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Edité par Japan, 1850
Vendeur : Stellar Books & Ephemera, ABAA, Moab, UT, Etats-Unis
Art / Affiche / Gravure Edition originale
Etat : Very good. 1850s Woodblock Print by Utagawa Toyokuni III, aka Utagawa Kunisada, Japan, 1850s, 4.5 x 7 inches, 1 pp. One black ink woodblock print on thin paper; ink bright and clean; a few small holes to edges due to thinness of paper; mounted on white paper mat, seems removable with little to no damage; overall very good condition. Utagawa Toyokuni III, otherwise known as Utagawa Kunisada (1786-1865), was the most successful, prolific, and popular designer of woodblock prints in 19th century Japan. He produced some 20,000 ukiyo-e designs, which was an art style focused on kabuki theater actors, beautiful women, sumo wrestlers, and more; ukiyo-e translates as "picture[s] of the floating world". This woodblock print was produced in the 1850s. Nice collector's item.
Edité par Not Available, 1863
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Number of books: 1 sheet.
Edité par Japan, 1862
Vendeur : Certain Books, ABAA, Bolivia, NC, Etats-Unis
Edition originale
Etat : Very Good. Toyokuni III (illustrateur). Art. Color woodblock artwork on paper. Approx. 9 3/4" x 14" overall size; a few small spots, darkening to paper; in very good condition.
Edité par Not Available, 1851
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Number of books: 3-page series.
Date d'édition : 1840
Vendeur : LIBRERIA ANTICUARIA MARGARITA DE DIOS, MADRID, Espagne
Membre d'association : LANCE
Etat : Bien. Materia: Grabado antiguo de mediados del siglo XIX. Ukiyo-e. Grabados Japones. Publicación: Cerca del año 1840 Técnica: Xilografía. (Grabado con plancha de madera) Medidas: 35,5 x 24,5 cm. Utagawa Kunisada:También conocido como Utagawa Toyokuni III (1786-1864) fue un pintor japonés de la escuela Utagawa, discípulo de Utagawa Toyokuni. Su nombre de nacimiento era Sumida Shogoro IX,aunque también se le conocía como Sumida Shozo. Adoptó como nombre artístico Kunisada y, tras la muerte de su maestro, Toyokuni III. Conservación: Buen estado, algunas manchas y doblez en margen izquierdo. PB2.
Edité par c. 1858, 1858
Vendeur : William Chrisant & Sons, ABAA, ILAB. IOBA, ABA, Ephemera Society, Fort Lauderdale, FL, Etats-Unis
Etat : Near Fine. Utagawa Kunisada (aka Utagawa Toyokuni III) (illustrateur). Two original woodblock prints that create a continuous image when the two are side-by-side. . Print depicting Ichimura Uzaemon XIII (the samurai on the right) has paper adhered to the top edge of the back of the print (see image). Each print: 9.5 x 13.75 inches.
Vendeur : RARE ORIENTAL BOOK CO., ABAA, ILAB, Aptos, CA, Etats-Unis
[Edo ca. 1850-56]. Large Oban color woodblock print, 25.6 x 36.8 cm., excellent image, registry & color, mended corners, & couple of pin holes, usual minor surface soiling, scuffing & a touch of typical toning, else a very strong image. RARE . *** **** *** . . A STUNNING BIJIN [JAPANESE BEAUTY] IN ELABORATE KIMONO . . . WITH A YOUNG BOY CARRYING ZOORI [SANDALS] . . . THEY PREPARE FOR KAWA-WATASHI [CROSS THE RIVER] . . * Typical to Toyokuni III style, this print depicts a stunning Japanese beauty wearing an elaborate silk Kimono. She is accompanied by a young boy, who carries three pairs of Zoori [sandals]. They are both bare-footed. This work is an excellent depiction of typical Edo period people and costume. . *** THE ARTIST: . UTAGAWA TOYOKUNI III was actually KUNISADA Tsuroda I [1786- -1864], who used some sixteen various "Go" [studio names] in his career. He was an Ukiyo-e painter, printmaker, who lived & worked in Edo. At age 15, he was a pupil of Toyokuni, eventually taking his master's name, then Kunisada. In 1807 he produced his first book illustrations, in 1808 he began to make actor prints. In 1833 he studied under Hanabusa Ikkei taking the Kohchoroh. In 1844 he took Toyokuni name, in 1854 he retired and called himself Shohzoh. Per Roberts: ".his landscape prints quite fine." See more biography in Roberts & Lane below. . *** CENSOR. PUBLISHER & CARVER SEALS: At the left lower corner is the Toyokuni III signature in a red cartouche, with the 5 gold balls at the right corner, adjacent to which is the carver's seal. Above this are two Kiwame [censor's] date and permission seals. At the far right is the publisher's seal. . *** Color photos are posted to our website. . *** CONDITION: This print has a very strong image, with excellent impression, registry & color. With verso mends to the corners & a couple of tiny mended pin holes. With some of the usual & typical minor surface soiling, scuffing & toning. Else a very fine example of Kunisada's block-signed work. . Ready for matting, framing & display. . *** BIBLIOGRAPHY: . ROBERTS, Laurance P.: A DICTIONARY OF JAPANESE ARTISTS: PAINTING, SCULPTURE, CERAMICS, PRINTS, LACQUER, pp.96-97 * LANE, Richard.: IMAGES FROM THE FLOATING WORLD: THE JAPANESE PRINT INCLUDING AN ILLUSTRATED DICTIONARY OF UKIYO-E, pp.295-296, plates 516-522; pp. 186-187 & plate 189 . *.
Vendeur : RARE ORIENTAL BOOK CO., ABAA, ILAB, Aptos, CA, Etats-Unis
[Edo n.d. ca 1847-1853]. Color Oban woodblock print, sheet: 24.8 x 36.8 cm., bit of rubbing & wear to lower left corner 3 small verso mends, now stable, solid andfirm, back clean, colorful comic scene. * * AN OBSCURE EXAMPLE * * . *** **** *** . . A COMICAL SCENE AT THE BEACH . . . A YOUNG JAPANESE LADY TRIES TO GRAB AN OCTOPUS . . * This is a comical scene, it shows a Japanese woman chasing after an octopus along the sea shore. It has blue eyes and stands on all eight legs with a piercing stare at her ! She tries to reach for it while the waves roll on to the beach. . This print is unusual as usually Kunisada was straight forward and did landscapes and portraits without comic humor. . *** THE ARTIST: UTAGAWA TOYOKUNI III was actually KUNISADA Tsuroda I [1786--1864]: . He who used some sixteen various "Go" [studio names] in his career. He was an Ukiyo-e painter, printmaker, who lived & worked in Edo. At age 15, he was a pupil of Toyokuni, eventually taking his master's name, then Kunisada. In 1807 he produced his first book illustrations, in 1808 he began to make actor prints. In 1833 he studied under Hanabusa Ikkei taking the Kohchoroh. In 1844 he took Toyokuni name, in 1854 he retired and called himself Shohzoh. Per Roberts: ".his landscape prints quite fine." See more biography in Roberts & Lane below. . *** Color photos are posted to our website. . *** CONDITION: . This print has excellent impression and registry, with nice aniline-blue indigo in varying shades of ocean and sky. . The print is a bit dusty, with some rubbing to the left corners, with minor loss. There were a couple of old mended worm holes, barely visible now. There is a bit of the usual edge & corner wear, minor at best. . The print is firm, solid and stable. Ready for framing and display. . *** REFERENCE: . ROBERTS, Laurance P.: A DICTIONARY OF JAPANESE ARTISTS: PAINTING, SCULPTURE, CERAMICS, PRINTS, LACQUER, see pages 186, 187, 96, 92. for artist's information. * LANE, Richard.: IMAGES FROM THE FLOATING WORLD: THE JAPANESE PRINT INCLUDING AN ILLUSTRATED DICTIONARY OF UKIYO-E, pp.295-296, plates 516-522; pp. 186-187 & plate 189 . *.
Edité par Not Available, 1854
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Number of books: 3-page series.
Edité par Tokyo, Sakai Ltd,
Vendeur : Biblion Antiquariat, Zürich, ZH, Suisse
35,3x24,7 cm. Montiert auf weissem Trägerpapier (45x31,7 cm), gestempelt By Sakai Ltd. Tokyo. Sakai reproduziert seit 1874 einige der berühmtesten Holzschnitte Japans. - Mit einem kleinen Wurmgang (ca. 2 cm) im Carrée der Kleidung direkt über der Ablage und einem winzigen Eckausriss unten links. Im Ganzen gute Erhaltung.
Vendeur : RARE ORIENTAL BOOK CO., ABAA, ILAB, Aptos, CA, Etats-Unis
[Tokyo ca.1848 Kato?]. Color Oban woodblock print, vertical format, sheet size: 24.5 x 36 cm.,verso blank, usual surface wear & a bit dusty, excellent registry & impression, edges & corners a bit worn, mild folds, now flat as usual. OBSCURE ! . *** **** *** . . SUPERB SAMURAI IMAGERY OF MINAMOTO NO YORIMITSU . . . ALONG WITH HAKAMADARE YASUKE & A MOTHER . . * MINAMOTO NO YORIMITSU [948-1021]: . An historical figure, also known as Minamoto no Raiko, served the regents of the Fujiwara clan along with his brother Yorinobu, taking the violent measures the Fujiwara were themselves unable to take. He is one of the earliest Minamoto of historical note for his military exploits, and is known for quelling the bandits of Oeyama. . Yorimitsu featured in a number of legends and tales, including the legend of Kintaro (Golden Boy a.k.a. Sakata no Kintoki), the legend of Shuten Doji, and the legend of Tsuchigumo. . He was nicknamed: "Raiko" which is used in this print, he is shown threatening Yasuke with a long Wakazashi [sword]. . The Scene: Minamoto sports a Katana [long sword], while Yasuke looks on, the woman holds a long bow. This is most likely a scene from a Kabuki play . Yasuke's nickname is also shown as the "Dorobo" ["thief"] in this print. . The woman below holds a long bow, but it s not clear who's mother she is. . *** THE ARTIST: . UTAGAWA TOYOKUNI III was actually KUNISADA Tsuroda I [1786- -1864], who used some sixteen various "Go" [studio names] in his career. He was an Ukiyo-e painter, printmaker, who lived & worked in Edo. At age 15, he was a pupil of Toyokuni, eventually taking his master's name, then Kunisada. In 1807 he produced his first book illustrations, in 1808 he began to make actor prints. In 1833 he studied under Hanabusa Ikkei taking the Kohchoroh. In 1844 he took Toyokuni name, in 1854 he retired and called himself Shohzoh. Per Roberts: ".his landscape prints quite fine." See more biography in Roberts & Lane below. . *** CENSOR. PUBLISHER & CARVER SEALS: At the left lower corner is the Toyokuni III signature in a red cartouche, with the 5 gold balls at the right corner, adjacent to which is the carver's seal. Above this are two Kiwame [censor's] date and permission seals. At the far right is the publisher's seal. . *** Color photos are posted to our website. . *** CONDITION: . The print has very good impression & registry. Being old, the & bottom edges show their age, they are worn, as is are the two left corners. The verso [back] side shows several tiny old worm holds mended in the distant past. The print is firm and now stable. There are a couple of old but minor folds. The faces are a bit dusty & rubbed as usual for white areas of old prints. Please review photos posted to our website. . *** REFERENCE: . ROBERTS, Laurance P.: A DICTIONARY OF JAPANESE ARTISTS: PAINTING, SCULPTURE, CERAMICS, PRINTS, LACQUER, see pages 186, 187, 96, 92. for artist's information. * LANE, Richard.: IMAGES FROM THE FLOATING WORLD: THE JAPANESE PRINT INCLUDING AN ILLUSTRATED DICTIONARY OF UKIYO-E, pp.295-296, plates 516-522; pp. 186-187 & plate 189 . *.
Edité par Not Available N.A
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Number of books: 1 sheet.
Edité par Not Available N.A
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Number of books: 1 sheet.
Etat : Fine. Number of books: 2.
Vendeur : Dr. Cornelia Friedrichs, München, Allemagne
Art / Affiche / Gravure
Kein Einband. Etat : Gut. Künstler: Utagawa Kunisada, Utagawa Toyokuni III, (1786-1864). Titel: Schauspieler Segawa Kikunojo. Signatur: Gototei Kunisada ga. Verleger: Kawaguchiya. Datum/Ort: Edo, um 1820. Technik: Farbholzschnitt (nishiki-e). Format: Vertikaler Oban, 28,8 x 26,5 cm. Zustand: leicht fleckig, an den Ecken montiert auf Unterlagenkarton, Wurmlöcher teilweise unterlegt. Hinweis: Dieser Artikel unterliegt der Differenzbesteuerung gem. § 25a UStG, daher wird die im Kaufpreis enthaltene Mehrwertsteuer in der Rechnung nicht gesondert ausgewiesen (Kunstgegenstände/Sonderregelung).
Edité par Not Available, 1857
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Number of books: 1 sheet.
Edité par Not Available, 1852
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Number of books: 3-page series.
Vendeur : Librairie Chat, Beijing, Chine
Etat : Fine. Number of books: 3-page series.
Edité par Not Available, 1852
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Number of books: 1 sheet.
Vendeur : RARE ORIENTAL BOOK CO., ABAA, ILAB, Aptos, CA, Etats-Unis
[Tokyo ca. 1848], Tsujioka. Oban vertical color woodblock print, sheet:24.7 x 35.5 cm., excellent impression very good registry, edges & corners a bit worn, verso a few tiny old mended worm holes, now firm & solid.*NICE EXAMPLE OF ARMOUR* . *** **** *** . . THE TRUE STORY AND HISTORICAL FACT . . . THIS SCENE SHOWS THE BATTLE TO DEATH OF . . . KUMAGAI AND ATSUMORI AT THE BATTLE OF ICHI-NO-TANI . . . THE TWO SAMURAI WEAR ELABORATELY DECORATED ARMOR . . . DURING THE GEMPEI WAR. 1184 . * This battle scene shows the fight to the death between the two antagonists: KUMAGAYA Jiro Naozane and the 'Musician' ATSUMORI Tayu, both wearing superb & colorful armor. . Kumagai Naozane [1207-1208]: He was a famous old soldier who served the Genji (Minamoto) clan during the Heian period. He was a member of the nobility. Kumagai was particularly known for his exploits during the Genpei War, specifically for killing the young warrior [Tayu] or Taira no Atsumori at the battle of Ichi-no-tani in 1184. . Later in life he became a Jodo-shu Buddhist priest, as a disciple of Honen. . TAIRA NO ATSUMORI [1169-1184]: He was a young Samurai of the late Heian period of Japan. He was a member of the Taira clan, who fought in the Genpei War against the Minamoto. He was an accomplished flute player, thus his nick name was "The Musician." .: Atsumori's death and the circumstances surrounding it went on to be fictionalized and retold in numerous forms, including the Heike Monogatari epic. . *** CONDITION: . The print has excellent impression, with a tiny bit of usual minor shrinkage to the registry. Regardless this is a bold and fascinating image. . This print is old, and shows signs of minor scuffing near the lower & right edges. There is a minor bit of old mended worm holes from the verso [back side]. The print is now firm and solid. . *** Color photos are posted to our website. . *** REFERENCE: . LANE, Richard.: IMAGES FROM THE FLOATING WORLD: THE JAPANESE PRINT INCLUDING AN ILLUSTRATED DICTIONARY OF UKIYO-E, see page 316 for this publisher listed; p.338-339 Toyokuni; p.294-295 for Kunisada. * See Wikipedia for both antagonists . *.
Edité par [Tokyo], 1855
Vendeur : Rulon-Miller Books (ABAA / ILAB), St. Paul, MN, Etats-Unis
Three Ukiyo e prints, each measuring 14.5" x 9.75", mounted on 24" x 18" card frames, depicting Shirai Gonpachi, Miura-ya Komurasaki and Miura-ya Wakamurasaki on an evening street; Wakamurasaki with some creasing and wear, all three prints affixed at corners by masking tape, very good overall. Kunisada, or Toyokuni III was the most prolific and popular ukiyo e artist of his day, with an estimated output of 25 thousand designs totaling 40 thousand sheets. Gonpachi and Komurasaki were a famous pair of ill-fated lovers, depicted many times in prints and on the stage. Gonpachi was an outlaw who committed many murders to fund his visits to the courtesan Komurasaki, and was eventually apprehended and killed (or committed suicide, depending on the telling). Komurasaki was so distraught at his death that she committed suicide shortly after.
Edité par Not Available N.A
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Number of books: 1 book.
Edité par Not Available N.A
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Number of books: 1 book.
Edité par Not Available N.A
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Number of books: 1 book.
Date d'édition : 1851
Vendeur : Dr. Cornelia Friedrichs, München, Allemagne
Art / Affiche / Gravure
Kein Einband. Etat : Gut. Künstler: Utagawa Kunisada I (Toyokuni III) (1786-1864). Titel: Blatt Nr. 38 aus der Serie Sono sugata yukari no utsushi-e , Magic Lantern Slides of that romantic Purple Figure, Verleger: Izumiya Ichibei (Kansendo). Signatur: Kochoro Toyokuni ga. Zensur Siegel: Kinugasa, Murata. Datum/Ort: Edo 1851 (Kaei 4). Technik: Holzschnitt (Nishiki-e). Format: Horizontaler Oban; 24,4 x 35,7 cm. Zustand: Teilweise unterlegt, retuschiert, Wasserflecken am rechten unteren Rand, Rückseite am oberen Rand mit Resten einer ehemaligen Montierung. Literatur/Museum: Museum of Fine Arts Boston, Accession number 11.43367 Hinweis: Dieser Artikel unterliegt der Differenzbesteuerung gem. § 25a UStG, daher wird die im Kaufpreis enthaltene Mehrwertsteuer in der Rechnung nicht gesondert ausgewiesen (Kunstgegenstände/Sonderregelung).
Date d'édition : 1852
Vendeur : Dr. Cornelia Friedrichs, München, Allemagne
Art / Affiche / Gravure
Kein Einband. Etat : Gut. Künstler: Utagawa Kunisada I (Toyokuni III) (1786-1864). Titel: Blatt Nr. 49 aus der Serie Sono sugata yukari no utsushi-e , Magic Lantern Slides of that romantic Purple Figure, Verleger: Izumiya Ichibei (Kansendo). Signatur: Toyokuni ga, in Toshidama Kartusche. Zensur Siegel: Kinugasa, Murata, Rat 12. Datum/Ort: Edo 1852 (Kaei 5), 12. Monat. Technik: Holzschnitt (Nishiki-e). Format: Horizontaler Oban; 24,4 x 36,2 cm. Zustand: Teilweise unterlegt, Rückseite am oberen Rand mit Resten einer ehemaligen Montierung. Literatur/Museum: Museum of Fine Arts Boston, Accession number 11.15586. Hinweis: Dieser Artikel unterliegt der Differenzbesteuerung gem. § 25a UStG, daher wird die im Kaufpreis enthaltene Mehrwertsteuer in der Rechnung nicht gesondert ausgewiesen (Kunstgegenstände/Sonderregelung).
Date d'édition : 1852
Vendeur : Dr. Cornelia Friedrichs, München, Allemagne
Art / Affiche / Gravure
Kein Einband. Etat : Gut. Künstler: Utagawa Kunisada I (Toyokuni III) (1786-1864). Titel: Schauspieler Ichimura Uzaemon XIII. als Mondos Tochter (Musume) Otoku und Arashi Kichisaburô III. als Sonosaki Senkichi. Verleger: Tsujiokaya Bunsuke (Kinshodo). Signatur: Toyokuni ga, in toshidama Kartusche. Datum/Ort: Edo period 1852 (Kaei 5), 3. Monat. Technik: Holzschnitt (nishiki-e). Format: Vertikaler Ôban, linkes Blatt eines Triptychons, 34,9 x 24 cm. Zustand: Unterlegt, Wurmloch am unteren Rand, Rückseite am oberen Rand mit Resten einer ehemaligen Montierung. Literatur/Museum: Museum of Fine Arts Boston, Accession number 11.45015a-c. Hinweis: Dieser Artikel unterliegt der Differenzbesteuerung gem. § 25a UStG, daher wird die im Kaufpreis enthaltene Mehrwertsteuer in der Rechnung nicht gesondert ausgewiesen (Kunstgegenstände/Sonderregelung).
Edité par Not Available N.A
Vendeur : Sunny Day Bookstore, SINGAPORE, Singapour
Etat : Fine. Number of books: 1 sheet.
Vendeur : Librairie Chat, Beijing, Chine
Etat : Fine. Number of books: 1.
Vendeur : Antiquariaat A. Kok & Zn. B.V., Amsterdam, Pays-Bas
Edo, Tsutaya Kichizo (Koeido), 1861. Original Ukiyo-é. Oban sized [37,0 x 25,0 cm]. Matted under acid-free cardboard. - Very lightly (minimal) creased in the margins. * Original ukiyo-é (Japanese woodblock print), depicting bijin-ga (beautiful women). This print by Kunisada (1786 - 1865) was part of a series of 36 depictions of courtesans. Attractively executed print containing techniques such as: karazuri (embossed patterns) and Kewari (detailling of the hair).