The Liberation of Painting: Modernism and Anarchism in Avant-guerre Paris (Hardback)

Patricia Leighten

Edité par The University of Chicago Press, 2013
ISBN 10: 0226471381 / ISBN 13: 9780226471389
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Language: English . Brand New Book. The years before World War I were a time of profound social and political ferment in Europe that deeply affected the art world. The center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this lively look at art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed soon after the war and then forgotten. Leighten examines the circle of artists - Pablo Picasso, Juan Gris, Frantisek Kupka, Maurice de Vlaminck, Kees van Dongen, and others - who thought anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether working on political cartoons or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism.Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society - and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. Packed with illustrations, The Liberation of Painting restores revolutionary activism to the broader history of modern art. N° de réf. du libraire

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Synopsis : The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten.             
Leighten examines the circle of artists—Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others—for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society—and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism’s most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.

About the Author: Patricia Leighten is professor of art history and visual studies at Duke University. She is the author of Re-Ordering the Universe: Picasso and Anarchism, 1894–1914; coauthor of Cubism and Culture; and coeditor of A Cubism Reader: Documents and Criticism, 1906–1914.

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Titre : The Liberation of Painting: Modernism and ...
Éditeur : The University of Chicago Press
Date d'édition : 2013
Reliure : Hardback
Etat du livre : New

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Patricia Leighten
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Description du livre University of Chicago Press, Chicago, 2013. Hard Cover. État : Fine. Etat de la jaquette : Near Fine. First Edition /First Printing. cloth, hard cover in dust jacket., minute wear to dj at top edge/corners, negligible impact. no other flaws or wear. clean, bright, no writing or markings. strong binding.; xviii-226pp., 32 color plates, 99 b/w figures. parisian art and artists prior to world war one. interesting chapter on kupka. Size: 4to - over 9¾" - 12" tall. N° de réf. du libraire 18499

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Description du livre The University of Chicago Press, United States, 2013. Hardback. État : New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The years before World War I were a time of profound social and political ferment in Europe that deeply affected the art world. The center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this lively look at art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed soon after the war and then forgotten. Leighten examines the circle of artists - Pablo Picasso, Juan Gris, Frantisek Kupka, Maurice de Vlaminck, Kees van Dongen, and others - who thought anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether working on political cartoons or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism.Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society - and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. Packed with illustrations, The Liberation of Painting restores revolutionary activism to the broader history of modern art. N° de réf. du libraire BTE9780226471389

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