Reviving Haydn: New Appreciations in the Twentieth Century (Hardback)

Bryan Proksch

Edité par Boydell Brewer Ltd, 2015
ISBN 10: 1580465129 / ISBN 13: 9781580465120
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Language: English . Brand New Book. By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged Papa Haydn, a shallow placeholder in music history who merely invented the forms used by Beethoven. In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn s reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn s reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world s leading figures -- composers (Vincent d Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn s music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer s works, calling for a new appreciation of Haydn s music. Bryan Proksch is Assistant Professor of Music History at Lamar University. N° de réf. du libraire

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Synopsis : By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged "Papa Haydn," a shallow placeholder in music history who merely invented the forms used by Beethoven. In a remarkable reversal unique within music history, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn's reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world's leading figures -- composers (Vincent d'Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn's music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer's works, calling for a new appreciation of Haydn's music. Bryan Proksch is assistant professor of music history at Lamar University in Beaumont, Texas, where he specializes in the music of the late eighteenth century.

Synopsis: By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged "Papa Haydn," a shallow placeholder in music history who merely invented the forms used by Beethoven. In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn's reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world's leading figures -- composers (Vincent d'Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn's music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer's works, calling for a new appreciation of Haydn's music. Bryan Proksch is assistant professor of music history at Lamar University in Beaumont, Texas, where he specializes in the music of the late eighteenth century.

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Titre : Reviving Haydn: New Appreciations in the ...
Éditeur : Boydell Brewer Ltd
Date d'édition : 2015
Reliure : Hardback
Etat du livre : New

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Description du livre Boydell Brewer Ltd, United States, 2015. Hardback. État : New. 240 x 164 mm. Language: English . Brand New Book. By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged Papa Haydn, a shallow placeholder in music history who merely invented the forms used by Beethoven. In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn s reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn s reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world s leading figures -- composers (Vincent d Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn s music for specific reasons and used it to advance particular goals.Yet each advocated for a rehearing and rereading of the composer s works, calling for a new appreciation of Haydn s music. Bryan Proksch is Assistant Professor of Music History at Lamar University. N° de réf. du libraire AAH9781580465120

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Description du livre Boydell Brewer Ltd, United States, 2015. Hardback. État : New. 240 x 164 mm. Language: English . Brand New Book. By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged Papa Haydn, a shallow placeholder in music history who merely invented the forms used by Beethoven. In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn s reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn s reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world s leading figures -- composers (Vincent d Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn s music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer s works, calling for a new appreciation of Haydn s music. Bryan Proksch is Assistant Professor of Music History at Lamar University. N° de réf. du libraire AAH9781580465120

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Description du livre Boydell & Brewer Ltd, 2015. État : Brand new. By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged "Papa Haydn," a shallow placeholder in music history who merely invented the forms used by Beethoven. In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subseque nt resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn's reputation. Instead a broad r esurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world's leading figures -- composers (Vincent d'Indy and Arnold Schoenberg), conductors (Arturo Toscanini), per formers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn's music for specific reasons and used it to advance particular goals. Yet each advocated for a re hearing and rereading of the composer's works, calling for a new appreciation of Haydn's music. Bryan Proksch is Assistant Professor of Music History at Lamar University. N° de réf. du libraire 4451

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