Writing Japonisme: Aesthetic Translation in Nineteenth-Century French Prose (Hardback)

Pamela A. Genova

Edité par Northwestern University Press, 2016
ISBN 10: 0810132214 / ISBN 13: 9780810132214
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Language: English . Brand New Book. Beginning in the late nineteenth century, French visual artists began incorporating Japanese forms into their work. The style, known as japonisme, spanned the arts. Identifying a general critical move from a literal to a more metaphoric understandingand presentation of japonisme, Pamela A. Genova applies a theory of aesthetic translation to a broad response to Japanese aesthetics within French culture. She crosses the borders of genre, field, and form to explore the relationship of Japanese visual art to French prose writing of the mid- to late 1800s. Writing Japonisme focuses on the work of Edmond de Goncourt, Joris-Karl Huysmans, Emile Zola, and Stephane Mallarme as they witnessed, incorporated, and participated in an unprecedented cultural exchange between France and Japan, as both creators and critics. Genova s original research opens new perspectives on a fertile and influential period of intercultural dynamics. N° de réf. du libraire

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Synopsis :  In her book, Pamela Genova suggests that as critics move in general from a literal to a more metaphoric understanding and presentation of Japonisme, the mutability of the phenomenon is highlighted in a rich and illuminating manner. By exploring the conditions of the creation of these works, accenting the original aims of the artists, the manipulations carried out by art dealers, gallery owners, and boutique managers, as well as the gestures of explanation, interpretation, and judgment offered by the professional and amateur critics, Japonisme takes on an even more versatile nature. Further, a complex web of correspondence germinates among these artists—both French and Japanese—and their many critics. It is in this light that the truly rich character of Japonisme comes forth, since the undesirability, even the impossibility of the attempt to reduce it to a single genre, style, era, or cultural cadre attests to its elusiveness and its Protean nature. Japonisme does not correspond to a single dictionary definition, no matter how subtle or self-aware that definition might be. By situating the dynamics of Japonisme as a response on the part of French culture to the culture of Japan, we gain a keener sense of the multiplicity of modern French sensibility itself, of how the awareness of a nation’s language, history, and art forms can be creatively reflected in the images of a culture seemingly radically different from its own.

About the Author: Pamela A. Genova is David Ross Boyd Professor of French at the University of Oklahoma, USA.

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Titre : Writing Japonisme: Aesthetic Translation in ...
Éditeur : Northwestern University Press
Date d'édition : 2016
Reliure : Hardback
Etat du livre : New

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Pamela A. Genova
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Description du livre Northwestern University Press, United States, 2016. Hardback. État : New. Language: English . Brand New Book. Beginning in the late nineteenth century, French visual artists began incorporating Japanese forms into their work. The style, known as japonisme, spanned the arts. Identifying a general critical move from a literal to a more metaphoric understandingand presentation of japonisme, Pamela A. Genova applies a theory of aesthetic translation to a broad response to Japanese aesthetics within French culture. She crosses the borders of genre, field, and form to explore the relationship of Japanese visual art to French prose writing of the mid- to late 1800s. Writing Japonisme focuses on the work of Edmond de Goncourt, Joris-Karl Huysmans, Emile Zola, and Stephane Mallarme as they witnessed, incorporated, and participated in an unprecedented cultural exchange between France and Japan, as both creators and critics. Genova s original research opens new perspectives on a fertile and influential period of intercultural dynamics. N° de réf. du libraire AAS9780810132214

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Pamela A. Genova
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Description du livre Northwestern University Press, United States, 2016. Hardback. État : New. Language: English . Brand New Book. Beginning in the late nineteenth century, French visual artists began incorporating Japanese forms into their work. The style, known as japonisme, spanned the arts. Identifying a general critical move from a literal to a more metaphoric understandingand presentation of japonisme, Pamela A. Genova applies a theory of aesthetic translation to a broad response to Japanese aesthetics within French culture. She crosses the borders of genre, field, and form to explore the relationship of Japanese visual art to French prose writing of the mid- to late 1800s. Writing Japonisme focuses on the work of Edmond de Goncourt, Joris-Karl Huysmans, Emile Zola, and Stephane Mallarme as they witnessed, incorporated, and participated in an unprecedented cultural exchange between France and Japan, as both creators and critics. Genova s original research opens new perspectives on a fertile and influential period of intercultural dynamics. N° de réf. du libraire AAS9780810132214

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Description du livre Northwestern University Press. Hardback. État : new. BRAND NEW, Writing Japonisme: Aesthetic Translation in Nineteenth-Century French Prose, Pamela A. Genova, Beginning in the late nineteenth century, French visual artists began incorporating Japanese forms into their work. The style, known as japonisme, spanned the arts. Identifying a general critical move from a literal to a more metaphoric understandingand presentation of japonisme, Pamela A. Genova applies a theory of "aesthetic translation" to a broad response to Japanese aesthetics within French culture. She crosses the borders of genre, field, and form to explore the relationship of Japanese visual art to French prose writing of the mid- to late 1800s. Writing Japonisme focuses on the work of Edmond de Goncourt, Joris-Karl Huysmans, Emile Zola, and Stephane Mallarme as they witnessed, incorporated, and participated in an unprecedented cultural exchange between France and Japan, as both creators and critics. Genova's original research opens new perspectives on a fertile and influential period of intercultural dynamics. N° de réf. du libraire B9780810132214

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