The Musicology of Record Production (Hardback)

Simon Zagorski-Thomas

Edité par CAMBRIDGE UNIVERSITY PRESS, 2014
ISBN 10: 1107075645 / ISBN 13: 9781107075641
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Language: English . Brand New Book. Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas s professional experience reveal these ideas in action. N° de réf. du libraire

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Synopsis : Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.

Description du livre: Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas sets out a framework for the study of recorded music and record production using current ideas from psychology and sociology.

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Titre : The Musicology of Record Production (...
Éditeur : CAMBRIDGE UNIVERSITY PRESS
Date d'édition : 2014
Reliure : Hardback
Etat du livre : New

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Zagorski-Thomas, Simon
Edité par Cambridge University Press (2014)
ISBN 10 : 1107075645 ISBN 13 : 9781107075641
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Description du livre Cambridge University Press, 2014. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire GB-9781107075641

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Simon Zagorski-Thomas
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Description du livre Cambridge University Press. Hardback. État : new. BRAND NEW, The Musicology of Record Production, Simon Zagorski-Thomas, Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action. N° de réf. du libraire B9781107075641

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Simon Zagorski-Thomas
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ISBN 10 : 1107075645 ISBN 13 : 9781107075641
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Description du livre CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2014. Hardback. État : New. 250 x 178 mm. Language: English . Brand New Book. Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas s professional experience reveal these ideas in action. N° de réf. du libraire AAZ9781107075641

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Simon Zagorski-Thomas
Edité par CAMBRIDGE UNIVERSITY PRESS, United Kingdom (2014)
ISBN 10 : 1107075645 ISBN 13 : 9781107075641
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The Book Depository
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Description du livre CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2014. Hardback. État : New. 250 x 178 mm. Language: English . Brand New Book. Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas s professional experience reveal these ideas in action. N° de réf. du libraire AAZ9781107075641

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ISBN 10 : 1107075645 ISBN 13 : 9781107075641
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Description du livre Cambridge University Press 2014-08-14, 2014. État : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. N° de réf. du libraire NU-GRD-05128608

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Zagorski-Thomas, Simon
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Description du livre Cambridge University Press, 2014. État : New. Simon Zagorski-Thomas sets out a framework for the study of record production using current ideas from psychology and sociology. Num Pages: 278 pages, black & white illustrations. BIC Classification: AVA; AVX. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 256 x 180 x 20. Weight in Grams: 652. . 2014. Hardcover. . . . . . N° de réf. du libraire V9781107075641

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