england scotland 1960 de davidson bruce (37 résultats)

gebundene Ausgabe. Etat : Sehr gut. 141 S. : überw. Ill. ; 22 x 25 cm sehr gutes und sauberes Exemplar Sprache: Englisch Gewicht in Gramm: 1298.

Hardcover. Etat : Good. Etat de la jaquette : Good. 1st Edition. Steidl, 2005. Hardcover. Condition: Good. First Edition.192 pages with 120 tritone images throguhout. With essays by Mark Haworth-Booth and Bruce Davidson. Edited by Bruce Davidson and Michael Mack. Some wear to dj and marks on back, gift inscription on second page, otherwise a bright, clean copy of Bruce Davidson's special commission for The Queen magazine. to spend a couple of months touring England and Scotland to build a visual portrait of the two countries. He captured a post-war era in which the revolutions of the 1960s had hardly yet filtered into the mainstream, the class divisons were still as strong as a century ago, and country was far from city in every way.

Etat : New.

Steidl Publishers, Göttingen 2014. First edition. Publishers decorated cloth. 141 (3) pages. Illustrated. Nice copy in very fine condition.

Hardback ISBN 3865211275 First edition. Oblong book. Looks almost unread. Front cover is slightly warped and lifts up a little when the book is laid flat. Dustwrapper has two small dints and some minor scratching now in a removeable clearview cover. A collection of B & W photographs. A visual portrait of the two countries. Wt 1 Kg Good (Good).

Gebunden, Leinenenband mit montierter Fotoabbildung . Illustrierter Schutzumschlag. 138 (6) Seiten mit zahlreichen s/w Fototafeln. Format 21,5 x 21,5 cm. Schutzumschlag geringfügig berieben. Guter Zustand. Die Publikation gibt einen Einblick in die englische und schottische Kultur und Lebensweise um 1960. Text von Mark Haworth-Booth und einem Text von Bruce Davidson in englischer Sprache. 1. Auflage.

Hardcover. Etat : Fine. 1st Edition. 1st edition 2014. Fine copy in cream buckram hardcovers, with 'quintessential Englishman' photo inset to front cover. Broad quarto size. B&w photos. #HEAVY BOOK REQUIRING EXTRA OVERSEAS POSTAGE.

Etat : Wie neu. Steidl, Gottingen. 2014. First edition, first printing. New, mint, unread condition; still originally shrink-wrapped in publisher`s plastic foil. Hardcover in linen (as issued). 295 x 290 mm. 144 pages. Language: english. Perfect condition! Collector`s copy! Same title was published by Steidl in 2005 in a smaller format. "In 1960, after an intense year photographing a notorious Brooklyn street gang "The Jokers", Bruce Davidson decided to remove himself from the tension and depression of that work. He received an assignment to photograph Marilyn Monroe during the making of John Houston`s The Misfits in the Nevada desert, and then travelled to London on commission for Queen magazine. Published by Jocelyn Stevens, Queen was devoted to British lifestyle and Davidson was charged, with no specific agenda, to spend a couple of months touring England and Scotland to create a visual portrait of the two countries. England / Scotland 1960 offers a poetic insight into the heart of English and Scottish cultures. Reflecting a post-warera in which the revolutions of the 1960s had not quite yet entered the mainstream, Davidson`s photographs reveal societies driven by difference - the extremes of city and country life, of the landed gentry and the common people. Published for the first time in its entirety in 2005, this new edition has a larger ideal format chosen by Davidson initially for his Black & White (2012), and now the standard size for his future publications with Steidl." (from the publisher) Bruce Davidson began photography at the age of ten in Oak Park, Illinois. He attended the Rochester Institute of Technology and Yale University and was later drafted into the army and stationed near Paris where he met Henri Cartier-Bresson, one of the four founders of the renowned international cooperative photo agency, Magnum Photos. After military service, in 1957, Davidson worked as a freelance photographer for Life Magazine and in 1958 became a full member of Magnum Photos. From 1958 to 1961 he created such seminal bodies of work as The Dwarf, Brooklyn Gang, and the Freedom Rides. He received a Guggenheim Fellowship in 1962 to photograph what became a profound documentation of the Civil Rights Movement in America. In 1963 the Museum of Modern Art in New York presented his work in a solo show. In 1966 he was awarded the first grant for photography from the National Endowment for the Arts, and spent two years bearing witness to the dire social conditions on one block in East Harlem. This work was published by Harvard University Press in 1970 under the title East 100th Street and was later republished and expanded by St. Ann s Press. The work became an exhibition that same year at the Museum of Modern Art in New York. In 1980 he captured the vitality of the New York Metro s underworld that was later published in his book Subway and exhibited at the International Center for Photography in 1982. In 1995 he photographed the landscape and layers of life of Central Park. Davidson continues to create classic bodies of work from his 50-year career that have been extensively published in monographs and are included in all the major public and private fine art collections around the world.***************Steidl, Göttingen, 2014. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover in Leinen (wie erschienen). 295 x 290 mm. 144 Seiten. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Derselbe Titel erschien bei Steidl im Jahre 2005 in einem kleineren Format. Sprache: Englisch Gewicht in Gramm: 1600.

Hardcover. Etat : As New. Sealed.

Etat : Wie neu. Steidl, 2005. First edition, first printing. New, mint, unread condition; still originally shrink-wrapped in publisher`s plastic foil. Hardcover in linen with dustjacket. With essays by Mark Haworth-Booth and Bruce Davidson. Edited by Edited by Bruce Davidson and Michael Mack. 192 pages, 120 tritone plates. 235 x 270 mm. Perfect condition! Collector`s copy! In 1960, after completing an intense year photographing a notorious Brooklyn street gang called "The Jokers", Bruce Davidson decided that he needed to remove himself from the tension, depression, and potential violence connected to that work. He was given an assignment to photograph Marilyn Monroe during the making of John Houston s film The Misfits in the Nevada desert, and then travelled to London on a special commission for The Queen magazine. Edited by Jocelyn Stevens, The Queen was a magazine devoted to British life-style and Davidson was charged, with no specific agenda, to spend a couple of months touring England and Scotland to build a visual portrait of the two countries. England/Scotland 1960 offers a poetic insight into the very heart of English and Scottish cultures. Reflecting a post-war era in which the revolutions of the 1960s had hardly yet filtered into the mainstream, Davidson s photographs reveal countries riven by difference the extremes of city and country life, of the landed gentry and the common people and lucidly portrays the mood of these times in a personal and provocative imagery that is as fresh today as it was in that time. Published in this book for the first time in its entirety, this is one of the undiscovered gems of late twentieth century documentary photography. Bruce Davidson began photography at the age of ten in Oak Park, Illinois. He attended the Rochester Institute of Technology and Yale University and was later drafted into the army and stationed near Paris where he met Henri Cartier-Bresson, one of the four founders of the renowned international cooperative photo agency, Magnum Photos. After military service, in 1957, Davidson worked as a freelance photographer for Life Magazine and in 1958 became a full member of Magnum Photos. From 1958 to 1961 he created such seminal bodies of work as The Dwarf, Brooklyn Gang, and the Freedom Rides. He received a Guggenheim Fellowship in 1962 to photograph what became a profound documentation of the Civil Rights Movement in America. In 1963 the Museum of Modern Art in New York presented his work in a solo show. In 1966 he was awarded the first grant for photography from the National Endowment for the Arts, and spent two years bearing witness to the dire social conditions on one block in East Harlem. This work was published by Harvard University Press in 1970 under the title East 100th Street and was later republished and expanded by St. Ann s Press. The work became an exhibition that same year at the Museum of Modern Art in New York. In 1980 he captured the vitality of the New York Metro s underworld that was later published in his book Subway and exhibited at the International Center for Photography in 1982. In 1995 he photographed the landscape and layers of life of Central Park. Davidson continues to create classic bodies of work from his 50-year career that have been extensively published in monographs and are included in all the major public and private fine art collections around the world.***************Steidl, Göttingen, 2005. Erstausgabe. Neu, ungelesen, verlagsfrisch; noch original-verpackt in der Plastikfolie des Verlags. Hardcover in Leinen mit Schutzumschlag. 235 x 270 mm. 192 Seiten. 120 Fotos. Mit Essays von Mark Haworth-Booth und Bruce Davidson. Editiert von Bruce Davidson und Michael Mack. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Etat : Wie neu. Steidl, 2005. First edition, first printing. Signed by Bruce Davidson! New, mint, unread. Still originally shrink-wrapped in publiher`s plastic foil; only opened once for signature. Hardcover in linen with dustjacket. With essays by Mark Haworth-Booth and Bruce Davidson. Edited by Edited by Bruce Davidson and Michael Mack. 192 pages, 120 tritone plates. 235 x 270 mm. Text in english. Perfect condition! Signed by the artist! Collector` copy! In 1960, after completing an intense year photographing a notorious Brooklyn street gang called "The Jokers", Bruce Davidson decided that he needed to remove himself from the tension, depression, and potential violence connected to that work. He was given an assignment to photograph Marilyn Monroe during the making of John Houston s film The Misfits in the Nevada desert, and then travelled to London on a special commission for The Queen magazine. Edited by Jocelyn Stevens, The Queen was a magazine devoted to British life-style and Davidson was charged, with no specific agenda, to spend a couple of months touring England and Scotland to build a visual portrait of the two countries. England/Scotland 1960 offers a poetic insight into the very heart of English and Scottish cultures. Reflecting a post-war era in which the revolutions of the 1960s had hardly yet filtered into the mainstream, Davidson s photographs reveal countries riven by difference the extremes of city and country life, of the landed gentry and the common people and lucidly portrays the mood of these times in a personal and provocative imagery that is as fresh today as it was in that time. Published in this book for the first time in its entirety, this is one of the undiscovered gems of late twentieth century documentary photography. Bruce Davidson began photography at the age of ten in Oak Park, Illinois. He attended the Rochester Institute of Technology and Yale University and was later drafted into the army and stationed near Paris where he met Henri Cartier-Bresson, one of the four founders of the renowned international cooperative photo agency, Magnum Photos. After military service, in 1957, Davidson worked as a freelance photographer for Life Magazine and in 1958 became a full member of Magnum Photos. From 1958 to 1961 he created such seminal bodies of work as The Dwarf, Brooklyn Gang, and the Freedom Rides. He received a Guggenheim Fellowship in 1962 to photograph what became a profound documentation of the Civil Rights Movement in America. In 1963 the Museum of Modern Art in New York presented his work in a solo show. In 1966 he was awarded the first grant for photography from the National Endowment for the Arts, and spent two years bearing witness to the dire social conditions on one block in East Harlem. This work was published by Harvard University Press in 1970 under the title East 100th Street and was later republished and expanded by St. Ann s Press. The work became an exhibition that same year at the Museum of Modern Art in New York. In 1980 he captured the vitality of the New York Metro s underworld that was later published in his book Subway and exhibited at the International Center for Photography in 1982. In 1995 he photographed the landscape and layers of life of Central Park. Davidson continues to create classic bodies of work from his 50-year career that have been extensively published in monographs and are included in all the major public and private fine art collections around the world.***************Steidl, Göttingen, 2005. Erstausgabe. Originalausgabe. Signiert von Bruce Davidson! Neu, ungelesen, verlagsfrisch. Noch original-verschweisst in der Plastikfolie des Verlags; nur einmal geöffnet für die Signatur. Hardcover in Leinen mit Schutzumschlag. Mit Essays von Mark Haworth-Booth und Bruce Davidson. Editiert von Bruce Davidson und Michael Mack. 192 Seiten, 120 Fotos. 235 x 270 mm. Text in englischer Sprache. Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.