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Edité par Cambridge University Press, 1992
ISBN 10 : 0521410541ISBN 13 : 9780521410540
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Livre
Etat : Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0521410541.
Edité par Cambridge, Cambridge University Press, 1992
ISBN 10 : 0521410541ISBN 13 : 9780521410540
Vendeur : Antiquariat Bookfarm, Löbnitz, Allemagne
Livre
230 S. Buch in GUTEM Zustand, kaum Gebrauchsspuren. Book in GOOD condition, few traces of use. 9780521410540 Sprache: Englisch Gewicht in Gramm: 550.
Edité par Cambridge [England]; New York: Cambridge University Press, 1992
ISBN 10 : 0521410541ISBN 13 : 9780521410540
Vendeur : MW Books, New York, NY, Etats-Unis
Livre Edition originale
1st Edition. Near fine cloth copy in a very good if slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: xvi, 230 pages: illustrations; 26 cm. Contents: Introduction: Holding the mirror up to politics -- Ch. 1. One synthetic and various ego -- Ch. 2. artist is the ideal giant -- Ch. 3. Only your hatred is creative -- Ch. 4. Some form of fascism -- Ch. 5. jest too deep for laughter. Subjects: Lewis, Wyndham 1882-1957 Political and social views.Lewis, Wyndham 1882-1957 Criticism and interpretation. Lewis, Wyndham 1882-1957. Art and society Great Britain.Painters, British 20th century. Art, Modern 20th century. 1 Kg.
Edité par Cambridge [England]; New York: Cambridge University Press, 1992
ISBN 10 : 0521410541ISBN 13 : 9780521410540
Vendeur : MW Books Ltd., Galway, Irlande
Livre Edition originale
1st Edition. Near fine cloth copy in a very good if slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: xvi, 230 pages: illustrations; 26 cm. Contents: Introduction: Holding the mirror up to politics -- Ch. 1. One synthetic and various ego -- Ch. 2. artist is the ideal giant -- Ch. 3. Only your hatred is creative -- Ch. 4. Some form of fascism -- Ch. 5. jest too deep for laughter. Subjects: Lewis, Wyndham 1882-1957 Political and social views.Lewis, Wyndham 1882-1957 Criticism and interpretation. Lewis, Wyndham 1882-1957. Art and society Great Britain.Painters, British 20th century. Art, Modern 20th century. 1 Kg.
Edité par Cambridge University Press, 1993
ISBN 10 : 0521410541ISBN 13 : 9780521410540
Vendeur : Seagull Books, Hove, Royaume-Uni
Livre Edition originale
Hardcover. Etat : Good. Etat de la jaquette : Good. 1st Edition. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Quick dispatch from the UK.
Edité par Cambridge University Press, Cambridge, 1992
Livre Edition originale
Hardcover. Etat : Fine. Etat de la jaquette : Very Good. 1st Edition. First Edition (first printing). 4to. xvi, 230pp. Red boards lettered and ruled in grey at the spine. With a photographic frontispiece and nearly sixty black and white reproductions, predominantly presented full-page. A fine copy in dust wrapper, the publisher's red spine panel colouring just a little faded.
Edité par Cambridge University Press, UK, 1993
ISBN 10 : 0521410541ISBN 13 : 9780521410540
Vendeur : Anytime Books, London, Royaume-Uni
Livre
Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. Useful study of Lewis and the connections btween his politics and his art. pp.xvi.230. Illus. Frontis. DW in archival sleeve; 2cm tear. Owner's mark.
Edité par Cambridge University Press December 1992, 1992
ISBN 10 : 0521410541ISBN 13 : 9780521410540
Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Livre
Hardcover. Etat : Used - Very Good. In this study of the artist, writer and polymath Wyndham Lewis, Normand offers a close analysis of the complex world which Lewis's paintings inhabit. The author adopts an inter-disciplinary approach to examine the relationship between Lewis's philosophical and social commentary, his political attitudes and his concerns in the visual arts. Beginning with his early career at the Slade School of Art and his association with Augustus John, the text traces Lewis's emerging commitment to a 'classical' modernism and goes on to explore the implications of his political associations with Oswald Mosley and British fascism. Without offering a reductivist view of the relationship between art and politics, Normand argues for a close correspondence between Lewis's political affiliations and both the form and content of his painting. Throughout this book, Lewis is shown as an individual who both articulates and reacts against the dominant codes of his age. He provides a clear insight into the nature of the Modern Movement in England and offers a critical assessment of contemporary society and his own culture set. It was undoubtedly these qualities which T. S. Eliot had in mind when he called Lewis 'the most fascinating personality our time'. Tom Normand provides a valuable insight into the complicated world of this important modern artist.
Edité par Cambridge University Press, 1993
ISBN 10 : 0521410541ISBN 13 : 9780521410540
Vendeur : Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Royaume-Uni
Livre
Etat : Good. Tear to spine of dustjacket, otherwise would have been in very good condition.