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Extrait :
Book One
1.
Isaac's mother was dead five years but he hadn't stopped thinking about her. He lived alone in the house with the old man, twenty, small for his age, easily mistaken for a boy. Late morning and he walked quickly through the woods toward town--a small thin figure with a backpack, trying hard to keep out of sight. He'd taken four thousand dollars from the old man's desk; Stolen, he corrected himself. The nuthouse prisonbreak. Anyone sees you and it's Silas get the dogs.
Soon he reached the overlook: green rolling hills, a muddy winding river, an expanse of forest unbroken except for the town of Buell and its steelmill. The mill itself had been like a small city, but they had closed it in 1987, partially dismantled it ten years later; it now stood like an ancient ruin, its buildings grown over with bittersweet vine, devil's tear thumb, and tree of heaven. The footprints of deer and coyotes crisscrossed the grounds; there was only the occasional human squatter.
Still, it was a quaint town: neat rows of white houses wrapping the hillside, church steeples and cobblestone streets, the tall silver domes of an Orthodox cathedral. A place that had recently been well-off, its downtown full of historic stone buildings, mostly boarded now. On certain blocks there was still a pretense of keeping the trash picked up, but others had been abandoned completely. Buell, Fayette County, Pennsylvania. Fayette-nam, as it was often called.
Isaac walked the railroad tracks to avoid being seen, though there weren't many people out anyway. He could remember the streets at shiftchange, the traffic stopped, the flood of men emerging from the billet mill coated with steeldust and flickering in the sunlight; his father, tall and shimmering, reaching down to lift him. That was before the accident. Before he became the old man.
It was forty miles to Pittsburgh and the best way was to follow the tracks along the river--it was easy to jump a coal train and ride as long as you wanted. Once he made the city, he'd jump another train to California. He'd been planning this for a month. A long time overdue. Think Poe will come along? Probably not.
On the river he watched barges and a towboat pass, engines droning. It was pushing coal. Once the boat was gone the air got quiet and the water was slow and muddy and the forests ran down to the edge and it could have been anywhere, the Amazon, a picture from National Geographic. A bluegill jumped in the shallows--you weren't supposed to eat the fish but everyone did. Mercury and PCB. He couldn't remember what the letters stood for but it was poison.
In school he'd tutored Poe in math, though even now he wasn't sure why Poe was friends with him--Isaac English and his older sister were the two smartest kids in town, the whole Valley, probably; the sister had gone to Yale. A rising tide, Isaac had hoped, that might lift him as well. He'd looked up to his sister most of his life, but she had found a new place, had a husband in Connecticut that neither Isaac nor his father had met. You're doing fine alone, he thought. The kid needs to be less bitter. Soon he'll hit California--easy winters and the warmth of his own desert. A year to get residency and apply to school: astrophysics. Lawrence Livermore. Keck Observatory and the Very Large Array. Listen to yourself--does any of that still make sense?
Outside the town it got rural again and he decided to walk the trails to Poe's house instead of taking the road. He climbed steadily along. He knew the woods as well as an old poacher, kept notebooks of drawings he'd made of birds and other animals, though mostly it was birds. Half the weight of his pack was notebooks. He liked being outside. He wondered if that was because there were no people, but he hoped not. It was lucky growing up in a place like this because in a city, he didn't know, his mind was like a train where you couldn't control the speed. Give it a track and direction or it cracks up. The human condition put names to everything: bloodroot rockflower whip-poor-will, tulip bitternut hackberry. Shagbark and pin oak. Locust and king_nut. Plenty to keep your mind busy.
Meanwhile, right over your head, a thin blue sky, see clear to outer space: the last great mystery. Same distance to Pittsburgh--couple miles of air and then four hundred below zero, a fragile blanket. Pure luck. Odds are you shouldn't be alive--think about that, Watson. Can't say it in public or they'll put you in a straitjacket.
Except eventually the luck runs out--your sun turns into a red giant and the earth is burned whole. Giveth and taketh away. The entire human race would have to move before that happened and only the physicists could figure out how, they were the ones who would save people. Of course by then he'd be long dead. But at least he'd have made his contribution. Being dead didn't excuse your responsibility to the ones still alive. If there was anything he was sure of, it was that.
Poe lived at the top of a dirt road in a doublewide trailer that sat, like many houses outside town, on a large tract of woodland. Eighty acres, in this case, a frontier sort of feeling, a feeling of being the last man on earth, protected by all the green hills and hollows.
There was a muddy four-wheeler sitting in the yard near Poe's old Camaro, its three-thousand-dollar paintjob and blown transmission. Metal sheds in various states of collapse, a Number 3 Dale Earnhardt flag pinned across one of them, a wooden game pole for hanging deer. Poe was sitting at the top of the hill, looking out toward the river from his folding chair. If you could find a way to pay your mortgage, people always said, it was like living on God's back acre.
The whole town thought Poe would go to college to keep playing ball, not exactly Big Ten material but good enough for somewhere, only two years later here he was, living in his mother's trailer, sitting in the yard and looking like he intended to cut firewood. This week or maybe next. A year older than Isaac, his glory days already past, a dozen empty beer cans at his feet. He was tall and broad and squareheaded and at two hundred forty pounds, more than twice the size of Isaac. When he saw him, Poe said:
"Getting rid of you for good, huh?"
"Hide your tears," Isaac told him. He looked around. "Where's your bag?" It was a relief to see Poe, a distraction from the stolen money in his pocket.
Poe grinned and sipped his beer. He hadn't showered in days--he'd been laid off when the town hardware store cut its hours and was putting off applying to Wal-Mart as long as possible.
"As far as coming along, you know I've got all this stuff to take care of." He waved his arm generally at the rolling hills and woods in the distance. "No time for your little caper."
"You really are a coward, aren't you?"
"Christ, Mental, you can't seriously want me to come with you."
"I don't care either way," Isaac told him.
"Looking at it from my own selfish point of view, I'm still on goddamn probation. I'm better off robbing gas stations."
"Sure you are."
"You ain't gonna make me feel guilty. Drink a beer and sit down a minute."
"I don't have time," said Isaac.
Poe glanced around the yard in exasperation, but finally he stood up. He finished the rest of his drink and crumpled the can. "Alright," he said. "I'll ride with you up to the Conrail yard in the city. But after that, you're on your own."
From a distance, from the size of them, they might have been father and son. Poe with his big jaw and his small eyes and even now, two years out of school, a nylon football jacket, his name and player number on the front and buell eagles on the back. Isaac short and skinny, his eyes too large for his face, his clothes too large for him as well, his old backpack stuffed with his sleeping bag, a change of clothes, his notebooks. They went down the narrow dirt road toward the river, mostly it was woods and meadows, green and beautiful in the first weeks of spring. They passed an old house that had tipped face-first into a sinkhole--the ground in the Mid-Mon Valley was riddled with old coal mines, some properly stabilized, others not. Isaac winged a rock and knocked a ventstack off the roof. He'd always had a good arm, better than Poe's even, though of course Poe would never admit it.
Just before the river they came to the Cultrap farm with its cows sitting in the sun, heard a pig squeal for a long time in one of the outbuildings.
"Wish I hadn't heard that."
"Shit," said Poe. "Cultrap makes the best bacon around."
"It's still something dying."
"Maybe you should stop analyzing it."
"You know they use pig hearts to fix human hearts. The valves are basically the same."
"I'm gonna miss your factoids."
"Sure you will."
"I was exaggerating," said Poe. "I was being ironic."
They continued to walk.
"You know I would seriously owe you if you came with."
"Me and Jack Kerouac Junior. Who stole four grand from his old man and doesn't even know where the money came from."
"He's a cheap bastard with a steelworker's pension. He's got plenty of money now that he's not sending it all to my sister."
"Who probably needed it."
"Who graduated from Yale with about ten scholarships while I stayed back and looked after Little Hitler."
Poe sighed. "Poor angry Isaac."
"Who wouldn't be?"
"Well to share some wisdom from my own father, wherever you go, you still wake up and see the same face in the mirror."
"Words to live by."
"The old man's been around some."
"You're right about that."
"Come on now, Mental."
They turned north along the river, toward Pittsburgh; to the south it was state forest and coal mines. The coal was the reason for steel. They passed another ...
Revue de presse :
1.
Isaac's mother was dead five years but he hadn't stopped thinking about her. He lived alone in the house with the old man, twenty, small for his age, easily mistaken for a boy. Late morning and he walked quickly through the woods toward town--a small thin figure with a backpack, trying hard to keep out of sight. He'd taken four thousand dollars from the old man's desk; Stolen, he corrected himself. The nuthouse prisonbreak. Anyone sees you and it's Silas get the dogs.
Soon he reached the overlook: green rolling hills, a muddy winding river, an expanse of forest unbroken except for the town of Buell and its steelmill. The mill itself had been like a small city, but they had closed it in 1987, partially dismantled it ten years later; it now stood like an ancient ruin, its buildings grown over with bittersweet vine, devil's tear thumb, and tree of heaven. The footprints of deer and coyotes crisscrossed the grounds; there was only the occasional human squatter.
Still, it was a quaint town: neat rows of white houses wrapping the hillside, church steeples and cobblestone streets, the tall silver domes of an Orthodox cathedral. A place that had recently been well-off, its downtown full of historic stone buildings, mostly boarded now. On certain blocks there was still a pretense of keeping the trash picked up, but others had been abandoned completely. Buell, Fayette County, Pennsylvania. Fayette-nam, as it was often called.
Isaac walked the railroad tracks to avoid being seen, though there weren't many people out anyway. He could remember the streets at shiftchange, the traffic stopped, the flood of men emerging from the billet mill coated with steeldust and flickering in the sunlight; his father, tall and shimmering, reaching down to lift him. That was before the accident. Before he became the old man.
It was forty miles to Pittsburgh and the best way was to follow the tracks along the river--it was easy to jump a coal train and ride as long as you wanted. Once he made the city, he'd jump another train to California. He'd been planning this for a month. A long time overdue. Think Poe will come along? Probably not.
On the river he watched barges and a towboat pass, engines droning. It was pushing coal. Once the boat was gone the air got quiet and the water was slow and muddy and the forests ran down to the edge and it could have been anywhere, the Amazon, a picture from National Geographic. A bluegill jumped in the shallows--you weren't supposed to eat the fish but everyone did. Mercury and PCB. He couldn't remember what the letters stood for but it was poison.
In school he'd tutored Poe in math, though even now he wasn't sure why Poe was friends with him--Isaac English and his older sister were the two smartest kids in town, the whole Valley, probably; the sister had gone to Yale. A rising tide, Isaac had hoped, that might lift him as well. He'd looked up to his sister most of his life, but she had found a new place, had a husband in Connecticut that neither Isaac nor his father had met. You're doing fine alone, he thought. The kid needs to be less bitter. Soon he'll hit California--easy winters and the warmth of his own desert. A year to get residency and apply to school: astrophysics. Lawrence Livermore. Keck Observatory and the Very Large Array. Listen to yourself--does any of that still make sense?
Outside the town it got rural again and he decided to walk the trails to Poe's house instead of taking the road. He climbed steadily along. He knew the woods as well as an old poacher, kept notebooks of drawings he'd made of birds and other animals, though mostly it was birds. Half the weight of his pack was notebooks. He liked being outside. He wondered if that was because there were no people, but he hoped not. It was lucky growing up in a place like this because in a city, he didn't know, his mind was like a train where you couldn't control the speed. Give it a track and direction or it cracks up. The human condition put names to everything: bloodroot rockflower whip-poor-will, tulip bitternut hackberry. Shagbark and pin oak. Locust and king_nut. Plenty to keep your mind busy.
Meanwhile, right over your head, a thin blue sky, see clear to outer space: the last great mystery. Same distance to Pittsburgh--couple miles of air and then four hundred below zero, a fragile blanket. Pure luck. Odds are you shouldn't be alive--think about that, Watson. Can't say it in public or they'll put you in a straitjacket.
Except eventually the luck runs out--your sun turns into a red giant and the earth is burned whole. Giveth and taketh away. The entire human race would have to move before that happened and only the physicists could figure out how, they were the ones who would save people. Of course by then he'd be long dead. But at least he'd have made his contribution. Being dead didn't excuse your responsibility to the ones still alive. If there was anything he was sure of, it was that.
Poe lived at the top of a dirt road in a doublewide trailer that sat, like many houses outside town, on a large tract of woodland. Eighty acres, in this case, a frontier sort of feeling, a feeling of being the last man on earth, protected by all the green hills and hollows.
There was a muddy four-wheeler sitting in the yard near Poe's old Camaro, its three-thousand-dollar paintjob and blown transmission. Metal sheds in various states of collapse, a Number 3 Dale Earnhardt flag pinned across one of them, a wooden game pole for hanging deer. Poe was sitting at the top of the hill, looking out toward the river from his folding chair. If you could find a way to pay your mortgage, people always said, it was like living on God's back acre.
The whole town thought Poe would go to college to keep playing ball, not exactly Big Ten material but good enough for somewhere, only two years later here he was, living in his mother's trailer, sitting in the yard and looking like he intended to cut firewood. This week or maybe next. A year older than Isaac, his glory days already past, a dozen empty beer cans at his feet. He was tall and broad and squareheaded and at two hundred forty pounds, more than twice the size of Isaac. When he saw him, Poe said:
"Getting rid of you for good, huh?"
"Hide your tears," Isaac told him. He looked around. "Where's your bag?" It was a relief to see Poe, a distraction from the stolen money in his pocket.
Poe grinned and sipped his beer. He hadn't showered in days--he'd been laid off when the town hardware store cut its hours and was putting off applying to Wal-Mart as long as possible.
"As far as coming along, you know I've got all this stuff to take care of." He waved his arm generally at the rolling hills and woods in the distance. "No time for your little caper."
"You really are a coward, aren't you?"
"Christ, Mental, you can't seriously want me to come with you."
"I don't care either way," Isaac told him.
"Looking at it from my own selfish point of view, I'm still on goddamn probation. I'm better off robbing gas stations."
"Sure you are."
"You ain't gonna make me feel guilty. Drink a beer and sit down a minute."
"I don't have time," said Isaac.
Poe glanced around the yard in exasperation, but finally he stood up. He finished the rest of his drink and crumpled the can. "Alright," he said. "I'll ride with you up to the Conrail yard in the city. But after that, you're on your own."
From a distance, from the size of them, they might have been father and son. Poe with his big jaw and his small eyes and even now, two years out of school, a nylon football jacket, his name and player number on the front and buell eagles on the back. Isaac short and skinny, his eyes too large for his face, his clothes too large for him as well, his old backpack stuffed with his sleeping bag, a change of clothes, his notebooks. They went down the narrow dirt road toward the river, mostly it was woods and meadows, green and beautiful in the first weeks of spring. They passed an old house that had tipped face-first into a sinkhole--the ground in the Mid-Mon Valley was riddled with old coal mines, some properly stabilized, others not. Isaac winged a rock and knocked a ventstack off the roof. He'd always had a good arm, better than Poe's even, though of course Poe would never admit it.
Just before the river they came to the Cultrap farm with its cows sitting in the sun, heard a pig squeal for a long time in one of the outbuildings.
"Wish I hadn't heard that."
"Shit," said Poe. "Cultrap makes the best bacon around."
"It's still something dying."
"Maybe you should stop analyzing it."
"You know they use pig hearts to fix human hearts. The valves are basically the same."
"I'm gonna miss your factoids."
"Sure you will."
"I was exaggerating," said Poe. "I was being ironic."
They continued to walk.
"You know I would seriously owe you if you came with."
"Me and Jack Kerouac Junior. Who stole four grand from his old man and doesn't even know where the money came from."
"He's a cheap bastard with a steelworker's pension. He's got plenty of money now that he's not sending it all to my sister."
"Who probably needed it."
"Who graduated from Yale with about ten scholarships while I stayed back and looked after Little Hitler."
Poe sighed. "Poor angry Isaac."
"Who wouldn't be?"
"Well to share some wisdom from my own father, wherever you go, you still wake up and see the same face in the mirror."
"Words to live by."
"The old man's been around some."
"You're right about that."
"Come on now, Mental."
They turned north along the river, toward Pittsburgh; to the south it was state forest and coal mines. The coal was the reason for steel. They passed another ...
'The American dream dies and is reborn yet again. Set in a beautiful but bleak post-industrial landscape with characters who are compellingly engaging, American Rust is a startlingly mature and impressive debut' Kate Atkinson
'A novel as splendidly crafted and original as any written in recent decades, American Rust is both darkly disturbing and darkly compelling. Philipp Meyer's first novel signals the arrival of a new voice in American letters' Patricia Cornwell
'Philipp Meyer's American Rust is written with considerable dramatic intensity and pace. It manages an emotional accuracy, a deep and detailed conviction, in its depiction of character. It also captures a sense of a menacing society, a wider world in the throes of decay and self-destruction' Colm Tóibín
'This tale of personal struggles and economic depression is captivating, and more than a little resonant with current economic vibrations' Gay Times April issue
'Having been force-fed John Steinbeck... I'm always just a little wary of any novel that features a double-wide trailer and is set in the industrial wastelands of the country... This first novel surprises you with its sureness of tone, its narrative propulsion and the singular and perceptive way in which it steers clear of all the usual redneck cliches.... More than anything, American Rust impresses because it reminds us that even the most archetypal of situations can be given an intriguing remake in the right hands. Meyer never wears his social conscience on his sleeve and he never tries to pander to the reader's metropolitan guilt. And, simultaneously, he does make you want to turn the page. This is a new writer who clearly knows what he is doing' Douglas Kennedy, The Times 11/4
'It's a tragedy of a post-industrial society in decline, old with the poise and energy of a writer firmly in the ascendant. I've had excited conversations about this...This year, Meyer's second novel The Son is set to establish him and win major prizes, I think. He's a force of nature, and quite different from most writers. I find him intriguing and terrifically intense, single-minded in his research and fiercely dedicated to writing. Meyer is someone who is going all the way, and now might be a good time to get in at the start of the journey'
Chris Cleave, Esquire October Issue
'A novel as splendidly crafted and original as any written in recent decades, American Rust is both darkly disturbing and darkly compelling. Philipp Meyer's first novel signals the arrival of a new voice in American letters' Patricia Cornwell
'Philipp Meyer's American Rust is written with considerable dramatic intensity and pace. It manages an emotional accuracy, a deep and detailed conviction, in its depiction of character. It also captures a sense of a menacing society, a wider world in the throes of decay and self-destruction' Colm Tóibín
'This tale of personal struggles and economic depression is captivating, and more than a little resonant with current economic vibrations' Gay Times April issue
'Having been force-fed John Steinbeck... I'm always just a little wary of any novel that features a double-wide trailer and is set in the industrial wastelands of the country... This first novel surprises you with its sureness of tone, its narrative propulsion and the singular and perceptive way in which it steers clear of all the usual redneck cliches.... More than anything, American Rust impresses because it reminds us that even the most archetypal of situations can be given an intriguing remake in the right hands. Meyer never wears his social conscience on his sleeve and he never tries to pander to the reader's metropolitan guilt. And, simultaneously, he does make you want to turn the page. This is a new writer who clearly knows what he is doing' Douglas Kennedy, The Times 11/4
'It's a tragedy of a post-industrial society in decline, old with the poise and energy of a writer firmly in the ascendant. I've had excited conversations about this...This year, Meyer's second novel The Son is set to establish him and win major prizes, I think. He's a force of nature, and quite different from most writers. I find him intriguing and terrifically intense, single-minded in his research and fiercely dedicated to writing. Meyer is someone who is going all the way, and now might be a good time to get in at the start of the journey'
Chris Cleave, Esquire October Issue
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