Futurist Typography and the Liberated Text (Hardback)

MR Alan Bartram

Edité par Yale University Press, 2006
ISBN 10: 030011432X / ISBN 13: 9780300114324
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Language: English Brand New Book. In the early decades of the twentieth century, European artists, poets, and designers called for the destruction of outdated assumptions about vision and language. Numerous manifestos resulted, demanding new artistic forms. None of these manifestos was more aggressive and poetic, or wider in scope than Filippo Tomasso Marinetti s Futurist Manifesto of 1909. Painting, sculpture, literature, architecture, theatre, cinema, and music were all caught up in its net. Typographyuntil then a distant relative in the artsalso played a major role in Marinetti s program. Written by leading design scholar Alan Bartram, this fascinating book examines the rise and evolution of the Futurists approach to typography and graphic design, placing it within the context of contemporary artistic and literary movements. The volume features examples of some eighty Futurist books or other designs for print, many of them relatively unknown or previously unpublished, accompanied by new translations of over twenty of the featured texts. Bartram illuminates the complicated meanings of the Futurist designers graphic works in order to provide a new understanding of their extraordinary and influential visual language. N° de réf. du libraire

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Synopsis : The first quarter of the twentieth century was clamorous with the cries of rebellious groups. Numerous manifestoes called for new forms, a new language, a new society. None was wider in its scope, or more poetic, than Marinetti's Futurist Manifesto of 1909. Painting, literature, architecture, theatre, cinema, music; all were caught up in its net. What is refreshing is that typography, up till then the forgotten relation, played a serious part in that programme, too. While very innovative, the work of the Futurist poets retained meaning, whereas the Dadaists deliberately employed illogic in an attempt to awaken the mind to evocative ideas. The very different methods of the Russian Futurists - irregular handwritten lettering and vigorous drawings - produced a different kind of excitement. But all three movements, the creation of poets and artists crossing boundaries, were concerned with intensifying literary expression by visually expressive presentation. This new book, by a leading writer on graphic design and typography, traces the development of Futuristic typography, and describes examples of around eighty Futurist books or other designs for print, including translations, so that a new understanding of this extraordinary language, and of Futurist typography, emerges.

A propos de l'auteur: Alan Bartram is the author of many books on design including Typefaces for Books (with James Sutton, 1990), Five Hundred Years of Book Design (2001) and Bauhaus, Modernism and the Illustrated Book (2004) all published by The British Library.

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Détails bibliographiques

Titre : Futurist Typography and the Liberated Text (...
Éditeur : Yale University Press
Date d'édition : 2006
Reliure : Hardback
Etat du livre : New
Edition : New..

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Alan Bartram
Edité par Yale University Press (2006)
ISBN 10 : 030011432X ISBN 13 : 9780300114324
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Description du livre Yale University Press, 2006. État : Good. N/A. Former Library book. Shows some signs of wear, and may have some markings on the inside. N° de réf. du libraire GRP68726252

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Alan Bartram
Edité par Yale University Press (2006)
ISBN 10 : 030011432X ISBN 13 : 9780300114324
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Better World Books
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Description du livre Yale University Press, 2006. État : Very Good. N/A. Former Library book. Great condition for a used book! Minimal wear. N° de réf. du libraire GRP94658883

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Alan Bartram
Edité par Yale University Press, New Haven (2005)
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Description du livre Yale University Press, New Haven, 2005. Hard Cover. État : Fine. Etat de la jaquette : Fine. First Edition U.S.. cloth, hardcover in dust jacket., no flaws, clean, no writing or markings, strong binding, appears unused.; 160pp., illustrated throughout in b/w, with 38 color plates.; futurist book arts, italian, russian, et al. examines key intersection of marinetti's futurist texts and the wider futurist impulse of the time. Size: 4to - over 9¾" - 12" tall. N° de réf. du libraire 18089

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Bartram, Alan
Edité par New Haven, CT : Yale University Press (2005)
ISBN 10 : 030011432X ISBN 13 : 9780300114324
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Description du livre New Haven, CT : Yale University Press, 2005. First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 160 pages; Description: 160 p. : ill. (some col.) ; 29 cm. Summary: Written by leading design scholar Alan Bartram, this book examines the rise and evolution of the Futurists' approach to typography and graphic design, placing it within the context of contemporary artistic and literary movements. The volume features examples of some eighty Futurist books or other designs for print, many of them relatively unknown or previously unpublished, accompanied by new translations of many of the featured texts. Bartram illuminates the complicated meanings of the futurist designers' graphic works in order to provide a new understanding of their extraordinary and influential visual language. Subjects: Graphic design (Typography) -- Graphic arts -- History -- Typography -- Furturism. 2 Kg. 160 pp. N° de réf. du libraire 215669

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Alan Bartram,
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Description du livre Yale University Press March 2006, 2006. Hardcover. État : Used - Like New. In the early decades of the twentieth century, European artists, poets, and designers called for the destruction of outdated assumptions about vision and language. Numerous manifestos resulted, demanding new artistic forms. None of these manifestos was more aggressive and poetic, or wider in scope than Filippo Tomasso Marinetti's 'Futurist Manifesto' of 1909. Painting, sculpture, literature, architecture, theatre, cinema, and music were all caught up in its net. Typography--until then a distant relative in the arts--also played a major role in Marinetti's program. Written by leading design scholar Alan Bartram, this fascinating book examines the rise and evolution of the Futurists' approach to typography and graphic design, placing it within the context of contemporary artistic and literary movements. The volume features examples of some eighty Futurist books or other designs for print, many of them relatively unknown or previously unpublished, accompanied by new translations of over twenty of the featured texts. Bartram illuminates the complicated meanings of the Futurist designers' graphic works in order to provide a new understanding of their extraordinary and influential visual language. Slight wear on dust jacket. N° de réf. du libraire 20110228135479

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Bartram, Alan
Edité par New Haven, CT : Yale University Press (2005)
ISBN 10 : 030011432X ISBN 13 : 9780300114324
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Description du livre New Haven, CT : Yale University Press, 2005. First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 160 pages; Description: 160 p. : ill. (some col.) ; 29 cm. Summary: Written by leading design scholar Alan Bartram, this book examines the rise and evolution of the Futurists' approach to typography and graphic design, placing it within the context of contemporary artistic and literary movements. The volume features examples of some eighty Futurist books or other designs for print, many of them relatively unknown or previously unpublished, accompanied by new translations of many of the featured texts. Bartram illuminates the complicated meanings of the futurist designers' graphic works in order to provide a new understanding of their extraordinary and influential visual language. Subjects: Graphic design (Typography) -- Graphic arts -- History -- Typography -- Furturism. 2 Kg. 160 pp. N° de réf. du libraire 215669

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Description du livre Yale University Press, New Haven, 2005. Cloth. État : Fine. Etat de la jaquette : Fine. First American Edition. Frontis., 160 pp., illus. Includes 36 colour and 100 black-and-white illustrations. An as new copy. Size: 4to. N° de réf. du libraire 008400

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Description du livre Yale University Press, United States, 2006. Hardback. État : New. New.. 287 x 188 mm. Language: English . Brand New Book. In the early decades of the twentieth century, European artists, poets, and designers called for the destruction of outdated assumptions about vision and language. Numerous manifestos resulted, demanding new artistic forms. None of these manifestos was more aggressive and poetic, or wider in scope than Filippo Tomasso Marinetti s Futurist Manifesto of 1909. Painting, sculpture, literature, architecture, theatre, cinema, and music were all caught up in its net. Typography-until then a distant relative in the arts-also played a major role in Marinetti s program. Written by leading design scholar Alan Bartram, this fascinating book examines the rise and evolution of the Futurists approach to typography and graphic design, placing it within the context of contemporary artistic and literary movements. The volume features examples of some eighty Futurist books or other designs for print, many of them relatively unknown or previously unpublished, accompanied by new translations of over twenty of the featured texts.Bartram illuminates the complicated meanings of the Futurist designers graphic works in order to provide a new understanding of their extraordinary and influential visual language. N° de réf. du libraire BZV9780300114324

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