Humiliation is not, of course, unique to writers. However, the world of letters does seem to offer a near-perfect micro-climate for embarrassment and shame. There is something about the conjunction of high-mindedness and low income that is inherently comic; something about the very idea of deeply private thoughts - carefully worked and honed into art over the years - being presented to a public audience of dubious strangers, that strays perilously close to tragedy. These seventy contributions prove it is possible to reverse Auden's dictum: that art is born out of humiliation.
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Robin Robertson is from the northeast coast of Scotland. He has published five collections of poetry and received a number of accolades, including the Petrarca-Preis, the E. M. Forster Award from the American Academy of Arts and Letters, and a Forward Prize in each category. Apart from his translations of Euripides, he has also edited a collection of essays, Mortification: Writers' Stories of Their Public Shame, and, in 2006, he published The Deleted World, a selection of free English versions of poems by the Nobel laureate Tomas Tranströmer.
Humiliation is not, of course, unique to writers. However, the world of letters does seem to offer a near-perfect micro-climate for embarrassment and shame. There is something about the conjunction of high-mindedness and low income that is inherently comic; something about the very idea of deeply private thoughts -- carefully worked and honed into art over the years -- being presented to a public audience of dubious strangers, that strays perilously close to tragedy. These seventy contributions prove it is possible to reverse Auden's dictum: that art is born out of humiliation.
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