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Defoe s Major Fiction: Accounting for the Self (Hardback)

Elizabeth R. Napier

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ISBN 10: 1611496136 / ISBN 13: 9781611496130
Edité par University of Delaware Press, United States, 2016
Neuf(s) Etat : New Couverture rigide
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Language: English . Brand New Book. This book examines the concern with narrativity and self-construction in Defoe s first-person fictional narratives. Arguing that recent materialist approaches to Defoe are insufficiently attentive to the dominant preoccupations of his fictional oeuvre, which center on issues of moral accountability and self-definition, it addresses the need to examine more sharply Defoe s novelistic achievement in the realm of character and narration and those aesthetic and ethical experiments that constitute his innovative achievements in the novel form. N° de réf. du libraire AAZ9781611496130

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Détails bibliographiques

Titre : Defoe s Major Fiction: Accounting for the ...

Éditeur : University of Delaware Press, United States

Date d'édition : 2016

Reliure : Hardback

Etat du livre : New

A propos de ce titre

Synopsis :

This book focuses on the pervasive concern with narrativity and self-construction that marks Defoe’s first-person fictional narratives. Defoe’s fictions focus obsessively and elaborately on the act of storytelling—not only in his creation of idiosyncratic voices preoccupied with the telling (and often the concealing) of their own life stories but also in his narrators’ repeated adversion to other, untold stories that compete for attention with their own.

Defoe’s narratives raise profound questions about selfhood and agency (as well as demonstrate competing attitudes about narration) in his fictive worlds. His canon exhibits a broad range of first-person fictional accounts, from pseudo-memoir (A Journal of the Plague Year, Memoirs of a Cavalier) to criminal autobiography (Moll Flanders) to confession (Roxana), and the narrators of these accounts (secretive, compulsive, fractive) exhibit an array of resistances to the telling of their life stories. Such experiments with narration evince Defoe’s deep involvement in projects of self-description and -delineation, as he interrogates the boundaries of the self and dramatizes the arduousness of self-accounting. Defoe’s fictions are emphatically consciousness-centered and the significance of such a focus to the development of the novel is patently as great as is his “realistic” style. Defoe’s narrative project, in fact, challenges current views on the moment at which inwardness and interiority begin, as Lukács argued, to comprise the subject matter of the novel, implicitly attributing to identity and consciousness a place of signal and complex importance in the new genre.

About the Author:

Elizabeth R. Napier is professor of English and American literatures at Middlebury College.

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