduction. Signed by Author(s).

Soft Cover. Etat : Very Good. Nice copy with just minor wear. Signed and inscribed by author. Pages of text are clean, bright and free of markings. Binding is tight and secure. ***Shipped within 24 hours from the beautiful Baltimore inner harbor area. First class service; accurate descriptions. Most items packed in boxes, not envelopes.***.

Hardcover. Etat : Fine. No Jacket. By Author (illustrateur). First. Blue cloth boards with decorations and gilt lettering on front & spine; No jacket as issued; Dedicated & signed on front end board by author and dated May 1969; A collection of poems written by the author who expressed his Christian faith in his poetry, he also did the pen/ink drawings throughout; 280 pages; Inscribed by Author(s).

Hardcover. Etat : Fine. No Jacket. 1st Edition. Author inscribed and dated on the title page of this assumed first edition of 124 pages profusely illustrated in full color art. Book is tight, bright, and clean. The small top corner on the fep is cut off. Book is fine minus. Inscribed by Author(s).

hardcover. Etat : Good. Signed. First Edition. SIGNED by the author. Inscribed. Price has been clipped.

Soft cover. Etat : Very Good. 1st Edition. 38 Pp. Shiny Bronze Colored Wrappers. Inscribed By The Author To His Friend Agnes Woodward. Light Wear. Inscribed by Author(s).

Wrappers. Etat : Good. Undated. 28pp., staple-bound. Signed by the author on the first page (signature only, no additional inscription). General wear, corner bumps/creases. Size: 8vo - over 7¾" - 9¾" tall. Signed Copy.

Card Cover. Etat : Near Fine. First Edition. Near Fine PP 36 presentation inscription by the author on the title page. Signed by Author(s).

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Signed by Author(s).

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. A clean unmarked copy, signed on title page. Second printing. 36 pages. Signed and Inscribed By Author.

Softcover. Etat : Near Fine. First Edition. Nearly fine first softcover printing of this lovely poetry anthology with the full number line including the 1, SIGNED by the author with her name only to the title page. This beautiful and comprehensive collection spans four centuries with the writings of over one hundred female poets from many countries and continents. These poems express eloquent emotions of friendship. love, desire and longing. SIGNED.

Hardcover. Etat : Very Good. 2nd ed ; 55 pp. ; illustrated ; 24 cm. ; OCLC: 9167032 ; blue cloth with gold lettering ; SIGNED by author on front ep ; ditties from the 50-year long serving Atlanta surgeon, "Dr. Shack" ; features a photograph of Dr. Shackleford receiving a Great Georgian Award from W. O. DuVall of Atlanta Federal Savings and Elmo Ellis, the general manager of WSB Radio, December 29, 1967 ; a dig from a paper clip on page 24/25 ; else VG. Signed by Author(s). Book.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. First edition (so stated). 8vo. Dust jacket designed by Marc Yankus (priced clipped). Very good. 144 pages. Signed and inscribed by Livingston on front free endpaper to "For Mildred - a friend of Rosa's - with warm regards, Myra Cohn Livingston 24 July 1987." Includes poems by Langston Hughes, Carl Sandburg, Gwendolyn Brooks, Robert Frost, Edward Lear, W.S. Merwin, Myra Cohn Livingston, et.al. Inscribed by Author(s).

Hardcover. Etat : Fine. Etat de la jaquette : Very Good+. Mavor, Salley (illustrateur). First Edition, First Printing. Inscribed by Mavor on the title page. Jacket has minor creasing on the top edge. Both book and jacket are clean and complete with no marks. Signed by Author(s). Book.

Hard bound in green cloth with gilt titles to spine and gilt decoration and titles to front board. First edition. Author's SIGNED presentation on the front free endpaper. Frontispiece of the author, illustrated w/plates, Pp138. Includes index by titles. Top corners moderately bumped otherwise a tight, unmarked, very good or better copy. 320 grams.

Hardcover. Etat : Collectible: Good. 1st Edition. SIGNED. Indianapolis: Bowen-Merrill, 1896. First edition, second state text with later ads, two dates on copyright page. Cranberry and tan cloth with gilt lettering. Signed slip pasted onto second ffep. Hinges at front and rear split. Gift inscription on second ffep. Cloth worn along edges. Signed by Author(s).

First edition of each of these five limited-edition broadsides all of which are SIGNED BY THE POETS. Printed by Eric Holter at his Peniel Press. All are within 15 x 9" and printed on various colors and weights of fine deckled-edge papers. Fine.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. 8vo. volume in blue cloth gold embossed binding. Binding tight and pages quite clean.There is a large poem in manuscript on the front end papers by the author also a letter by him a card from the man he gave the book to and a sheet of reviews of the book. 60 pages. Inscribed by Author(s).

NADAL, B.H. FRIENDSHIP AND OTHER POEMS. NY: Robert J. Shores, 1916. 12mo., blue cloth, stamped in gilt; 60 pages. First Edition. Nadal was an occasional resident at author Upton Sinclair's Helicon Home Colony- an experimental community established in Englewood, New Jersey in 1906. The building burned down in 1907 and Nadal helped Sinclair save some of the residents- who jumped into a blanket held by the two men. Signed inscription from Nadal on the front endpaper: "Compliments of the Author, B.H. Nadal, Nat. Arts Club, 15 Gramercy Park, N.Y." Also with a one-page autograph letter signed by Nadal laid in, on The National Arts Club stationery, no date but apparently to "Miss Wells"- with her name on a rather tattered envelope. The letter apparently deals with a play by Nadal ("Woodmites"?) that was taken by actor, playwright and producer Arnold Daly to a Mr. Tyler who "says only cost prevents his putting it on." He writes that Mr. DeKoven has offered to write the music for the production and continues about other aspects of the play and possible actors for roles. Very Good (bright covers with minor wear; contents clean & tight). $250.00.

Hardcover. Etat : Very Good. R. B. Gruelle (illustrateur). Two-tone green cloth with titles stamped in gilt. 90 pages with 6 illustrations. Matching dates (1891) to title and copyright pages, but 1897 to the publisher's catalogue at the rear. With a 30-line handwritten poem entitled "Spring" and the author's initials (JWR) to the verso of the front endpaper and the half-title. The poem is actually an early version of "When the Green Gits Back in the Trees". The poem would be added to later editions of this work, but does not appear in this volume. This version has "In the spring" in the first line, as opposed to "In spring" in the published version. Several words in this version were changed in the published version to reflect Riley's use of dialect. For example, Riley's use of the word "swet" in line 24 of the published version is "sweat" here. This copy does list "The Flying Islands of the Night" in the author's box. The publisher's catalogue has 21 pages, with the final entry for publications of the Indiana Historical Society. Riley's volumes are listed to "Armazindy" (1894). CONDITION: The cloth is lightly worn at the extremities, with a 1/4" scuff at the heel. The paper has mild toning, and the half-title is detached and laid in. It has two small chips which do not affect any of the lettering or writing. This page carries the last third of the handwritten poem and the author's initials. Former owner's name to the front endpaper; two small clippings affixed to the last page of the text. Otherwise a clean, tight copy. The half-title being detached is the probable result of handling the poem. Quite possibly a unique copy. Size: 12mo - over 6¾" - 7¾" tall. Signed by Author(s).

First edition, first printing, BAL's binding B; small 8vo, pp. ix, [5], 90; 6 plates (2 in color) and 1 full-p. illus. by Will Vawter; t.e.g, orig. maroon and tan cloth, gilt-lettered on spine and upper cover; extremities rubbed, title-p. loosening; all else good and sound; 1/4 red morocco slipcase. This copy signed on the title-p. "James Whitcomb Riley" and with a presentation on the front free endpaper "To Eugene Field, with hale Hoosier greetings James Whitcomb Riley," with the drawing of a naked boy on a river bank just above the inscription; additionally, the title-p. is also signed "Eugene Field, Chicago, Sept. 14, 1895" [3 days prior to the earliest presentation noted by BAL, and less than 2 months before Field died]. Laid in is a letter to a woman in St. Paul from Eugene Field, Jr. stating "This signed copy of "Neighborly Poems" bearing the signatures of James Whitcomb Riley and Eugene Field, my father, courses direct from the Eugene Field estate." The letter is certainly original; the rest rather likely forgeries of Henry Dayton Sickles. BAL 16576.

Hardcover. Etat : Very Good+. Maroon leather, a.e.g., library sticker on spine; oblong 12mo (270x165mm); approx. pp. 200, a variety of papers, nearly full of verses in manuscript (by diverse hands) and beautifully accomplished original artwork in ink, wash, gouache, and/or watercolor. Leather scuffed, and torn on upper board; a few leaves loose. A beautiful example, with hundreds of verses in Italian (most of them uncredited) all in ink by many hands -- some signed, some with locations (Milano, Caserta, Bologna, S. Andrea, Lodi, et al), many dated. Penmanship is legible, even lovely, throughout, and the quality and variety of the artwork is remarkable. Includes silhouettes, scenes, landscapes (mostly Italy, but including the Middle East), floral motifs (some with a Japanese influence), animals, costume, and much more. Should be seen.

Quarto (21,5 cm x 27 cm). 33 pages plus 3 pages "Apologie de L'Aveugle". Original Softcover. Excellent condition with some minor signs of wear only. Tapuscrit original avec annotations manuscrites et corrections des "Poèmes métaphysiques". Copie personnelle de Jean Lescure avec corrections et ajouts à son premier recueil de poèmes. Librement insérées dans le recueil les trois pages du tapuscrit pour "Apologie de L'Aveugle - à André Frénaud" reflétant son étroite amitié et collaboration avec André Frénaud [selon nos recherches, Jean Lescure a composé ce poème avec Paul Eluard et il a été publié dans "A la gloire de la main" en 1949]. Les poèmes du Typescript / Manuscrit de Lescure sont tous datés entre 1937 et 1940. La composition originale du poème-cyle "Trois chansons de mer pour l'équinoe" est entièrement remplacée par un autographe, manuscrit-entrée de Lescur. Les poèmes de ce Typescript/Manuscrit original de "Poèmes métaphysiques" sont intitulés : "Porte ouverte ou fermee" ("mars-avril 1939")/ "Dialectique d'un printemps" ("hiver 1937 - ler 5 decembre 1939")/ "Présent de la journée" ("5-6 décembre 1939") / "Noel pour une fille que fleurisse le jour" ("7-18 décembre 1939") / "Chant montagnard pour saluer la fin de l'hiver" (" Fev. 1940-Mars 1941")/ "La Nourriture de l'Amour" ("Fevrier 1941 - Mars 1942")/ "Double aspect de l'iris" ("20 déc. 1939 - Jan. 1940") / "Double Fer" ("Jan - 25 avril 1940") / "Debut sur le jour" / "Aspect de la Solitude" / "Chansons de mer pour l'equinoxe" [1.Chanson du patron - 2. Chanson du gabier (Manoeuvre a la vie pare et vire) - [Chansons du precheur] - 3. Chanson du timonier] ("Sept - Oct 41") // Jean Lescure, né le 14 septembre 1912 à Asnières et décédé le 17 octobre 2005 à Paris, est un écrivain, poète et scénariste français. Né le 14 septembre 1912 à Asnières, où ses parents ont transformé leur bistro-salle de bal en cinéma, l'Alcazar, Jean Albert Lescure est de 1921 à 1928 interne au collège de Saint-Germain-en-Laye où il côtoie Mounir Hafez et Armel Guerne. Après des études de philosophie à la Sorbonne (Étienne Gilson, Léon Brunschvicg, André Lalande) et de psychopathologie à Sainte-Anne (Georges Dumas), il fait partie en 1934 du Comité de vigilance des intellectuels antifascistes. Il participe en 1935 à la première randonnée au Contadour proposée à ses lecteurs par Jean Giono. Il devient son secrétaire, élabore le projet des Cahiers du Contadour et en dirige en 1936 les deux premiers numéros. Durant ces années il effectue plusieurs voyages, en Corse en 1932, en Autriche en 1934, à Alger en 1936. En 19381, Lescure prend la direction de la revue poétique Messages dont il a retracé l'histoire dans Poésie et liberté. Après un premier cahier autour de William Blake, le deuxième, préparé avec l'aide de Jean Wahl, a pour titre Métaphysique et Poésie. À cette occasion Lescure demande à Gaston Bachelard un texte; Instant poétique et instant métaphysique, qui va orienter la réflexion du philosophe vers l'imaginaire poétique, rencontre René Char, se lie avec René Daumal et Benjamin Fondane et noue une « affection fraternelle » avec Pierre Emmanuel. En 1939 il publie son premier recueil, Le voyage immobile. Couverture de Messages I et sommaire de Messages II, 1942. En 1942, Lescure engage Messages dans la résistance littéraire pour en faire, avec le soutien de Jean Paulhan, « l'anti-NRF» que dirige depuis 1940 Drieu la Rochelle. Le premier cahier paraît en mars (textes de Pierre Emmanuel, Eugène Guillevic, Jean Follain, Raoul Ubac). Après interdiction, les deux suivants (Claudel, Jean Tardieu, Francis Ponge, Paul Éluard, Raymond Queneau, Loys Masson) sont antidatés. Le quatrième (Bachelard, André Frénaud, Michel Leiris, Queneau, Jean-Paul Sartre, Bataille) est publié à Bruxelles. Jean Lescure participe simultanément à la diffusion de la presse clandestine2 et collabore aux « Lettres françaises » dans lesquelles il publie un long texte sur La Lutte avec l'ange d'André Malraux (octobre 1943) ainsi q.