Every night when I go home after shift, I run my hands lightly over my body as I undress. The tips of my fingers catch the new scratches on my hands and arms, tiny red vines, an unreadable map. The burn from the teeth of the cuffs, I remember it catching my skin only now; the new welt on my side, unexplainable; the constant, steady bruise on the hip bone where my gun caresses the skin a deeper purple day after day. I unbraid my hair, shake it loose, stand under the shower. I place both hands on the wall and lean into the water, stretching out the muscles. Okay, I tell myself. Every night I tell myself, okay.
In this stunning debut collection, Laurie Lynn Drummond mines her eight years in law enforcement to tell the stories of five female police officers in Baton Rouge, Louisiana. In prose as unflinching and nuanced as the job itself, each woman's story -- like each call in a police officer's day -- varies in its singular drama, but all the tales illuminate the tenuous line between life and death, violence and control, despair and salvation.
These stories draw us into the insular world of cops -- how violence clings to a crime scene long after the crime has been committed, how officers determine when to engage in or defuse violence, why some cadets make it from the academy to the force and some don't -- and delve into the darkest chambers of police officers' hearts.
In "Absolutes," a stunned cop learns to live with the shimmering presence of the man she killed in self-defense, while her neighbor brings her casseroles because "it's the polite thing to do at wakes."
In "Something About a Scar," a rookie from Victims' Services tries to calm a woman with a nine-inch knife embedded in her sternum, while the crime scene officers snap photos and ask questions. At a vigil that seven policewomen hold for a brutally murdered victim in "Keeping the Dead Alive," the mourners get caught up in a vicious act of revenge that escalates out of control.
Fresh, unique, and uncensored, these stories are startlingly vivid and alive, revealing the humanity, compassion, humor, tragedy, and, ultimately, the redemption hidden behind the "blue wall." This collection signals the debut of an extraordinary new talent.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Laurie Lynn Drummond's fiction has appeared in such journals as Southern Review, Fiction, and Story, and she was a Tennessee Williams Scholar in fiction. Formerly a uniformed officer with the Baton Rouge Police Department, she grew up in northern Virginia. She now lives in Austin, Texas, with her dog, Rumi, and cat, Smilla, and is an assistant professor at St. Edward's University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Good. Every night when I go home after shift, I run my hands lightly over my body as I undress. The tips of my fingers catch the new scratches on my hands and arms, tiny red vines, an unreadable map. The burn from the teeth of the cuffs, I remember it catching my skin only now; the new welt on my side, unexplainable; the constant, steady bruise on the hip bone where my gun caresses the skin a deeper purple day after day. I unbraid my hair, shake it loose, stand under the shower. I place both hands on the wall and lean into the water, stretching out the muscles. Okay, I tell myself. Every night I tell myself, okay. In this stunning debut collection, Laurie Lynn Drummond mines her eight years in law enforcement to tell the stories of five female police officers in Baton Rouge, Louisiana. In prose as unflinching and nuanced as the job itself, each woman's story -- like each call in a police officer's day -- varies in its singular drama, but all the tales illuminate the tenuous line between life and death, violence and control, despair and salvation. These stories draw us into the insular world of cops -- how violence clings to a crime scene long after the crime has been committed, how officers determine when to engage in or defuse violence, why some cadets make it from the academy to the force and some don't -- and delve into the darkest chambers of police officers' hearts. In "Absolutes," a stunned cop learns to live with the shimmering presence of the man she killed in self-defense, while her neighbor brings her casseroles because "it's the polite thing to do at wakes." In "Something About a Scar," a rookie from Victims' Services tries to calm a woman with a nine-inch knife embedded in her sternum, while the crime scene officers snap photos and ask questions. At a vigil that seven policewomen hold for a brutally murdered victim in "Keeping the Dead Alive," the mourners get caught up in a vicious act of revenge that escalates out of control. Fresh, unique, and uncensored, these stories are startlingly vivid and alive, revealing the humanity, compassion, humor, tragedy, and, ultimately, the redemption hidden behind the "blue wall." This collection signals the debut of an extraordinary new talent. N° de réf. du vendeur 00054262836
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Vendeur : Wonder Book, Frederick, MD, Etats-Unis
Etat : Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. N° de réf. du vendeur L05B-02582
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 17582237-20
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Vendeur : Better World Books: West, Reno, NV, Etats-Unis
Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 3077669-6
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Good. Every night when I go home after shift, I run my hands lightly over my body as I undress. The tips of my fingers catch the new scratches on my hands and arms, tiny red vines, an unreadable map. The burn from the teeth of the cuffs, I remember it catching my skin only now; the new welt on my side, unexplainable; the constant, steady bruise on the hip bone where my gun caresses the skin a deeper purple day after day. I unbraid my hair, shake it loose, stand under the shower. I place both hands on the wall and lean into the water, stretching out the muscles. Okay, I tell myself. Every night I tell myself, okay. In this stunning debut collection, Laurie Lynn Drummond mines her eight years in law enforcement to tell the stories of five female police officers in Baton Rouge, Louisiana. In prose as unflinching and nuanced as the job itself, each woman's story -- like each call in a police officer's day -- varies in its singular drama, but all the tales illuminate the tenuous line between life and death, violence and control, despair and salvation. These stories draw us into the insular world of cops -- how violence clings to a crime scene long after the crime has been committed, how officers determine when to engage in or defuse violence, why some cadets make it from the academy to the force and some don't -- and delve into the darkest chambers of police officers' hearts. In "Absolutes," a stunned cop learns to live with the shimmering presence of the man she killed in self-defense, while her neighbor brings her casseroles because "it's the polite thing to do at wakes." In "Something About a Scar," a rookie from Victims' Services tries to calm a woman with a nine-inch knife embedded in her sternum, while the crime scene officers snap photos and ask questions. At a vigil that seven policewomen hold for a brutally murdered victim in "Keeping the Dead Alive," the mourners get caught up in a vicious act of revenge that escalates out of control. Fresh, unique, and uncensored, these stories are startlingly vivid and alive, revealing the humanity, compassion, humor, tragedy, and, ultimately, the redemption hidden behind the "blue wall." This collection signals the debut of an extraordinary new talent. N° de réf. du vendeur CIN0060561629G
Quantité disponible : 1 disponible(s)
Vendeur : HPB-Ruby, Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_452769403
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Vendeur : GetitBooks, FOLEY, AL, Etats-Unis
hardcover. Etat : As New. INSCRIBED by the author. N° de réf. du vendeur 260211018
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Vendeur : Marvin Minkler Modern First Editions, St. Johnsbury, VT, Etats-Unis
Soft cover. Etat : As New. Etat de la jaquette : As New. 1st Edition. First Edition/First Printing. Softcover. 250 pages. Woman cops are the focus of this riveting debut collection of short fiction by a former policewoman in Baton Rouge, Louisiana. This is the softcover, Uncorrected Proof, in pictorial wraps, of the hardcover book that was published in February 2004. As new. Unread. From my smoke-free collection. N° de réf. du vendeur 5208
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Vendeur : Books From California, Simi Valley, CA, Etats-Unis
hardcover. Etat : Very Good. Etat de la jaquette : Includes dust jacket. Signed. First Edition. First printing with full numberline. Signed by the author on the title page. Near fine in jacket. N° de réf. du vendeur mon0003267813
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Vendeur : The Book Junction, Shippensburg, PA, Etats-Unis
Hardcover. Etat : VG. Etat de la jaquette : VG to VG-. Signed by the Author. DJ: some rubbing & edgewear; creases/small chips at edges & corners; :autographed copy" sticker on front. Book: some rubbing & edgewear; some yellowing; overall clean & tight. 250 pages. Signed by the Author. N° de réf. du vendeur 42565
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