“The most comprehensive study on the era of burlesque.” —V Magazine
Training her journalist’s eye on the glitter and glamour of American burlesque’s Greatest Generation, Liz Goldwyn takes readers on an enthralling tour of the original queens of the striptease. Goldwyn’s incisive expose is a retrospective of the sights and spectacles of burlesque’s golden age—and an intimate look at the women whose sexuality, ambition, and verve brought the cabaret stage to life. Today, as burlesque enters a heady resurgence worldwide—with festivals around the globe, popular books like Burlesque Fetish and The Burlesque Handbook, and even a School of Burlesque in New York City—Pretty Things offers a unique and exciting look at its formative past and its earliest heroines.
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Liz Goldwyn has worked in fashion, art, and photography since the age of sixteen. She has produced major fashion shows and art installations, helped establish the fashion department at Sotheby’s New York, and was a global consultant for Shiseido America. She writes feature articles for national magazines, and designs her own collection of jewelry. Her documentary film on burlesque queens, Pretty Things, premiered in July 2005 on HBO. Goldwyn lives in Los Angeles.
Liz Goldwyn's lifelong fascination with the inimitable glamour of classic burlesque inspired her to spend the past eight years corresponding with, visiting, interviewing, receiving striptease lessons from, and forming close relationships with the last generation of the great American burlesque queeens. Goldwyn invites us to step back into an era when the hourglass figure was in vogue and striptease was a true art form.
Meet Betty "Ball of Fire" Rowland, who was known for her flaming red hair and bump–and–grind routines. (It turns out she once sued the author's grandfather, Samuel Goldwyn Jr., for using her stage name and costume in his Hollywood picture, Ball of Fire.)
Meet Sherry Britton, who, with her long black hair and curvy, trim physique, was among the most stunning of the burlesque stars before Mayor LaGuardia outlawed burlesque in New York.
Meet Zorita, whose sexually explicit "Consummation of the Wedding of the Snake" dance (performed with a live snake) and other daring performances earned her legendary status.
Goldwyn draws back the curtain to reveal the personal journeys of yesteryear's icons of female sexuality and power, restoring their legacy to an age that has all but forgotten them–despite today's resurgence of burlesque.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Destinations, frais et délaisVendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
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Paperback. Etat : new. Paperback. Liz Goldwyn's lifelong fascination with the inimitable glamour of classic burlesque inspired her to spend the past eight years corresponding with, visiting, interviewing, receiving striptease lessons from, and forming close relationships with the last generation of the great American burlesque queeens. Goldwyn invites us to step back into an era when the hourglass figure was in vogue and striptease was a true art form.Meet Betty "Ball of Fire" Rowland, who was known for her flaming red hair and bumpandgrind routines. (It turns out she once sued the author's grandfather, Samuel Goldwyn Jr., for using her stage name and costume in his Hollywood picture, Ball of Fire.)Meet Sherry Britton, who, with her long black hair and curvy, trim physique, was among the most stunning of the burlesque stars before Mayor LaGuardia outlawed burlesque in New York.Meet Zorita, whose sexually explicit "Consummation of the Wedding of the Snake" dance (performed with a live snake) and other daring performances earned her legendary status.Goldwyn draws back the curtain to reveal the personal journeys of yesteryear's icons of female sexuality and power, restoring their legacy to an age that has all but forgotten themdespite today's resurgence of burlesque. Invites us to step back into an era when the hourglass figure was in vogue and striptease was a true art form. This title reveals the personal journeys of yesteryear's icons of female sexuality and power, restoring their legacy to an age that has all but forgotten them - despite resurgence of the art of burlesque. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780062011817
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Paperback. Etat : New. Liz Goldwyn's lifelong fascination with the inimitable glamour of classic burlesque inspired her to spend the past eight years corresponding with, visiting, interviewing, receiving striptease lessons from, and forming close relationships with the last generation of the great American burlesque queens. In "Pretty Things", Goldwyn invites us to step back into an era when the hourglass figure was in vogue and striptease was a true art form. Meet Betty 'Ball of Fire' Rowland, who was known for her flaming red hair and bump-and-grind routines (it turns out she once sued the author's grandfather, Samuel Goldwyn Jr., for using her stage name and costume in his Hollywood picture, Ball of Fire). Meet Sherry Britton, who, with her long black hair and curvy, trim physique, was among the most stunning of the burlesque stars before Mayor LaGuardia outlawed burlesque in New York. Meet Zorita, whose sexually explicit Consummation of the Wedding of the Snake dance (performed with a live snake) and other daring performances earned her legendary status.Goldwyn draws back the curtain to reveal the personal journeys of yesteryear's icons of female sexuality and power, restoring their legacy to an age that has all but forgotten them - despite today's resurgence of the art of burlesque. 'Lovingly documented' ("W Magazine") Goldwyn draws from hundreds of archival photographs, costume sketches, newspaper clippings, and mementoes that she has collected along the way. "Pretty Things" is at once a feast for the eyes and a tale of fleeting stardom and self-discovery. N° de réf. du vendeur LU-9780062011817
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Etat : New. 2010. Reprint. Paperback. Invites us to step back into an era when the hourglass figure was in vogue and striptease was a true art form. This title reveals the personal journeys of yesteryear's icons of female sexuality and power, restoring their legacy to an age that has all but forgotten them - despite resurgence of the art of burlesque. Num Pages: 304 pages, Illustrations. BIC Classification: 1KBB; ASZH. Category: (G) General (US: Trade). Dimension: 248 x 203 x 25. Weight in Grams: 1182. . . . . . N° de réf. du vendeur V9780062011817
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