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  • Leatherbound. Etat : NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1888 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 474 Language: French Pages: 474.

  • Image du vendeur pour Plan du GrandTemple de Karnak D'après larestauration de Brune mis en vente par Földvári Books

    Brune, Emmanuel

    Edité par [France; Egypt?], 1860

    Vendeur : Földvári Books, Budapest, Hongrie

    Membre d'association : ILAB

    Evaluation du vendeur : Evaluation 5 étoiles, Learn more about seller ratings

    Contacter le vendeur

    Art / Affiche / Gravure Edition originale

    EUR 88 000

    Autre devise
    EUR 19,50 Frais de port

    De Hongrie vers Etats-Unis

    Quantité disponible : 1

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    Original, vintage hand-drawn and colored plan. Rolled. Large format, 4 sheets mounted together. Size: ca. 235 × 70 cm. Brune's plan of the Great Temple at Karnak is the most detailed and precise 19th-century architectural plan of the monument. This large, exhibition size plan of the Great Temple at Karnak was designed by Emmanuel Brune (1836-1886), a French architect, and professor at the École des Beaux-Arts. In 1863 Brune's design of a main staircase (L'Escalier principal d'un palais d'un Souverain) was awarded the Premier Grand Prix de Rome, which granted the architect a four-year scholarship and a study tour to the Levant. While in Egypt, Brune carried out archeological works and restorations at the sites of Thebes and Luxor, as part of Auguste Mariette's (the director of the Egyptian Department of Antiquities) excavation projects in Karnak. Besides such activities, for his Envoi de Rome, (a collection of artworks which a winner of the Prix de Rome sent back from the field trip each year to be exhibited in Paris) Brune designed detailed plans and drawings of the sites at Karnak and elsewhere. Plan du grand temple de Karnak, à Thèbes was among Brune's third-year collection of Envoi which was exhibited in Paris in 1867 (Auvray, De La Chavignerie, 1882; Azim, 1989; Köhler, 1878), and due to the size of the present piece, we assume that this was the one displayed at the exhibition. Brune's Plan du Grand Temple de Karnak is more detailed and accurate than it's 19th-century predecessors (particularly concerning the Courtyard of Middle Kingdom and the Akh-menu of Tuthmosis III), such as Lepère's Plan, coupe générale et élévation du palais in Description de l'Egypte (Paris, 1812), Prisse d'Avennes' Karnak: Plan Général des Ruines in Du Camp's Égypte, Nubie, Palestine et Syrie (Paris, 1852), or Félix Teynard' Karnak (Thèbes) Plan des ruines principales in Égypte et Nubie (Paris, 1858). The plan was reproduced or referred in prominent works on ancient and Egyptian art and architecture, among others in Mariette's Karnak, étude topographique et archéologique (Leipzig, 1875), Perrot and Chipiez's Histoire de l'art dans l'Antiquité, Égypte (Paris, 1882), Choisy's Histoire de l'Architecture (Paris, 1899), or Sturgis' A History of Architecture (New York, 1916). Brune's plan of the Temple of Ramesses III at Medinet Habu appeared in Maspero's Bibliothèque égyptologique (Paris, 1894). Brune also contributed to the excavations and restorations at the Deir el-Bahari area, especially the Temple of Hatshepsut (Iwaszczuk, 2017), and some sources gave more credit for these works to him than to Mariette (Naville, 1894; The Builder, 1898). Literature: Auvray, L.; De La Chavignerie, É. B.: Brune (Emmanuel). In Dictionnaire général des artistes de l'école française [.]. Vol 1. Paris: Renouard, 1882. p. 175.; Azim, M.: Karnak et sa Topographie. In Göttinger Miscellen. 113. Göttingen, 1989. pp. 33-47.; The Builder: The Architectural Societies. In: The Builder. Vol., LXXV. No. 2909. November 5, 1898. p. 409.; Iwaszczuk, J.: Sacred Landscape of Thebes during the Reign of Hatshepsut [.]. Vol. 1. Varsovie: IKSiO PAN, 2017. p. 49. Köhler, B. H.: Die Kunstschule, Ecole national des Beaux-Arts, zu Paris. In Zeitschrift für Technische Hochschulen. Jahrg. III. Nr. 5. Hannover, 1878. pp. 33-36.;.; Naville, E.: The temple of Deir el Bahari [.]. London: Egypt Exploration Fund, 1894. p. 12. . With a few nicks and closed tears at the edges. Horizontal creases. Pinholes at the corners. Traces of old restoration on the verso. Overall in very good condition. Original, vintage hand-drawn and colored plan. Rolled. Large format, 4 sheets mounted together.