Over the course of his career, acclaimed author, teacher, and critic Ben Yagoda has uncovered one certain truth about writing: "Style matters." Indeed, it is frequently the case that our favorite writers entertain, move, and inspire us less by what they say than by how they say it.
Most books, including Strunk and White's classic The Elements of Style, take a narrow view of style, suggesting that the only proper one is of plainness, simplicity, and transparency. But tell that to David Foster Wallace, Dave Eggers, Don DeLillo, and other stylistic risk takers!
While not a "how-to" manual, The Sound on the Page offers practical and incisive help for writers on identifying and developing a distinctive style and voice. Drawing on interviews with more than forty authors -- Tobias Wolff, Elmore Leonard, Michael Chabon, Cristina García, Dave Barry, Camille Paglia, Junot Díaz, Margaret Drabble, and Bill Bryson among them -- Yagoda discusses:
Filled with insights from outstanding writers and close readings of their works, The Sound on the Page is an essential book for all aspiring and experienced writers, as well as for readers who are interested in learning how their favorite writers approach the craft.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Ben Yagoda is the author of About Town: The New Yorker and the World It Made, a New York Times Notable Book of the Year, and Will Rogers. He is coeditor, with Kevin Kerrane, of The Art of Fact: A Historical Anthology of Literary Journalism, and has written for The New York Times Magazine, The American Scholar, Esquire, and many other publications. Yagoda directs the journalism department at the University of Delaware, where he teaches nonfiction writing. He lives in Swarthmore, Pennsylvania, with his wife and two daughters.
Over the course of his career, acclaimed author, teacher, and critic Ben Yagoda has uncovered one certain truth about writing: "Style matters." Indeed, it is frequently the case that our favorite writers entertain, move, and inspire us less by what they say than by how they say it.
Most books, including Strunk and White's classic The Elements of Style, take a narrow view of style, suggesting that the only proper one is of plainness, simplicity, and transparency. But tell that to David Foster Wallace, Dave Eggers, Don DeLillo, and other stylistic risk takers!
While not a "how-to" manual, The Sound on the Page offers practical and incisive help for writers on identifying and developing a distinctive style and voice. Drawing on interviews with more than forty authors -- Tobias Wolff, Elmore Leonard, Michael Chabon, Cristina García, Dave Barry, Camille Paglia, Junot Díaz, Margaret Drabble, and Bill Bryson among them -- Yagoda discusses:
Filled with insights from outstanding writers and close readings of their works, The Sound on the Page is an essential book for all aspiring and experienced writers, as well as for readers who are interested in learning how their favorite writers approach the craft.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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