Refiguring Spain Features essays that explore the central role played by film, television, newspapers, and art museums in redefining Spain's national/cultural identity and its position in the world economy during the post-Franco era. This title examines Francoist cinema and other popular media in light of strategies used to redefine Spain's cultural identity. Full description
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Vendeur : SecondSale, Montgomery, IL, Etats-Unis
Etat : Like New. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. N° de réf. du vendeur 00064128947
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.46. N° de réf. du vendeur G0822319381I4N00
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Vendeur : Abacus Bookshop, Pittsford, NY, Etats-Unis
softcover. Etat : Fine copy. Illus. with photos (illustrateur). 1st edition. 8vo, 370 pp. N° de réf. du vendeur 057774
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Vendeur : Ergodebooks, Houston, TX, Etats-Unis
Softcover. Etat : Fine. Product Description In Refiguring Spain, Marsha Kinderhas gathered a collection of new essays that explore the central role played by film, television, newspapers, and art museums in redefining Spains national/cultural identity and its position in the world economy during the post-Franco era. By emphasizing issues of historical recuperation, gender and sexuality, and the marketing of Spains peaceful political transformation, the contributors demonstrate that Spanish cinema and other forms of Spanish media culture created new national stereotypes and strengthened the nations place in the global market and on the global stage. These essays consider a diverse array of texts, ranging from recent films by Almod?ar, Saura, Erice, Mir? Bigas Luna, Guti?rez Arag?, and Eloy de la Iglesia to media coverage of the 1993 elections. Francoist cinema and other popular media are examined in light of strategies used to redefine Spains cultural identity. The importance of the documentary, the appropriation of Hollywood film, and the significance of gender and sexuality in Spanish cinema are also discussed, as is the discourse of the Spanish media star-whether involving film celebrities like Rita Hayworth and Antonio Banderas or historical figures such as Cervantes. The volume concludes with an investigation of larger issues of government policy in relation to film and media, including a discussion of the financing of Spanish cinema and an exploration of the political dynamics of regional television and art museums. Drawing on a wide range of critical discourses, including feminist, postcolonial, and queer theory, political economy, cultural history, and museum studies, Refiguring Spain is the first comprehensive anthology on Spanish cinema in the English language.Contributors. Peter Besas, Marvin DLugo, Selma Reuben Holo, Dona M. Kercher, Marsha Kinder, Jaume Mart?Olivella, Richard Maxwell, Hilary L. Neroni, Paul Julian Smith, Roland B. Tolentino, Stephen Tropiano, Kathleen M. Vernon, Iaki Zabaleta Review The relationships between history, sexuality, and economy as offered by Marsha Kinder in Refiguring Spain are dynamic and mobile. The vision and the implementation of her study are impeccable. She at once configures an order of meaning in the recent past and offers a predictive model for what will continue to happen in the future.-Tom Conley, Harvard UniversityWith its original and stimulating theoretical framework, Refiguring Spain complements other recent work dealing with Spanish cinema and media while giving new impetus to these studies.- Victor Fuentes, University of California, Santa Barbara From the Back Cover "The relationships between history, sexuality, and economy as offered by Marsha Kinder in "Refiguring Spain" are dynamic and mobile. The vision and the implementation of her study are impeccable. She at once configures an order of meaning in the recent past and offers a predictive model for what will continue to happen in the future."--Tom Conley, Harvard University About the Author Marsha Kinder is Professor of Critical Studies in the School of Cinema-Television at the University of Southern California. She is author of Blood Cinema: The Reconstruction of National Identity in Spain. 2.3055. N° de réf. du vendeur SONG0822319381
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized. N° de réf. du vendeur mon0000233735
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Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Etat : Used - Very Good. 1997. Paperback. Pap. Slight shelf-wear. Clean internals. Very Good. N° de réf. du vendeur SOL30240
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Vendeur : J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, Etats-Unis
Paperback. 370pp, numerous black/white illustrations. Very good plus condition with text clean & binding tight. N° de réf. du vendeur 148989
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Vendeur : Phatpocket Limited, Waltham Abbey, HERTS, Royaume-Uni
Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. N° de réf. du vendeur Z1-F-057-01370
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Vendeur : The Unskoolbookshop, Brattleboro, VT, Etats-Unis
Soft cover. Etat : Very Good. Light cover wear. Nice, clean, tight, unmarked copy. A collection of new essays that explore the central role played by film, television, newspapers, and art museums in redefining Spain's national/cultural identity and its position in the world economy during the post-Franco era. Book. N° de réf. du vendeur 016609
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Vendeur : Murphy-Brookfield Books, Iowa City SE, IA, Etats-Unis
Trade Paperback. Etat : Fine. magic marker bottom edge. N° de réf. du vendeur 322118
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