Stravinsky and the Russian Period: Sound and Legacy of a Musical Idiom (Hardback)

Pieter C. Van Den Toorn, John McGinness

Edité par CAMBRIDGE UNIVERSITY PRESS, 2012
ISBN 10: 1107021006 / ISBN 13: 9781107021006
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Language: English . Brand New Book. Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky s musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky s formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky s music. N° de réf. du libraire

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Synopsis : Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music.

Critique: 'There is a wealth of forensic detail about familiar van den Toornian topics like the octatonic scale or referential collection.' Anthony Gritten, Slavonic and East European Review

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Détails bibliographiques

Titre : Stravinsky and the Russian Period: Sound and...
Éditeur : CAMBRIDGE UNIVERSITY PRESS
Date d'édition : 2012
Reliure : Hardback
Etat du livre : New

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Pieter C. van den Toorn, John McGinness
Edité par Cambridge University Press 2012 (2012)
ISBN 10 : 1107021006 ISBN 13 : 9781107021006
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Description du livre Cambridge University Press 2012, 2012. New hardback. Fine and unread. N° de réf. du libraire A119779

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Pieter C. van den Toorn / John McGinness
Edité par Cambridge University Press (2012)
ISBN 10 : 1107021006 ISBN 13 : 9781107021006
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Description du livre Cambridge University Press, 2012. Hardcover. État : Like New. Almost new condition. SKU:9781107021006-2-0-3. N° de réf. du libraire 9781107021006-2-0-3

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van den Toorn, Pieter C.
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Description du livre Cambridge University Press, 2012. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire GB-9781107021006

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Pieter C. Van Den Toorn, John McGinness
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Description du livre CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2012. Hardback. État : New. 248 x 174 mm. Language: English . Brand New Book. Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky s musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky s formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky s music. N° de réf. du libraire AAA9781107021006

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Pieter C. van den Toorn, John McGinness
Edité par Cambridge University Press 2012-05-10, Cambridge (2012)
ISBN 10 : 1107021006 ISBN 13 : 9781107021006
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Description du livre Cambridge University Press 2012-05-10, Cambridge, 2012. hardback. État : New. N° de réf. du libraire 9781107021006

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Pieter C. van den Toorn, John McGinness
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Description du livre Cambridge University Press. Hardback. État : new. BRAND NEW, Stravinsky and the Russian Period: Sound and Legacy of a Musical Idiom, Pieter C. van den Toorn, John McGinness, Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music. N° de réf. du libraire B9781107021006

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Van Den Toorn, Pieter C.; Toorn, Pieter C. Van Den;mcginness, John; Mcginness, John
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Pieter C. Van Den Toorn, John McGinness
Edité par CAMBRIDGE UNIVERSITY PRESS, United Kingdom (2012)
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Description du livre CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2012. Hardback. État : New. 248 x 174 mm. Language: English . Brand New Book. Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky s musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky s formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky s music. N° de réf. du libraire AAA9781107021006

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van den Toorn, Pieter C., McGinness, John
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Description du livre Cambridge University Press, 2012. État : New. 2012. 0th Edition. Hardcover. A fresh look at Stravinsky's musical style, from a variety of analytical, critical and aesthetic angles. Series: Music Since 1900. Num Pages: 328 pages, 32 b/w illus. 4 tables 145 music examples. BIC Classification: AVC; AVGC6; AVH. Category: (U) Tertiary Education (US: College). Dimension: 253 x 180 x 20. Weight in Grams: 824. Sound and Legacy of a Musical Idiom. Series: Music Since 1900. 329 pages, 32 b/w illus. 4 tables 145 music examples. A fresh look at Stravinsky's musical style, from a variety of analytical, critical and aesthetic angles. Cateogry: (U) Tertiary Education (US: College). BIC Classification: AVC; AVGC6; AVH. Dimension: 253 x 180 x 20. Weight: 824. . . . . . . N° de réf. du libraire V9781107021006

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