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Renaissance Faces Ð Van Eyck to Titian.

Campbell, Lorne; Falomir, Miguel; Fletcher, Jennifer; and Syson, Luke.

Edité par National Gallery Company, Lndn/2008. First edition., 2008
ISBN 10: 1857094115 / ISBN 13: 9781857094114
Ancien(s) ou d'occasion / Hardback. / Quantité : 1
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Titre : Renaissance Faces Ð Van Eyck to Titian.

Éditeur : National Gallery Company, Lndn/2008. First edition.

Date d'édition : 2008

Reliure : Hardback.

Etat de la jaquette : Dust Jacket Included

Edition : 1st Edition

Description :

Colour illustrations. VG+ in VG dust jacket. DJ protected by removable clear cover. Oversize; Postage & Packing may cost extra. N° de réf. du libraire 20809

A propos du livre :

Book ratings provided by GoodReads) :
4,25 note moyenne
(12 avis)

Synopsis : This comprehensive survey traces the development of portrait painting in Northern and Southern Europe during the Renaissance, when the genre first flourished. These two regions developed their own distinct styles and techniques but were also influenced by one another in fascinating ways. In essays that focus on the intriguing relationship between artists working in Italy and northern Europe, renowned specialists analyze the notion of likeness--which, during this time, was based not only on accurate reference for posterity but also incorporated all aspects of human life, including propaganda, power, courtship, love, family, ambition, and hierarchy--through magnificent works by artists including Giovanni Bellini, Sandro Botticelli, Lucas Cranach, Albrecht Durer, Jan van Eyck, Leonardo da Vinci, and Titian, among many others. The authors address different portrait types, styles, techniques, and iconographies, and discuss the connections between painting and sculpture and portrait medals. This stunning book also addresses the evolution of the full-length portrait and the "anti-ideal" in counter-portraits, which depict court jesters and dwarves. In these often satirical representations, painters could show off their skills as recorders of likeness without the restrictions imposed by idealization.

Synopsis: This lavishly illustrated book explores the development of portrait painting in Northern and Southern Europe during the Renaissance, when the genre first flourished. While both regions developed distinct styles and techniques, each was also influenced by the other. Four renowned scholars consider the relationship between artists of the north and south to illuminate the notion of likeness. The authors offer new research on some of the greatest portraitists of the period, including Giovanni Bellini, Sandro Botticelli, Lucas Cranach, Albrecht Durer, Jan van Eyck, Hans Holbein, and Titian. This book is rich in information about portrait types, styles, techniques, iconographies, the function of portraits, and the connections among painting, sculpture, and portrait medals. Furthermore, the volume features fascinating accounts of the relationships of patrons, artists, and sitters, as well as the process of making portraits. The authors also investigate complex notions of beauty, spiritual belief, and the portrait as a mirror of the soul.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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Libraire : Much Ado Books
Adresse : Alfriston, SUSSE, Royaume-Uni

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Description de la librairie : Named Independent Bookshop of the Year 2007, Much Ado is situated in the charming East Sussex village of Alfriston, which nestles among the South Downs. Owners Cate Olson and Nash Robbins ran a shop of the same name in Marblehead, Massachusetts for 19 years. There, they specialized in old and out-of-print books. Now situated in Alfriston, the shop offers both new and old books, with a stock of approximetely 15,000 volumes.