Feminism is all about demanding equality and learning to love yourself. But not too much — men hate that! From the writers of Reductress, the subversive, satirical women’s magazine and masters of feminist humor read by over 2.5 million visitors a month, comes HOW TO WIN AT FEMINISM: The Definitive Guide to Having It All—And Then Some!
This ultimate satirical guide to winning feminism—filled with four-color illustrations, bold graphics, and hilarious photos—is a sharp work of social satire that teaches readers how to battle the patriarchy better than everybody else. From the herstory of feminism to how to apologize for having it all, readers will learn how to be a feminist at work and at home with tips that include:
HOW TO WIN AT FEMINISM is a fresh take on women's rights and a brilliant example of women's humor through the lens of the funniest women in comedy today. With this book as your wo-manual, you’ll shatter that glass ceiling once and for all (but you’ll still need to clean up the mess).
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Reductress is a fast-growing, satirical website that takes on the voice of a stereotypical women’s magazine to deliver smart, wickedly funny content that subversively points out how the media has co-opted feminism in a strange and absurd way. Referred to as the “feminist Onion,” it pokes fun at the messages we’re fed from an early age and throughout adulthood. Headlines include “How to Make a Cry for Help Without Bothering Anyone” and “Maybe You SHOULD Smile: Cat-Callers Who Make Some Good Points”. Since its creation in 2013, it has exploded in popularity, with its on-point criticism wrapped in hilarious headlines and features, appealing to intelligent young fans of Lena Dunham’s Girls, and of course, Beyonce. Reductress was founded by Beth Newell and Sarah Pappalardo, the authors of this book.
Sarah Pappalardo is the co-founder and managing editor of Reductress, and a writer, performer and playwright living in Brooklyn. Born in Boston and raised in the wilds of New Hampshire, she has written and performed at IO Chicago, The Second City, and the Magnet Theater, and The Upright Citizens Brigade. She was previously an artistic associate for the Chicago-based Bare Boned Theatre, and her plays have since been performed in front of tiny audiences throughout Chicago, New York, and Philadelphia. With brief stints as an advertising producer and copywriter, Sarah has also learned to have a healthy love-hate relationship with the media landscape and working in general.
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