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Brandt: The Photography of Bill Brandt.

Brandt, Bill. Foreword by David Hockney.

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ISBN 10: 0810941090 / ISBN 13: 9780810941090
Edité par NY: Abrams, 1999
Ancien(s) ou d'occasion Etat : Fine Hardcover
Vendeur Main Street Books (Germantown, NY, Etats-Unis)

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First edition (no additional printings listed). Still the best retrospective monograph of Brandt's work, with beautifully printed duotone reproductions of his photographs from throughout his career. A fine copy in near fine, unclipped dust jacket that shows a very minor, dime-size imperfection on the front, visible only when the jacket is held at angle, otherwise fine and bright. N° de réf. du libraire 2249

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Détails bibliographiques

Titre : Brandt: The Photography of Bill Brandt.

Éditeur : NY: Abrams

Date d'édition : 1999

Reliure : Hardcover

Etat du livre :Fine

Etat de la jaquette : Near Fine

Edition : 1st Edition

A propos de ce titre

Synopsis :

A comprehensive study of the work of photographer Bill Brandt, and a catalogue to an exhibition at the Barbican Centre in London. Brandt's work falls across a number of categories. He created odd, surrealist compositions, stemming from his early work in Man Ray's Paris studio, as well as telling images conveying social comment on Britain in the 1930s. His intensely dark portrayals of London and the industrial towns of northern England contrast with his softer, even lyrical evocations of landscape. He is perhaps best known for his sequence of ever more abstracted studies of the nude, but his telling portrayals of artists from the same period remain immediate and perceptive decades later. This book explores, on a large scale, all the different aspects of Brandt's work.

Critique:

Bill Brandt, one of the most prolific 20th-century photographers, is beautifully represented by this volume, which contains nearly 400 of his black-and-white photographs. These range from his famous, starkly disturbing portraits of the denizens of either end of the social ladder to his late, poetic landscapes and cool, studied, abstract nudes. In between are several series that contain singular images of great familiarity, such as his portrait of painter Francis Bacon in an eerie, lamp-lit landscape, or the one of two housemaids in starched white caps standing at attention behind an upper-crust dining-room table. Brandt's passionate interest in the shocking juxtaposition of the very rich and the very poor brought him a wide audience as well as accusations of being a Socialist propagandist. During the Great Depression, Brandt traveled to the north of England and made some of the most devastating pictures of his career, exposing the extreme poverty--and dignity--of the area's coal miners.

Author Bill Jay has divided this book into eight sections: A European Apprentice, Observing the English, Courting the Surreal, Journeys North, The Dark City (Brandt made haunting pictures of wartime London during the blackouts), A Return to Poetry, Portraying the Artist, and the Perfection of Form. Jay's introduction is warm and perceptive--and laced with juicy anecdotes. Nigel Warburton, another Brandt expert, contributes an illustrated time-line of Brandt's many professional assignments, under the rubric "The Career." This carefully edited book demonstrates why Brandt has always enjoyed high stature among artists, for it is packed with individual masterpieces. But even if it were not, it would be powerful simply for the breadth of Brandt's accomplishments. --Peggy Moorman

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