Plainsong in the Age of Polyphony.

FORREST KELLY, THOMAS (ED.)

/ ISBN 13: 0000521401607
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Cambridge, New York, etc., Cambridge University Press, 1992. Illustrated with musical examples, facsimiles and plates. Cloth. With dustjacket. Hardbound. 8vo. X, 241 pp. (Cambridge Studies in Performance Practice 2) (Dustjacket with small repairs to corners. Else a good copy). It is the variation in plainsong, its living quality, that these essays address. From at least the eighth century and for about a thousand years, the repertory of music know known as Gregorian chant, or plainsong, formed the largest body of written music, frequently performed and studied in the Western civilization. The practice of plainsong however varied considerably with time and place. It is just this variation, this living quality of plainsong, that these essays address. The contributors are all leading scholars in their field and have sought information from a wide variety of areas: liturgy, architecture, art, history, secular and ecclesiastical history, and hagiography, as a step towards reassembling the tesserae of cultural history into the rich mosaic from whitch they came. (booknr: 47182). N° de réf. du libraire 47182

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Titre : Plainsong in the Age of Polyphony.
Reliure : Hardcover
Etat de la jaquette : Dust Jacket Included

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KELLY, Thomas Forrest (editor)
Edité par Cambridge University Press, Cambridge (1992)
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Colin Coleman Music
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Description du livre Cambridge University Press, Cambridge, 1992. Cambridge Studies in Performance Practice, 2. 8vo. xi, 241pp. Publisher's cloth with printed dust-jacket. Illustrations, music examples and tables. N° de réf. du libraire 15391

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Kelly, Thomas Forrest
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Description du livre Cambridge University Press, 2009. PAP. État : New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du libraire LQ-9780521106894

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Edité par CAMBRIDGE UNIVERSITY PRESS, United Kingdom (2009)
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Description du livre CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2009. Paperback. État : New. 240 x 168 mm. Language: English . Brand New Book ***** Print on Demand *****.From at least the eighth century and for about a thousand years the repertory of music known as Georgian chant, or plainsong, formed the largest body of written music AND was the most frequently performed and the most assiduously studied in Western civilisation. But plainsong did not follow rigid conventions. It seems increasingly clear that, whatever may have been intended with respect to uniformity and tradition, the practice of plainsong varied considerably within time and place. It is just this variation, this living quality of plainsong, that these essays address. The contributors have sought information from a wide variety of areas: liturgy, architecture, art history, secular and ecclesiastical history and hagiography, as a step towards reassembling the tesserae of cultural history into the rich mosaic from which they came. N° de réf. du libraire AAV9780521106894

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Kelly, Thomas Forrest
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Description du livre Cambridge University Press, 2016. Paperback. État : New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. N° de réf. du libraire ria9780521106894_lsuk

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EDITED BY THOMAS FORREST KELLY
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Description du livre 2009. Paperback. État : NEW. 9780521106894 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. N° de réf. du libraire HTANDREE0445507

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Description du livre CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2009. Paperback. État : New. 240 x 168 mm. Language: English . Brand New Book ***** Print on Demand *****. From at least the eighth century and for about a thousand years the repertory of music known as Georgian chant, or plainsong, formed the largest body of written music AND was the most frequently performed and the most assiduously studied in Western civilisation. But plainsong did not follow rigid conventions. It seems increasingly clear that, whatever may have been intended with respect to uniformity and tradition, the practice of plainsong varied considerably within time and place. It is just this variation, this living quality of plainsong, that these essays address. The contributors have sought information from a wide variety of areas: liturgy, architecture, art history, secular and ecclesiastical history and hagiography, as a step towards reassembling the tesserae of cultural history into the rich mosaic from which they came. N° de réf. du libraire AAV9780521106894

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Description du livre Cambridge University Press. Paperback. État : New. Paperback. 256 pages. Dimensions: 9.4in. x 6.6in. x 0.9in.From at least the eighth century and for about a thousand years the repertory of music known as Georgian chant, or plainsong, formed the largest body of written music AND was the most frequently performed and the most assiduously studied in Western civilisation. But plainsong did not follow rigid conventions. It seems increasingly clear that, whatever may have been intended with respect to uniformity and tradition, the practice of plainsong varied considerably within time and place. It is just this variation, this living quality of plainsong, that these essays address. The contributors have sought information from a wide variety of areas: liturgy, architecture, art history, secular and ecclesiastical history and hagiography, as a step towards reassembling the tesserae of cultural history into the rich mosaic from which they came. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. N° de réf. du libraire 9780521106894

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