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Etat : Fine. Number of pages: 20 pages. 24 pages Number of books: 1 volume.
couverture souple. - Les soirées de Paris, Paris 15 Avril 1914, 17x26cm, agrafé. - Edition originale. Contributions de Alfred Jarry avec des lettres, des poèmes de Guillaume Apollinaire, Blaise Cendrars, Max Jacob, Vincent Muselli, Jean Royère, Jacques Dyssord. Numéro illustré d'après 8 récents tableaux de Georges Braque. Petits manques angulaires sur les plats, plats tendant à se détacher. [ENGLISH DESCRIPTION ON DEMAND].
Edité par Éditions Gallimard Paris, France, 1965
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
427 pp.; 27.8 x 21.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and numbered; offset-printed Revised 1965 edition of an anthology of critical essays by André Breton. Artists, philosophers, and other figures mentioned in the text include André Breton, Corneille Agrippa, Guillaume Apollinaire, Apulee, Louis Aragon, Alexander Archipenko, Hans Arp, Gaston Bachelard, Honoré de Balzac, Hans Bellmer, Bleuler, Umberto Boccioni, Jérôme Bosch, Constantin Brancusi, Georges Braque, Victor Brauner, Bettina Brentano, Jean-Paul Brisset, Charles de Brosses, Robert Browning, Giordano Bruno, Alexander Calder, Leonora Carrington, Blaise Cendrars, Paul Cezanne, Marc Chagall, Giorgio de Chirico, Cimabue, Joseph Cornell, Piero di Cosimo, Georges Courteline, Charles Cros, Salvador Dali, Paul Delvaux, André Derain, Denis Diderot, Oscar Dominquez, Enrico Donati, Isidore Ducasse, Marcel Duchamp, Raymond Duchamp-Villon, Eckhardt, Albert Einstein, Paul Eluard, Max Ernst, Serge Essenine, Joachim de Flore, Théodore Flournoy, Jean Fouquet, Charles Fourier, Esteban Frances, James George Frazer, Sigmund Freud, von der Gabelentz, Alberto Giacometti, Giotto, Goethe, Arshile Gorky, Mathias Grunewald, Gutenberg, David Hare, S. William Hayter, Heraclite, Herold, Morris Hirshfield, Victor Hugo, Sidney Janis, Alfred Jarry, Frido Kahlo, Søren Kierkegaard, Paul Klee, Heinrich von Kleist, Kraepelin, Wifredo Lam, Henri Laurens, Eliphas Levi, Georg-Christoph Lichtenberg, Jacques Lipschitz, Raymond Lulle, Mabuse, Maurice Maeterlinck, René Magritte, Majakowsky, Stéphane Mallarmé, André Masson, Pierre de Massot, Henri Matisse, Matta, Meissonnier, Joan Miró, Henry Moore, Nadja, Gérard de Nerval, Friedrich Nietszche, Novalis, Richard Oelze, Gordon Onslow-Ford, Wolfgang Paalen, Blaise Pascal, Benjamin Peret, Francis Picabia, Pablo Picasso, Edgar Poe, Jacques Prévert, Jean Racine, Man Ray, Marcel Raymond, Charles Renouvier, Retz, Arthur Rimbaud, Diego de Rivera, Simon Rosenkreuz, Henri Rousseau, Jean-Jacques Rousseau, Sabato, Marquis de Sade, Kay Sage, Nicolas Saunderson, Caroline Schlegel, Kurt Schwitters, Kurt Seligmann, Georges Seurat, Wirt Sikes, Hélène Smith, Philippe Soupault, HIppolyte Taine, Yves Tanguy, Leo Trotsky, Tristan Tzara, Raoul Ubac, Uccello, Jacques Vache, Paul Valery, Vincent Van Gogh, Jacques Vaucanson, Leonardo da Vinci, and Edward Young. Includes index of names and list of illustrations. Printed in color and black-and-white. Text in French. Fair / Good. 5 cm. tear to the book cloth along spine and 1 cm. of soiling. 2 cm. stain on inside front endpapers and flyleaf which carries through lightly to the title page. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges may be required for international orders.
couverture souple. - Les soirées de Paris, Paris 15 Avril 1914, 17x26cm, agrafé. - Edition originale. Contributions de Alfred Jarry avec des lettres, des poèmes de Guillaume Apollinaire, Blaise Cendrars, Max Jacob, Vincent Muselli, Jean Royère, Jacques Dyssord. Numéro illustré d'après 8 récents tableaux de Georges Braque. Une petite tache sur le premier plat, bel exemplaire. Rare. [ENGLISH DESCRIPTION ON DEMAND].
Date d'édition : 1962
Vendeur : Ketterer Kunst Hamburg GmbH, Hamburg, Allemagne
Livre Signé
Hardcover. Etat : gut. Paris, L. Broder 1962. - Eines der großen französischen Malerbücher der Nachkriegszeit, ausgestattet mit 18 meist farbigen Orig.-Holzschnitten von Georges Braque. 1 von 150 numerierten und von Georges Braque signierten Exemplaren auf kräftigem "Vélin puar chiffon à la main d'une cuvée spéciale du Moulin d'Ambert". - "This luxuriously printed work employs the full range of Braque's familiar imagery from birds, still lifes, and portraiture, to calligraaphic abstraction" (Logan Coll.). - EINBAND: Lose Lagen in illustriertem Orig.-Umschlag, in Orig.-Halbpergamentdecke mit illustriertem Orig.-Pappschuber. 48 : 37 cm. - ILLUSTRATION: Mit 18 (2 doppelblattgroß) meist farbigen Orig.-Holzschnitten von G. Braque. - ZUSTAND: Rechte obere Ecke des Vorderdeckels und Schubers bestoßen. - Provenienz: Privatsammlung Baden Württemberg. - LITERATUR: Vallier 181. - Monod 371. - Logan Coll. 232. - Strachan S. 327. - Garvey/Wick 63. - Mitchell 39. - 1 of 150 numbered copies on laid paper, signed by Georges Braque. One o f the greatest French artist books of the post-war era. With 18 (2 doublepage) orig. woodcuts, mostly printed in colour. Loose sheets in illustrated orig. wrappers, with orig. half vellum chemise in orig. slipcase. - Upper right hand corner of front cover and slipcase bumped, in else fine copy.
Edité par Paris Louis Brodeur, 1962
Vendeur : Shapero Rare Books, London, Royaume-Uni
Livre Signé
Limited edition, one of 40 copies on vélin pur chiffon from a total edition of 180 copies; folio (48 x 38 cm); 61 pp. text, 37 woodcuts (2 double page and 7 within text, 30 in colour) including duplicate suite of 18 woodcuts each numbered 21/40 and signed by Braque, one extra plate in triplicate; full black polished calf by P.-L. Martin with abstract geometric design onlaid in brown and cream calf dated 1964 (binder's mark and date), spine lettered in gilt, all edges gilt, suede endpapers, black calf-backed chemise, brown cloth boards, housed in matching slipcase; slight wear to upper edges of spine, very minor scuff to design. Published in 1962, just a year before Braque died, the timely Si je mourais là-bas [If I die over there] was a suite of eighteen wood-engravings to accompany poems from Guillaume Apollinaire's Poèmes à Lou, which Braque himself selected and edited accordingly. Braque had been a close companion of Apollinaire, who died forty years prior to the series but gave a lot of good publicity to Braque and his fellow Cubists. Despite this, Braque felt that his friend, who was also an art critic, understood nothing about painting, a source of playful tension between the pair which may have contributed to the obscure nature of the suite's images. Pierre-Lucien Martin (1913-85) was one of the most successful French binders of the 20th century. He was trained at the École Estiènne in Paris and gained experience in several binderies before emerging as a designer in his own right after the Second World War. His designs are characterised by understated colour, impressive three-dimensional effects, and the intricate but highly logical application of geometry. This volume is a superb example of his work.