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Edité par Henry Washbourne,, 1841
Vendeur : Harry Alter, Sylva, NC, Etats-Unis
hardcover, Etat : fair. Henry Washbourne, London, 1841, smaller 8vo., cloth, (xxxvi,256)pp., + plates, 57 steel engravings in 54 plates. also some woodcuts. ex-lib.- old cloth rebinding, spine number, stamps, pocket remains in rear, completely cracked at page 63 with 2 leaves, pp.63-66 loose & chipped in the margins. text is ow neat with some foxing. $.
Edité par E. T. Brain & Co, London, 1840
Vendeur : Antipodean Books, Maps & Prints, ABAA, Garrison, NY, Etats-Unis
Hardcover. Etat : Otherwise very good condition. The moralizing art of William Hogarth, displaying London life of the 18th century in all its extremes. Included here are the eight plates of The Rake's Progress which portray the reckless life of 'Tom Rakewell', the son of a wealthy merchant who squanders his fortune and ends up in the madhouse. 4to, 2 vols: iv, 142pp [4], iv, 280pp, steel engraved plates, with frontispiece portrait of the artist in each volume. Later red cloth binding with gilt titles on black leather spine labels. Marriage a la Mode series (Vol II) is LACKING one of the six plates in the series; some damp staining at four plates in Vol II.
Edité par London: J. Goodwin, 1827
Vendeur : Betterbks/ COSMOPOLITAN BOOK SHOP, Burbank, CA, Etats-Unis
Livre
Hardcover. Etat : Very Good. No Jacket. Volume II only. Folio bound in brown crushed morocco with gilt lettering and decorations and borders; all edges gilt. Illustrated with engraved plates. Condition: minor rubbing to binding; minor bumping to corners; early owner's name rubber-stamped to reverse side of first free endpaper; very slight amount of foxing to pages; else a very good copy. Pages: 158 (text) and 87 plates.
Edité par Jone's & Co., London, 1833
Vendeur : The Chatham Bookseller, Madison, NJ, Etats-Unis
Edition originale
Hardcover. Etat : Very Good. No Jacket. William Hogarth (illustrateur). First Edition. Two volumes, 218pgs.marbled endpapers. 1/2 green leather, marbled boards raised bands. rubbing to the extremities, and scuffing on the lower edges of the spine.toning and foxing throughout. the binding is sound. Scores of engravings throughout. William Hogarth was a pictorial satirist, social critic, and editorial cartoonist who has been credited with pioneering western sequential art. Size: Small Folios.
Edité par jones and co 1833, 1833
Vendeur : Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nouvelle-Zélande
Membre d'association : IOBA
three quarter brown leather with marbled boards, gilt lettering and tooling, marbled edges, 230pp, illus engravings, G++ (front board loosening, spine complete but damaged at edges, moderate tanning to contents) A tired extremity with a sound interior worthy of restorative attention).
Leather. Etat : Good. William Hogarth (illustrateur). A lavishly illustrated collection of the works of William Hogarth, containing over one-hundred of his original detailed engravings. Complete in two volumes.A beautiful study on the works of William Hogarth, with an introductory essay by James Hannay. Including a biography and anecdotes on the life and works of Hogarth.Hogarth was an English painter and printmaker, known for his social satire cartoons. He is best known for his series 'A Harlot's Progress', 'A Rake's Progress', and 'Marriage A-la-Mode', which are included in full in this volume.Volume I illustrated with a frontispiece, engraved title page, and sixty-eight plates.Volume II illustrated with frontispiece, engraved title page, and seventy-three plates.With descriptive letterpress by J. Trusler and E. F. Roberts.Undated, dated from Jisc from a copy held at the Leeds Library.Collated, complete. Five of the plates in Volume II feature two illustrations to one plate, though in the list of plates each illustration is listed as a separate plate. In a half calf binding with marbled cloth to the boards. Externally, worn. Loss to the head and tail of the spines, heavier to the tail. Lacking the top spine label of Volume II. Chips and rubbing to the remaining spine labels. Rubbing to the boards and spines. Bumping to the extremities. Cracks to the leather to the head and tail of the spines. Light marks to the boards and spines, with a little discolouration to the joints. Hinges are starting but firm. Internally, firmly bound. Pages are bright with some spotting, heavier to the plates. Front endpaper and frontispiece of Volume I are almost detached. Prior owner's ink inscription to the head of the title pages. Good. book.
Edité par Jones & Co., London, 1833
Vendeur : Colin Martin Books, Near Hull, EY, Royaume-Uni
Livre
Hardcover. Etat : Near Fine. Two Volumes Qto., 224 pages, illustrated with engravings, each with its own tissue guard. Bound in half morocco over dark green embossed cloth. A clean, Near Fine set. Images are available on request.
Edité par N.p., London
Vendeur : Pages Past--Used & Rare Books, Greensboro, NC, Etats-Unis
Livre
Hardcover. Etat : Good. Cooke and Davenport (illustrateur). Quartos. [303] pages in two volumes. Contains 146 of 148 plates (possibly as published). Absent are the last 2 plates in Volume II ("Before and After"), which were frequently left out due to their showing a couple just prior and after sex (still fully clothed). Otherwise collates complete. Hardcovers bound full publisher's cloth with cover designs embossed in gilt. The bindings are worn and bumped and are now housed in clear mylar or acetate dust jackets. The front hinge of Volume I is cracking and a type of flexible glue appears to have been applied to prevent separation. Text blocks are sound. All edges gilt. Undated, but appear to be from the 1840s-1850s. The title pages are printed in dark blue and red. Most, if not all of the engravings have their tissue guards. There is no tissue guard at the page describing the final plates of Volume II, "Before and After," and their is no evidence of plates being removed.
Edité par The London Printing and Publishing Company Limited No date, London
Vendeur : Schooner Books Ltd.(ABAC/ALAC), Halifax, NS, Canada
William Hogarth (illustrateur). (9)-142,(10) & (iv),150-280 Pp. 150 engravings, 2 frontis & 2 vignettes Extreme wear to edges and the top & bottom of the spines and inner hinge cracks. There is offsetting caused by the engravings Some light wear to the edges of the covers. Some foxing to the outer margins of the plates and toning to some pagers with text. Half brown leather with marbled boards.
Edité par Printed for Henry Washbourne, London, 1841
Vendeur : Capitol Hill Books, ABAA, Washington, DC, Etats-Unis
Etat : Very Good. London: Printed for Henry Washbourne, 1841. "New Edition: Revised, Corrected, and Somewhat Enlarged, by the same." Octavo. 256 pp. Black and white illustrations, including 52 plates. Bound in red half morocco over marbled boards; five raised bands and gilt decoration to spine; top edge gilt; marbled endpapers. Boards worn along edges and spine with brief exposure to extremities and general rubbing and soiling. Binding is sound. A few minor chips and tears to interior, but pages else unmarked. Very Good.
Edité par London and New York: John Tallis and Company, circa [1850's]. [1850's]., 1850
Vendeur : Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, Etats-Unis
Etat : Good. - Quarto, 11 inches high by 8-5/8 inches wide. Two volumes uniformly bound in three-quarter brown morocco & cloth, titled in gilt with raised bands on the spines. The edges are marbled. The front cover and spine of the second volume are detached from the text block, though the covers are intact. The covers are rubbed and scuffed. 280 pages of text, illustrated with 150 bold engravings on 146 sheets, as published. The plates include 2 frontispieces and 2 pictorial title pages. (The plates numbered 137 and 139 are engraved on one sheet, the plates numbered 140-143 are engraved on two sheets, and those numbered 147-148 are engraved on one sheet). The front endpaper of the first volume is detached, but present. An early owner's inscription, "Shipley Jones from Richard M. Pell", is penned on the front blank of each volume. Despite the covers, the contents are unusually bright, clean and unfoxed. This internally beautiful set was published circa 1850's. A prospectus for this work, as issued in parts, was published in 1852. The publisher, John Tallis, 1817-1876, was active under the name "John Tallis & Company" from 1851 through 1854.
Edité par Printed at the Shakespeare Head Press, by W. Nicol, for John Major, London, 1831
Leather. Etat : Very Good. William Hogarth (illustrateur). A smart copy of Rev. Dr. Trusler's critical examination of the work of William Hogarth. First published shortly after Hogarth's death, this volume is illustrated throughout with examples of the artist's work. This work, by eccentric English divine, John Trusler, discusses engraved William Hogarth's 'most capital and admired' works. Trusler discusses in depth several of Hogarth's works, providing context and a critical view.'Hogarth Moralized' was first published without the permission or approval of the painter's widow, and is illustrated throughout with vignette woodcuts and fifty-five plates printed on fifty-five sheets. Collated, complete.The first edition thus, this is the first edition to use these plates. First issued in 1768, followed by an 1821 two volume edition containing inferior impressions of the plates, this 1831 edition prepared by John Major contains a new set of plates.With the inscription of John Walseley, 1876 to a front blank, and the head of the title page.A smart and richly illustrated critical study of the work of this prominent artist. In a half calf binding, with marbled paper covered boards. Minor rubbing to back strip head and tail. Internally, binding lightly strained to a few points at centre of text block. Inscription to front endpaper and head of title page. Light spotting to plates and light tide marks to plate perimeters. Instances of light spotting throughout. Very Good. book.
Edité par Jones and Co. 1833, London, 1833
Vendeur : Foster Books - Stephen Foster - ABA, ILAB, & PBFA, London, Royaume-Uni
Half Morocco. Etat : Very Good. Hogarth, William (illustrateur). First Thus. 168 pp. [of text]. Recent brown half morocco over marbled boards, with raised bands, gilt-stamped devices, and red morocco title label with gilt lettering to spine. Illustrated by 84 black and white steel engraved plates by Hogarth, including a self portrait frontispiece. A brief biography is included at the beginning, followed by a commentary on all his major works. Binding fresh and firm. Foxing throughout, but with plates largely unaffected, with some occasional water marks. 4to. Illustrated.
Edité par printed for J. Sharpe; R. Griffin and Co., London, Glasgow, 1821
Livre
Etat : Gut. Without paging. - Nicht paginiert. Inside slightly bronzy and foxy. Some small dog-ears in vol. 1. Mit 1 gefaltetem Faksimile und 158 Stahlstichtafeln von Cooke und Davenport nach Hogarth. - With 1 folded frontispiece and 158 engravings by Cooke and Davenport after the works of Hogarth. Nicht bei Lowndes. - Verkleinerte Nachstiche in guten Abdrucken. - Not at Lowndes. Reduced engravings in good imprints. William Hogarth (10 November 1697 ? 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist who has been credited with pioneering western sequential art. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects". Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian". (Wikip.) Englisch MIG-24-04B|Lager 7|4898DB Sprache: Englisch Gewicht in Gramm: 444 32x24,5 cm. Lederbände d. Zt. mit breiter goldgeprägter Deckelbordüre, reicher Rückenvergoldung und Goldschnitt. Beschabt, Gelenke von Bd. 1 oben eingerissen. Rücken von Band 2 oben lädiert u. Rückendeckel lose. - Leather with big gilt border on the covers, rich gilt back title and gilt page edges. Hinges of vol. 1 lacerated on top. Spine of vol. 2 damaged on top, back cover loose. New edition, revised and corrected. 2 volumes.
Edité par Printed for J. Goodwin, London, 1827
Vendeur : Jane Atwood, Louisville, KY, Etats-Unis
Livre
Full Leather (original). Etat : Near Very Good - 2 Vols. No Jacket. Hogarth, William; Cooke & Davenport, Engravers (illustrateur). New Edition, Revised & Corrected. 2 Vols, 151 & 158 pp; from the title page: "The Works of William Hogarth; containing one hundred and fifty-eight engravings, by Mr. Cooke, and Mr. Davenport; with descriptions, in which are pointed out many beauties that have hitherto escaped notice, with a comment on their moral tendency, by the Rev. John Trusler." Book condition. Both volumes have minor cracked front hinges at the top--0.5 and 1.0 inches in length; volumes have decorative stamping on front and back covers--1 inch wide on the cover outer margin (0.75 inches are gold stamping and lining, and smaller gold stamps decorate cover .The cover edge gold decor is attractive and striking. All three edges are gilt, gilt looks a little tarnished.) Spine is divided in six main panels, four having gold stamping and lining in rectangular pattern and the other two "Hogarth's Works" and "Trusler 1 or 2" in gold with drk brown background. Gold lining 0.75 inch completes decor at spine bottom. Spine detail is intact and readily legible, but gold is not as bright as front and back covers decor. Coat of arms design book plate is inside front cover, both volumes. Usually pages are foxing free. Some foxing. Mostly, all 158 illustrations are clean and very frameable!!.
Edité par The London Printing and Publishing Company [ca. 1860], London & New York, 1860
Vendeur : Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, Etats-Unis
283 x 217 mm. (11 x 8 1/2"). Two volumes. FINE PUBLISHER'S PEBBLE-GRAIN DARK BROWN MOROCCO, ELABORATELY GILT, covers with a thick gilt-tooled medallion encircling an image of Hogarth sitting in a chair and holding a palette and brushes, at the bottom of the medallion a gothic capital with a bust, books, and palette, each corner with a lacy floral garland in the shape of an "L," all this framed by a thick and thin gilt rule, raised bands, spines ruled and decorated in gilt, gilt lettering, all edges gilt. WITH 150 STEEL ENGRAVINGS (on 145 plates) BY WILLIAM HOGARTH, all with original tissue guards. Front free endpaper of volume I with unmarked ex-libris on a decorative piece of paper; titles with blue ink stamp of J. B. Bennett of Cincinnati, Ohio. â One spine band slightly rubbed, trivial wear to the corners, but the bindings otherwise virtually perfect. Volume II with two very small tears to gutter of frontispiece (and its tissue guard), hinges of that same volume with paper covering partly gone, otherwise only trivial imperfections. A REMARKABLY WELL-PRESERVED SET. This is a very fine copy of a substantial set featuring the art of a man whose name is nearly synonymous with social satire. William Hogarth's persistently fascinating engravings are here accompanied by explanatory text commissioned by the artist's widow Jane in 1766 and supplied by the Rev. John Trusler (1735-1820), described by DNB as "an enthusiastic and fearless compiler of others' works." He provides commentary on some of Hogarth's popular series of engravings, including "The Harlot's Progress," "The Rake's Progress," "Election," "Marriage a-la-Mode," "Industry and Idleness," and "Four Stages of Cruelty," plus a number of single works, among them "Sleeping Congregation" and "Southwark Fair." One of the most popular artists of the period, William Hogarth (1697-1764) is today considered to be the first great English painter. Someone who learned to draw from real life, rather than through copying the masters, he is remembered for group portraits such as "The Wedding," for satirical works such as "The Denunciation," and especially for the popular engravings noted above. In addition to his visual offerings, he also contributed to the profession of artist, pushing through what is still referred to as "Hogarth's Act," a statute that protects the copyright of an artist's original designs. Trusler was one of the most enterprising and eccentric figures in the British publishing world. A former priest, he launched an entrepreneurial career (said to be successful) by advertising ready-made sermons (one shilling each), printed in cursive type to look like manuscripts; later, as a printer and publisher, he issued a wide range of books on everything from etiquette to law to get-rich schemes. Finding one edition or another of Hogarth's engravings is not at all difficult, but finding a glowing copy that seems almost untouched--like the present one--is quite difficult.