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Description du livre Etat : New. N° de réf. du vendeur ABLING22Oct2817100392585
Description du livre Etat : New. Book is in NEW condition. N° de réf. du vendeur 3038360465-2-1
Description du livre Etat : New. New! This book is in the same immaculate condition as when it was published. N° de réf. du vendeur 353-3038360465-new
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Description du livre Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Most people in the Western world listen to music because of emotions. They want to create or experience emotions. But music is made of tones, tones are sound waves and sound waves are physics.How is it possible that physics becomes psychology, because emotions are a psychological phenomenon When people like a certain piece of music, they usually want to listen to it again and again. Not infrequently for years and decades.What could be the reasons for this When people like a piece of music, it is primarily the melody that they like. For most people, the melody is the face of a piece. More than anything else, it is the element of music they remember.What are the characteristics of melodies that make them to be remembered by listeners What features of the melody could it be that ensure being liked by listeners Based on more than 300 keywords, over 160 musical examples, and 39 charts, answers to these and many other questions are sought and offered in this book.This book is always two-in-one. By illuminating how melodies are built that enjoy great popularity, it is a book of music theory. In this way, it addresses readers who are primarily interested in the book because they themselves invent melodies. By illuminating what psychological mechanisms and physiological responses trigger the melodic operations of composers and improvisers, it is an introduction to music psychological thinking. It combines fundamental considerations from cognitive science, psychology, anthropology, and linguistics. Thus, it is addressed not only to music theorists and musicologists, but ultimately to all readers who wish to expand their knowledge of how melodies work. 636 pp. Englisch. N° de réf. du vendeur 9783038360469
Description du livre paperback. Etat : New. Special order direct from the distributor. N° de réf. du vendeur ING9783038360469
Description du livre PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L0-9783038360469
Description du livre Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Most people in the Western world listen to music because of emotions. They want to create or experience emotions. But music is made of tones, tones are sound waves and sound waves are physics.How is it possible that physics becomes psychology, because emotions are a psychological phenomenon When people like a certain piece of music, they usually want to listen to it again and again. Not infrequently for years and decades.What could be the reasons for this When people like a piece of music, it is primarily the melody that they like. For most people, the melody is the face of a piece. More than anything else, it is the element of music they remember.What are the characteristics of melodies that make them to be remembered by listeners What features of the melody could it be that ensure being liked by listeners Based on more than 300 keywords, over 160 musical examples, and 39 charts, answers to these and many other questions are sought and offered in this book.This book is always two-in-one. By illuminating how melodies are built that enjoy great popularity, it is a book of music theory. In this way, it addresses readers who are primarily interested in the book because they themselves invent melodies. By illuminating what psychological mechanisms and physiological responses trigger the melodic operations of composers and improvisers, it is an introduction to music psychological thinking. It combines fundamental considerations from cognitive science, psychology, anthropology, and linguistics. Thus, it is addressed not only to music theorists and musicologists, but ultimately to all readers who wish to expand their knowledge of how melodies work. N° de réf. du vendeur 9783038360469