Revue de presse :
“Etta and Otto and Russell and James is incredibly moving, beautifully written and luminous with wisdom. It is a book that restores one's faith in life even as it deepens its mystery. Wonderful!” —Chris Cleave, #1 New York Times Bestselling author of Little Bee
“[A] sweet, disarming story of lasting love... Hooper’s steady hand creates the perfect setup for the unexpected.”
—The New York Times Book Review
“Quirky, offbeat... Modern life is full of people spouting rubbish about spurious emotional and spiritual ‘journeys.’ Etta’s trek as she comes to the end of her life and reckons with the past, has, in contrast, a real and worthwhile dignity to it.”
—The Financial Times
“In this haunting debut, set in a starkly beautiful landscape, Hooper delineates the stories of Etta and the men she loved (Otto and Russell) as they intertwine through youth and wartime and into old age. It’s a lovely book you’ll want to linger over.”
—People
“Heartfelt... In simple, graceful prose, Hooper has woven a tale of deep longing, for reinvention and self-discovery, as well as for the past and for love and for the boundless unknown.”
—San Francisco Chronicle
“[Hooper’s] crisp, unadorned prose beautifully captures her characters' sentiments, and conveys with compassion but also a degree of distance their experiences of love and pain, longing and loss... this novel pulsates with an energy that can best be described as raw but also highly restrained. “
—Chicago Tribune
“Hooper has conjured a character who is a gift... As the lines blur between Etta’s and Otto’s memories, and even between their physical bodies, readers emerge with a deeper appreciation for life and for its suffering against its backdrop of majesty.”
—Dallas Morning News
“A bit like a fairy tale, Etta and Otto and Russell and James is whimsical, even magical. A bit like the Canadian prairie, it is spare, yet beautiful.”
—Fort Worth Star-Telegram
“A poetic, poignant tale.”
—US Weekly
“Fictional journeys toward enlightenment and self-discovery fill miles of book shelves, but few are as freshly told as the road trip traced in Etta and Otto and Russell and James...It’s filled with magical realism, whimsy and the idea that you’re never too old to take risks.”
—Minneapolis Star-Tribune
“Hooper’s debut is a novel of memory and longing and desires too long denied...To a Cormac McCarthy–like narrative—sans quotation marks, featuring crisp, concise conversations—Hooper adds magical realism.... The book ends with sheer poetry...A masterful near homage to Pilgrim’s Progress: souls redeemed through struggle.”
—Kirkus Reviews (starred review)
"Hooper’s spare, evocative prose dips in and out of reality and travels between past and present creating what Etta tells Otto is “just a long loop.” This is a quietly powerful story whose dreamlike quality lingers long after the last page is turned."
—Library Journal (starred review)
"Hooper, with great insight, explores the interactions and connections between spouses and friends—the rivalries, the camaraderie, the joys and tragedies—and reveals the extraordinary lengths to which people will go in the name of love."
—Publishers Weekly (starred review)
"Drawing on wisdom and whimsy of astonishing grace and maturity, Hooper has written an irresistibly enchanting debut novel that explores mysteries of love old and new, the loyalty of animals and dependency of humans, the horrors of war and perils of loneliness, and the tenacity of time and fragility of memory."
—Booklist (starred review)
“A delicate hymn to the natural landscape and an elegy to a dwindling generation.”
—The New Yorker
Extrait :
Etta and Otto and Russell and James
1
Otto,
The letter began, in blue ink,
I’ve gone. I’ve never seen the water, so I’ve gone there. Don’t worry, I’ve left you the truck. I can walk. I will try to remember to come back.
Yours (always),
Etta.
Underneath the letter she had left a pile of recipe cards. All the things she had always made. Also in blue ink. So he would know what and how to eat while she was away. Otto sat down at the table and arranged them so no two were overlapping. Columns and rows. He thought about putting on his coat and shoes and going out to try and find her, maybe asking neighbors if they had seen which way she went, but he didn’t. He just sat at the table with the letter and the cards. His hands trembled. He laid one on top of the other to calm them.
After a while Otto stood and went to get their globe. It had a light in the middle, on the inside, that shone through the latitude and longitude lines. He turned it on and turned off the regular kitchen lights. He put it on the far side of the table, away from the letter and cards, and traced a path with his finger. Halifax. If she went east, Etta would have three thousand, two hundred and thirty-two kilometers to cross. If west, to Vancouver, twelve hundred and one kilometers. But she would go east, Otto knew. He could feel the tightness in the skin across his chest pulling that way. He noticed his rifle was missing from the front closet. It would still be an hour or so until the sun rose.
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