Book by MacDonald Malcolm
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Brahms has long been considered an arch-conservative, the last Classical master, but modern research reveals a troubled and self-critical Romantic whose genius united the emotionalism of his times with Classical principles. Malcolm MacDonald demonstrates how the musical and personal character of this great composer are inextricably entwined: how the man speaks in his music.
There is no better book on Brahms in print, and all its succesors will be deeply in its debt ... inaugurates a new era in Brahms studies. (The Musical Times)
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