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  • Sawada, Tomoko

    Edité par Seigensha, Tokyo, 2024

    ISBN 10 : 4861520126ISBN 13 : 9784861520129

    Vendeur : DIAMOND HOLLOW BOOKS / MILES BELLAMY, ANDES, NY, Etats-Unis

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    Livre

    EUR 115,44

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    EUR 5,60 Frais de port

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    Hardcover. Etat : VG+. First. One of our favorite ever photo books, and we don't even know why. Glossy white boards with black lettering, 8vo, generally VG+ condition. Uncommon in U.S.

  • Edité par Seigensha Art Publishing, 2004

    ISBN 10 : 4861520126ISBN 13 : 9784861520129

    Vendeur : GF Books, Inc., Hawthorne, CA, Etats-Unis

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    Livre

    EUR 121,18

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    Etat : Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting.

  • Edité par Seigensha Art Publishing, 2004

    ISBN 10 : 4861520126ISBN 13 : 9784861520129

    Vendeur : GF Books, Inc., Hawthorne, CA, Etats-Unis

    Evaluation du vendeur : Evaluation 5 étoiles, Learn more about seller ratings

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    Livre

    EUR 121,18

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    Livraison gratuite

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    Etat : Fine. Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear.

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    Etat : Sehr gut. Seigensha Art Publishing, Japan, 2004. First edition, first printing. With signature and drawing by Tomoko Sawada! Hardcover (as issued). 110 x 155 mm (5 3/4 x 6 3/4 inch). 400 black and white plates. Biographical note and exhibition history. Language: japanese and english. Condition: Inside and outside with light trace of use. Overall very fine condition! Important artist and photography book. Scarce first printing! With vintage signature and drawing by the artist! "Contemporary portraiture can communicate various attitudes towards identity, status, individualism, time, place, culture and other connected ideas of the self. For artists, it can be used as a platform for discussion or as an enlightening tool for personal discovery. The work of Tomoko Sawada explores many of these sometimes contradictory ideas through self-created characters, the use of costume and staged photography allows Sawada to evoke the essence of "real" people within a controlled environment. Sawada`s series OMIAI, ID400 and School Days are fitting examples of her ability as both a photographer, and to some degree, performance artist. Reincarnating herself as numerous different schoolgirls or multiples of potential wives, Sawada explores Japanese stereotypes with humorous and delightful effect. By turning the lens on herself, Sawada explores the finer details of portraiture utilizing costume, facial expression and differing environments for the perfect photograph - the accessible photo-booth, studio, or working environment. Her work has a sense of familiarity, comforting but also unsettling in its realism and closeness. Sawada enlists the assistance of studio photographers to document her work. This separation from the "artist`s hand" further places Sawada in the realm of performer rather than photographer. Her art is connected to her surroundings, her costume, hair and make-up; all of the rudimentary and mundane objects that are usually taken for granted. Once formulated, her photographs act as an exploration of social badges, the malleability of the self and our position and role in contemporary society. The experimentation and repetitive nature of her photography further highlights Sawada`s skill in costume and theatrical prowess. The digital manipulation of her work feels real and her characters, believable. All of these elements culminate in a photographic document of Japanese society and the individuals that encapsulate it. This highly skilled photographer`s body of work continues to grow. She has exhibited in major national and international galleries and group exhibitions where many public and private collectors have purchased her work. She is also the winner of many notable photography awards and grants."***************Seigensha Art Publishing, Japan, 2004. Japanische Erstausgabe. Originalausgabe. Mit Signatur und Zeichnung von Tomoko Sawada! Hardcover (wie erschienen). 110 x 155 mm. 400 schwarz-weiß Fotos. Text: japanisch und englisch. Zustand: Innen und aussen mit leichten Gebrauchsspuren. Insgesamt von sehr guter Erhaltung! Wichtiges Künstler- und Fotografiebuch! Seltener Erstdruck! Mit Vintage-Signatur und Zeichnung der Künstlerin! ja Gewicht in Gramm: 1600.

  • EUR 45 Frais de port

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    Etat : Wie neu. Seigensha Art Publishing, Japan, 2004. First edition, first printing. With signature and drawing by Tomoko Sawada! Hardcover (as issued). 110 x 155 mm (5 3/4 x 6 3/4 inch). 400 black and white plates. Biographical note and exhibition history. Language: japanese and english. Condition: Inside new, mint, unread; only opened once for signature. Outside with light trace of use. Overall fantastic condition! Important artist and photography book. Scarce first printing! With vintage signature and drawing by the artist! Collector`s copy! "Contemporary portraiture can communicate various attitudes towards identity, status, individualism, time, place, culture and other connected ideas of the self. For artists, it can be used as a platform for discussion or as an enlightening tool for personal discovery. The work of Tomoko Sawada explores many of these sometimes contradictory ideas through self-created characters, the use of costume and staged photography allows Sawada to evoke the essence of "real" people within a controlled environment. Sawada`s series OMIAI, ID400 and School Days are fitting examples of her ability as both a photographer, and to some degree, performance artist. Reincarnating herself as numerous different schoolgirls or multiples of potential wives, Sawada explores Japanese stereotypes with humorous and delightful effect. By turning the lens on herself, Sawada explores the finer details of portraiture utilizing costume, facial expression and differing environments for the perfect photograph - the accessible photo-booth, studio, or working environment. Her work has a sense of familiarity, comforting but also unsettling in its realism and closeness. Sawada enlists the assistance of studio photographers to document her work. This separation from the "artist`s hand" further places Sawada in the realm of performer rather than photographer. Her art is connected to her surroundings, her costume, hair and make-up; all of the rudimentary and mundane objects that are usually taken for granted. Once formulated, her photographs act as an exploration of social badges, the malleability of the self and our position and role in contemporary society. The experimentation and repetitive nature of her photography further highlights Sawada`s skill in costume and theatrical prowess. The digital manipulation of her work feels real and her characters, believable. All of these elements culminate in a photographic document of Japanese society and the individuals that encapsulate it. This highly skilled photographer`s body of work continues to grow. She has exhibited in major national and international galleries and group exhibitions where many public and private collectors have purchased her work. She is also the winner of many notable photography awards and grants."***************Seigensha Art Publishing, Japan, 2004. Japanische Erstausgabe. Originalausgabe. Mit Signatur und Zeichnung von Tomoko Sawada! Hardcover (wie erschienen). 110 x 155 mm. 400 schwarz-weiß Fotos. Text: japanisch und englisch. Zustand: Innen neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signatur. Aussen mit leichten Gebrauchsspuren. Insgesamt von hervorragender Erhaltung! Wichtiges Künstler- und Fotografiebuch! Seltener Erstdruck! Mit Vintage-Signatur und Zeichnung der Künstlerin! Sammler-Exemplar! ja Gewicht in Gramm: 1600.