Language: English . Brand New. Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Copola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film-aggressive, raw, and utterly original. Based on unprecedented access to the genre s major players, New York Times critic Jason Zinoman s Shock Value delivers the first definitive account of horror s golden age.By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma-counterculture types operating largely outside Hollywood-revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror. Zinoman recounts how these directors produced such classics as Rosemary s Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched.This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before. Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and featured porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice.The classic horror films of the 1970s have now spawned a billion-dollar industry, but they have also penetrated deep into the American consciousness. Quite literally, Zinoman reveals, these movies have taught us what to be afraid of. Drawing on interviews with hundreds of the most important artists in horror, Shock Value is an enthralling and personality-driven account of an overlooked but hugely influential golden age in American film. N° de réf. du libraire
Synopsis : In the New Hollywood of the 1970s, just as Martin Scorsese, Steven Spielberg and Francis Ford Coppola were making their first classic films, a parallel group of directors was inventing the modern horror film. Wes Craven, George A. Romero, Roman Polanski, John Carpenter, Brian De Palma and others made films that were aggressive, raw and utterly original. They would go on to achieve massive box office success. Based on unprecedented access to these leading figures, and hundreds of other interviews, Jason Zinoman's Shock Value delivers an enthralling behind-the-scenes account of horror's golden age. Films such as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre and Halloween created the template used by horror films ever since. They exploded taboos and drew on their creators' deepest anxieties to bring horror a gritty, confrontational style and political edge. Shock Value tells the remarkable stories behind the making of these films, which remain misunderstood even by some avid fans. Shot largely outside the Hollywood system on shoestring budgets, they dispensed with traditional vampires and werewolves, assaulting audiences with the dark side of suburbia and a new brand of nihilistic violence. When The Exorcist became the highest-grossing blockbuster of all time, the big studios took notice and the cinema would never be the same again. As the classic horror films of the 1970s conquered both the multiplex and the art house, thy entered the collective imagination and as Jason Zinouman shows, even taught us what to be afraid of. Shock Value is an enormously entertaining account of a highly influential era in filmmaking and Hollywood history.
Where Shock Value excels is in its primary research, the stories of how the seminal shockers of this era came to be, told in large part by the men (and here and there women) who made them --The New York Times
Shock Value chronicles a period that feels both close and remote...a brave, uncompromising era in the genre filmmaking. Mavericks, madman, mutants and monsters populate this book. Vivid, fascinating and entirely relevant --Guillermo del Toro, director of 'Hell Boy' and 'Pan's Labyrinth'
Jason Zinoman's book Shock Value succeeds where countless trailers failed: it will convince people who dislike horror films that they are missing out on a vital school of art --The Economist
Titre : Shock Value (Library Edition): How a Few ...
Éditeur : Tantor Media, Inc
Date d'édition : 2011
Reliure : CD-Audio
Etat du livre : New
Edition : Library ed.
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