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Painted Faces on the Renaissance Stage: The Moral Significance of Face-Painting Conventions (Hardback)

Annette Drew-Bear

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ISBN 10: 161148071X / ISBN 13: 9781611480719
Edité par Bucknell University Press, United States, 1994
Neuf(s) Etat : New Couverture rigide
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A propos de cet article

Language: English . Brand New Book. This book shows how the painted face functions as a theatrical signal in Renaissance drama. Explaining the connection between red, white, and black make-up and sexual sin, devilish corruption, and poison, the author surveys how playwrights used face-paint in tragedy to express a wide range of corruption and in comedy to exploit the bawdy meanings of fucus. Illustrated. N° de réf. du libraire ANB9781611480719

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Détails bibliographiques

Titre : Painted Faces on the Renaissance Stage: The ...

Éditeur : Bucknell University Press, United States

Date d'édition : 1994

Reliure : Hardback

Etat du livre :New

A propos de ce titre

Synopsis :

This book shows how the painted face functions as a theatrical signal in Renaissance drama. Explaining the connection between red, white, and black make-up and sexual sin, devilish corruption, and poison, the author surveys how playwrights used face-paint in tragedy to express a wide range of corruption and in comedy to exploit the bawdy meanings of fucus. Illustrated.

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