My name is Chloe Saunders. I'm fifteen, and I would love to be normal.
But normal is one thing I'm not.
For one thing, I'm having these feelings for a certain antisocial werewolf and his sweet-tempered brother—who just happens to be a sorcerer—but, between you and me, I'm leaning toward the werewolf.
Not normal.
My friends and I are also on the run from an evil corporation that wants to get rid of us—permanently.
Definitely not normal.
And finally, I'm a genetically altered necro-mancer who can raise the dead, rotting corpses and all, without even trying.
As far away from normal as it gets.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
When librarians finally granted Kelley Armstrong an adult card, she made straight for the epic fantasy and horror shelves. She spent the rest of her childhood and teen years happily roaming fantastical and terrible worlds, and vowed that someday she'd write a story combining swords, sorcery, and the ravenous undead. That story began with the New York Times bestselling Sea of Shadows and continues with Empire of Night.
Armstrong's first works for teens were the New York Times bestselling Darkest Powers and Darkness Rising trilogies. She lives in rural Ontario with her husband, three children, and far too many pets.
My name is Chloe Saunders. I'm fifteen, and I would love to be normal.
But normal is one thing I'm not.
For one thing, I'm having these feelings for a certain antisocial werewolf and his sweet-tempered brother—who just happens to be a sorcerer—but, between you and me, I'm leaning toward the werewolf.
Not normal.
My friends and I are also on the run from an evil corporation that wants to get rid of us—permanently.
Definitely not normal.
And finally, I'm a genetically altered necro-mancer who can raise the dead, rotting corpses and all, without even trying.
As far away from normal as it gets.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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