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French Primitivism and the Ends of Empire, 1945-1975 (Hardback)

Daniel J. Sherman

Edité par The University of Chicago Press, United States, 2011
ISBN 10: 0226752690 / ISBN 13: 9780226752693
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Titre : French Primitivism and the Ends of Empire, ...

Éditeur : The University of Chicago Press, United States

Date d'édition : 2011

Reliure : Hardback

Etat du livre : New

Description :

Language: English . Brand New Book. For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as les trentes glorieuses despite the loss of most of the country s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil. In a series of chapters that consider significant aspects of French culture - including the creation of new museums of French folklore and of African and Oceanic arts and the development of tourism against the backdrop of nuclear testing in French Polynesia - Daniel J. Sherman shows how primitivism, a collective fantasy born of the colonial encounter, proved adaptable to a post-colonial, inward-looking age of mass consumption. Following the likes of Claude Levi-Strauss, Andre Putman, and Jean Dubuffet through decorating magazines, museum galleries, and Tahiti s pristine lagoons, this interdisciplinary study provides a new perspective on primitivism as a cultural phenomenon and offers fresh insights into the eccentric edges of contemporary French history. N° de réf. du libraire AAH9780226752693

A propos du livre :

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Synopsis :

 For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as ?les trentes glorieuses? despite the loss of most of the country?s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil.

In a series of chapters that consider significant aspects of French culture?including the creation of new museums of French folklore and of African and Oceanic arts and the development of tourism against the backdrop of nuclear testing in French Polynesia?Daniel J. Sherman shows how primitivism, a collective fantasy born of the colonial encounter, proved adaptable to a postcolonial, inward-looking age of mass consumption. Following the likes of Claude Lévi-Strauss, Andrée Putman, and Jean Dubuffet through decorating magazines, museum galleries, and Tahiti?s pristine lagoons, this interdisciplinary study provides a new perspective on primitivism as a cultural phenomenon and offers fresh insights into the eccentric edges of contemporary French history.

A propos de l'auteur: Daniel J. Sherman is professor of art history and adjunct professor of history at the University of North Carolina, Chapel Hill. In addition to editing several books in critical museum studies, he is the author of Worthy Monuments:  Art Museums and the Politics of Culture in Nineteenth-Century France and The Construction of Memory in Interwar France, the latter published by the University of Chicago Press.

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