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Edité par Cambridge University Press, 2005., 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australie
Livre
8vo, 220pp. A near fine paperback copy. Cambridge Studies in Performance Practice.
Edité par Cambridge University Press, 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : Lucky's Textbooks, Dallas, TX, Etats-Unis
Livre
Etat : New.
Edité par Cambridge University Press, 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Livre impression à la demande
Etat : new. Questo è un articolo print on demand.
Edité par Cambridge University Press, 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Livre impression à la demande
Etat : New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Edité par Cambridge University Press 2008-08-21, 2008
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : Chiron Media, Wallingford, Royaume-Uni
Livre
Paperback. Etat : New.
Edité par Cambridge University Press, Cambridge, 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : Grand Eagle Retail, Wilmington, DE, Etats-Unis
Livre impression à la demande
Paperback. Etat : new. Paperback. Following the collapse of the Wilhelmine Empire in Germany, a new generation of artists found a fresh environment where they might flourish. Their optimism was accompanied by an equally powerful distrust of the immediate past, for post-romanticism - and ultimately expressionism - served as symbols of a bygone era. Composers, performers, and audiences alike sought to negate their recent past in various ways: by affirming modern technology (electronic or mechanical music, sound recordings, radio, and film), exploring music of a more remote past (principally Baroque music), and celebrating popular music (particularly jazz). The essays contained in this volume address these fundamental themes. Examining the way in which German music was performed, staged, programmed, and received in the 1920s, they not only offer deeper insights into Weimar culture itself but shed light on our contemporary musical world. Following the collapse and ultimate overthrow of the Wilhelmine Empire, a new generation of artists found a fresh environment where they might flourish. Their optimism was accompanied by attempts to negate their recent past in various ways: by affirming modern technology, exploring music of a more remote past, and celebrating popular music. The essays contained in this volume address these fundamental issues. Examining the way in which German music was performed, staged, programmed, and received in the 1920s not only offers deeper insights into Weimar culture itself but sheds light on our contemporary musical world. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Edité par Cambridge Univ Pr, 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre
Paperback. Etat : Brand New. 220 pages. 9.25x6.50x0.50 inches. In Stock.
Edité par Cambridge University Press, 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Livre impression à la demande
Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Edité par Cambridge University Press, 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : BennettBooksLtd, North Las Vegas, NV, Etats-Unis
Livre
Etat : New. New. In shrink wrap. Looks like an interesting title! 1.07.
Edité par Cambridge University Press, 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : moluna, Greven, Allemagne
Livre impression à la demande
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. These essays examine the way in which German music was performed, staged, programmed, and received in the 1920s, offering insight into Weimar culture itself and shedding light on our contemporary musical world.KlappentextFollowing th.
Edité par Cambridge University Press, 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
Livre
Paperback. Etat : Like New. Like New. book.
Edité par Cambridge University Press, 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Livre
Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Following the collapse of the Wilhelmine Empire in Germany, a new generation of artists found a fresh environment where they might flourish. Their optimism was accompanied by an equally powerful distrust of the immediate past, for post-romanticism - and ultimately expressionism - served as symbols of a bygone era. Composers, performers, and audiences alike sought to negate their recent past in various ways: by affirming modern technology (electronic or mechanical music, sound recordings, radio, and film), exploring music of a more remote past (principally Baroque music), and celebrating popular music (particularly jazz). The essays contained in this volume address these fundamental themes. Examining the way in which German music was performed, staged, programmed, and received in the 1920s, they not only offer deeper insights into Weimar culture itself but shed light on our contemporary musical world.
Edité par Cambridge University Press, 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : Iridium_Books, DH, SE, Espagne
Livre
Etat : Used - Good.
Edité par CAMBRIDGE, 2005
ISBN 10 : 0521022568ISBN 13 : 9780521022569
Vendeur : Iridium_Books, DH, SE, Espagne
Livre
Etat : Muy Bueno / Very Good.