Meaning in Motion: The Semantics of Movement in Medieval Art (Hardback)

Edité par Princeton University Press, 2011
ISBN 10: 0691151938 / ISBN 13: 9780691151939
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Language: English . Brand New Book. Taking a new approach to medieval art, Meaning in Motion reveals the profound importance of movement in the physical, emotional, and intellectual experience of art and architecture in the Middle Ages. Focusing on the physical movement of objects and viewers, as well as movements of the mind, this richly illustrated collection of interdisciplinary essays explores a wide range of rituals, performances, works of art, and texts in which movement is crucial to meaning. These include liturgical and devotional practices, but also pilgrimage, reading techniques, and the use of art and allegory in late medieval courtly society. The contributors consider movement not only as a physical action but also as an active intellectual process involving the reception of images, one that creates layers of meaning through the multidimensional experience of objects and spaces, both real and imaginary. This novel approach to medieval art, building on the concept of agency and the understanding of ritual as a performative act, is influenced by two anthropological perspectives: Victor Turner s processual analysis of rites of passage and Alfred Gell s conception of the interactive relationship between art and the viewer as a process. The essays in this volume engage in an interdisciplinary discussion of the significance of movement for the making and perception of medieval art. N° de réf. du libraire

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Taking a new approach to medieval art, Meaning in Motion reveals the profound importance of movement in the physical, emotional, and intellectual experience of art and architecture in the Middle Ages. Focusing on the physical movement of objects and viewers, as well as movements of the mind, this richly illustrated collection of interdisciplinary essays explores a wide range of rituals, performances, works of art, and texts in which movement is crucial to meaning. These include liturgical and devotional practices, but also pilgrimage, reading techniques, and the use of art and allegory in late medieval courtly society. The contributors consider movement not only as a physical action but also as an active intellectual process involving the reception of images, one that creates layers of meaning through the multidimensional experience of objects and spaces, both real and imaginary. This novel approach to medieval art, building on the concept of agency and the understanding of ritual as a performative act, is influenced by two anthropological perspectives: Victor Turner's "processual" analysis of rites of passage and Alfred Gell's conception of the interactive relationship between art and the viewer as a process. The essays in this volume engage in an interdisciplinary discussion of the significance of movement for the making and perception of medieval art.

About the Author: Nino Zchomelidse is assistant professor in the Department of Art and Archaeology at Princeton University. Giovanni Freni is an independent scholar who holds a PhD from the Courtauld Institute.

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Titre : Meaning in Motion: The Semantics of Movement...
Éditeur : Princeton University Press
Date d'édition : 2011
Reliure : Hardback
Etat du livre : New

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Edité par Princeton University Press (2011)
ISBN 10 : 0691151938 ISBN 13 : 9780691151939
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Description du livre Princeton University Press, 2011. Hardcover. État : Good. Great reading/study copy. May have highlights and/or notes. Ships Fast! Satisfaction Guaranteed!. N° de réf. du libraire mon0000529835

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Nino Zchomelidse (Editor), Giovanni Freni (Editor)
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Description du livre Princeton University Press, 2011. Hardcover. État : New. N° de réf. du libraire DADAX0691151938

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Description du livre Princeton University Press, 2011. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire WP-9780691151939

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Description du livre Princeton University Press, 2011. Hardcover. État : New. book. N° de réf. du libraire M0691151938

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Nino Zchomelidse, Giovanni Freni, Giovanni Freni
Edité par Dept. of Art and Archaeology, Princeton University in association with Princeton University Press 2011-07-08, Princeton, N.J. (2011)
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Description du livre Dept. of Art and Archaeology, Princeton University in association with Princeton University Press 2011-07-08, Princeton, N.J., 2011. hardback. État : New. N° de réf. du libraire 9780691151939

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Editor-Nino Zchomelidse; Editor-Giovanni Freni
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Description du livre Princeton University Press, 2011. Hardcover. État : New. N° de réf. du libraire SONG0691151938

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Description du livre Princeton University Press, United States, 2011. Hardback. État : New. Language: English . Brand New Book. Taking a new approach to medieval art, Meaning in Motion reveals the profound importance of movement in the physical, emotional, and intellectual experience of art and architecture in the Middle Ages. Focusing on the physical movement of objects and viewers, as well as movements of the mind, this richly illustrated collection of interdisciplinary essays explores a wide range of rituals, performances, works of art, and texts in which movement is crucial to meaning. These include liturgical and devotional practices, but also pilgrimage, reading techniques, and the use of art and allegory in late medieval courtly society. The contributors consider movement not only as a physical action but also as an active intellectual process involving the reception of images, one that creates layers of meaning through the multidimensional experience of objects and spaces, both real and imaginary.This novel approach to medieval art, building on the concept of agency and the understanding of ritual as a performative act, is influenced by two anthropological perspectives: Victor Turner s processual analysis of rites of passage and Alfred Gell s conception of the interactive relationship between art and the viewer as a process. The essays in this volume engage in an interdisciplinary discussion of the significance of movement for the making and perception of medieval art. N° de réf. du libraire AAH9780691151939

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Edité par Princeton University Press, United States (2011)
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Description du livre Princeton University Press, United States, 2011. Hardback. État : New. Language: English . Brand New Book. Taking a new approach to medieval art, Meaning in Motion reveals the profound importance of movement in the physical, emotional, and intellectual experience of art and architecture in the Middle Ages. Focusing on the physical movement of objects and viewers, as well as movements of the mind, this richly illustrated collection of interdisciplinary essays explores a wide range of rituals, performances, works of art, and texts in which movement is crucial to meaning. These include liturgical and devotional practices, but also pilgrimage, reading techniques, and the use of art and allegory in late medieval courtly society. The contributors consider movement not only as a physical action but also as an active intellectual process involving the reception of images, one that creates layers of meaning through the multidimensional experience of objects and spaces, both real and imaginary. This novel approach to medieval art, building on the concept of agency and the understanding of ritual as a performative act, is influenced by two anthropological perspectives: Victor Turner s processual analysis of rites of passage and Alfred Gell s conception of the interactive relationship between art and the viewer as a process. The essays in this volume engage in an interdisciplinary discussion of the significance of movement for the making and perception of medieval art. N° de réf. du libraire AAH9780691151939

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Nino Zchomelidse, Giovanni Freni
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Description du livre Princeton University Press. Hardback. État : new. BRAND NEW, Meaning in Motion: The Semantics of Movement in Medieval Art, Nino Zchomelidse, Giovanni Freni, Taking a new approach to medieval art, "Meaning in Motion" reveals the profound importance of movement in the physical, emotional, and intellectual experience of art and architecture in the Middle Ages. Focusing on the physical movement of objects and viewers, as well as movements of the mind, this richly illustrated collection of interdisciplinary essays explores a wide range of rituals, performances, works of art, and texts in which movement is crucial to meaning. These include liturgical and devotional practices, but also pilgrimage, reading techniques, and the use of art and allegory in late medieval courtly society. The contributors consider movement not only as a physical action but also as an active intellectual process involving the reception of images, one that creates layers of meaning through the multidimensional experience of objects and spaces, both real and imaginary. This novel approach to medieval art, building on the concept of agency and the understanding of ritual as a performative act, is influenced by two anthropological perspectives: Victor Turner's "processual" analysis of rites of passage and Alfred Gell's conception of the interactive relationship between art and the viewer as a process. The essays in this volume engage in an interdisciplinary discussion of the significance of movement for the making and perception of medieval art. N° de réf. du libraire B9780691151939

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Edité par Princeton University Press (2011)
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Description du livre Princeton University Press, 2011. Hardcover. État : New. N° de réf. du libraire P110691151938

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