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FOUR (4) BLONDES (Signed + photo)

Bushnell, Candace

Edité par NY: Atlantic Monthly Press/Grove, 2000
ISBN 10: 0871138190 / ISBN 13: 9780871138194
Ancien(s) ou d'occasion / Hardcover / Quantité : 1
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Détails bibliographiques

Titre : FOUR (4) BLONDES (Signed + photo)

Éditeur : NY: Atlantic Monthly Press/Grove

Date d'édition : 2000

Reliure : Hardcover

Etat du livre : Fine

Etat de la jaquette : Fine

Signé : Signed by Author(s)

Edition : 1st Edition

Description :

First edition, First printing, hardback in FINE/FINE condition (no marks/flaws); SIGNED by CANDACE BUSHNELL ('Sex and the City', 'Trading Up') on the title page (not inscribed to anyone). I will also include a GLOSSY PHOTO OF THE AUTHOR AT THE SIGNING EVENT! Dustjacket comes in a protective mylar cover. N° de réf. du libraire 282

A propos du livre :

Book ratings provided by GoodReads) :
2,77 note moyenne
(21 534 avis)

Synopsis : With its uncensored observations of the mating rituals of Manhattan's elite, Candace Bushnell's Sex and the City created a sensation, becoming an international best-seller, spawning a worldwide hit TV series, and inspiring countless imitators. Now, with the novel Four Blondes, Bushnell triumphantly returns to the playgrounds of the beautiful and powerful -- once again capturing the zeitgeist and mores of our era like no other writer. Four Blondes brings together the stories of four modern women to render a vivid portrait of New York at the millennium. Like the fiction of Helen Fielding and Melissa Bank, Bushnell's novel is a pitch-perfect chronicle of her characters' romantic intrigues, liaisons, betrayals, and victories. A beautiful B-list model finagles rent-free summerhouses in the Hamptons from her lovers until she discovers she can get a man but can't get what she wants. A high-powered magazine columnist's floundering marriage to a literary journalist is thrown into crisis when her husband's career fails to live up to her expectations. A "Cinderella" whose husband was one of the world's most eligible bachelors faithfully records her descent into paranoia in her journal as she realizes she wants anybody's life except her own. And an artist and aging "It girl" -- who fears that her time for finding a man has run out -- travels to London in search of the kind of love and devotion she can't find in Manhattan. Studded with her trademark wit and stiletto-heel-sharp insights, Four Blondes is dark, true, and compulsively readable. It's destined to be a hit among the author's legions of loyal fans and many new devotees.

Critique: Candace Bushnell made her reputation as the creator of the HBO special Sex and the City, based on her book of the same name (based in turn on her eros-intensive New York Observer column). In Four Blondes, she returns with a quartet of novellas on her favorite subject--the mating habits of wealthy sex-, status-, and media-obsessed New Yorkers. These are people for whom a million or two does not make one rich, and who consider Louis Vuitton and Prada bare necessities. Janey Wilcox, for example, is a former model who each summer chooses a house in the Hamptons--or, rather, picks up a wealthy man with a pricey rental. With one movie in her past, her "lukewarm celebrity was established and she figured out pretty quickly that it could get her things and keep on getting them, as long as she maintained her standards." Yet even Janey eventually realizes that what she's getting isn't exactly what she wants. Cecelia, on the other hand, has gotten the ultimate prize: a royal husband. Still, she finds herself descending into paranoia as the Manhattan media circus reports her every flaw. Then there's Winnie Diekes, a high-powered magazine columnist whose marriage flounders as she pushes her unambitious husband to write the book that will make him--and her--famous.

Finally, in the most clearly autobiographical story, a writer gives up on the commitment-impaired men of New York and goes to London to find a husband. There she trolls for the typical Englishman--"a guy who had sex with his socks on, possessed a microscopic willy, and came in two minutes." Bushnell is famous for this sort of sexual brashness, and the book is full of her sharp wit, both in and out of the boudoir. She also clearly enjoys her characters and their misadventures, with one exception: the politically correct Winnie, with her distaste for alcohol, night life, and casual sex, inspires an odd sort of authorial contempt. Otherwise, though, Bushnell's ironic takes on the sexual foibles of the rich and famous are mordant, mischievous fun. --Lesley Reed

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