For survey courses in Italian Renaissance art.
A broad survey of art and architecture in Italy between c. 1250 and 1600, this book approaches the works from the point of view of the artist as individual creator and as an expression of the city within which the artist was working.
When Frederick Hartt’s History of Italian Renaissance Art was first published more than forty years ago, it was a remarkable achievement. A large volume with dozens of color plates, it presented the story of Italian Renaissance art as it was appreciated and understood by one of the great scholars and teachers of the period. Professor Hartt revised and expanded the book twice before his death in 1991. In 1993, David G. Wilkins was invited to continue this process; the fourth edition was published in 1994. The fifth edition (2003) had color illustrations throughout the text and included new works chosen to enrich the story Professor Hartt had laid out more than thirty years earlier.
Wilkins has maintained the integrity of the story that Hartt first told so enthusiastically. The basic organization of his text has been retained, and the great majority of the works illustrated are those he originally chose. Throughout the years, new works have been added due to the advice of thoughtful reviewers, students, and colleagues.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The late Frederick Hartt was one of the most distinguished art historians of the twentieth century. A student of Berenson, Schapiro, and Friedlaender, he taught for more than fifty years, influencing generations of Renaissance scholars. At the time of his death he was Paul Goodloe McIntire Professor Emeritus of the History of Art at the University of Virginia. He was a Knight of the Crown of Italy, a Knight Officer of the Order of Merit of the Italian Republic, an honorary citizen of Florence, and an honorary member of the Academy of the Arts of Design, Florence, a society whose charter members included Michelangelo and the Grand Duke Cosimo I de' Medici.
Hartt authored, among other works, Florentine Art under Fire (1949); Botticelli (1952); Giulio Romano (1958); Love in Baroque Art (1964); The Chapel of the Cardinal of Portugal (1964); three volumes on the painting, sculpture, and drawings of Michelangelo (1964, 1969, 1971); Donatello, Prophet of Modern Vision (1974); Michelangelo's Three Pietàs (1975); and the monumental Art: A History o f Painting, Sculpture, Architecture, now in its fourth edition (1993).
David G . Wilkins is professor emeritus of the history of art and architecture at the University of Pittsburgh and former chair of the department. He has also served on the faculties of the University of Michigan in Florence and the Semester at Sea Program. He is author of Donatello (1984, with Bonnie A. Bennett); Maso di Banco: A Florentine Artist of the Early Trecento (1985); The Illustrated Bartsch: "Pre-Rembrandt Etchers," vol. 53 (1985, with Kahren Arbitman); A History o f the Duquesne Club (1989, with Mark Brown and Lu Donnelly); Art Past/Art Present, a broad survey of the history of art (fifth edition, 2005, with Bernard Schultz and Katheryn M. Linduff); and The Art of the Duquesne Club (2001). He was the revising author for the fourth and fifth editions of History of Italian Renaissance Art: Painting, Sculpture, and Architecture (1994, 2003) and co-editor of The Search for a Patron in the Middle Ages and the Renaissance (1996, with Rebecca L. Wilkins) and Beyond Isabella: Secular Women Patrons of Art in Renaissance Italy (2001 with Sheryl E. Reiss). He was editor of The Collins Big Book of Art (2005). In 2005 he also received the College Art Association’s national award for Distinguished Teaching in Art History.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Paperback. Etat : Fair. 6th. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. N° de réf. du vendeur 0131882473-7-1
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Brossura. Etat : mediocre. quinta edizione o successive. Sixth Editiion "This text remains the definitive study of Italian Renaissance Art, with its comprehensive chronological overview of all the major artists of the time period, presented in a thorough historical context and with high-quality illustrations." Allison Lee Palmer, University of Oklahoma History of Italian Renaissance Art, sixth edition, provides readers with an updated understanding of this pivotal period, incorporating new research and current art historical thinking while also maintaining the integrity of the story that Frederick Hartt first told so enthusiastically many years ago. Choosing to retain Frederick Hartt's traditional framework, David Wilkins has introduced a number of changes. Newly added works of art demonstrate the diversity of the period. Secular pieces such as a cassone with its original framework largely intact, an early desco da parto made for the Medici family, two examples of majolica dinnerware, along with a new series of portraits of patrons and personalities of the period have been selected because they enrich our knowledge of the context within which these works were created. Other illustrations have been added to enhance our understanding of important Renaissance works. These include views of architecture and of large fresco cycles and sculptures that remain in situ. There is also an updated bibliography that provides a guide for further reading about artists and key topics. David Wilkins brings a strong, contemporary sensibility to Italian Renaissance art, yet he continues to maintain and emulate the eloquence that was a basic aspect of Frederick Hartt's approach. Since the release of the fourth edition, many more works have been restored, including Michelangelo's Last Judgment in the Sistine Chapel and Raphael's Stanze frescoes in the Vatican. Fresh views of renowned works are included with art commissioned or produced by women. Extended captions identify Renaissance patrons and provide details about historical context, emphasizing how art was created and why, while in-depth visual analysis clarifies the aesthetic developments that emerged in key artistic centers such as Florence, Rome, Venice, and Siena. New iconographic diagrams and computerized reconstructions add dimension to the meanings behind classical, secular, and sacred motifs. Architectural plans, maps in color, and an expanded glossary and bibliography complete this well-rounded picture of the Italian Renaissance. Frederick Hartt and David Wilkins's History of Italian Renaissance Art invites us to experience a rich artistic legacy in painting, sculpture, and architecture. Through an engaging narrative complemented by a cascade of illustrations, Hartt and Wilkins connect us with the remarkable artists whose innovations and visions shaped the Renaissance. Note alle condizioni del volume Usato condizioni accettabili, volume completo ma quasi totalmente slegato, abrasioni ai margini della copertina e sgualciture alla stessa, interno discreto, timbro 50% off all'anteporte, etischette al dorso e al piatto posteriore. (T-CA) Autore/i Frederick Hartt, David G. Wilkins Editore Prentice Hall - Pearson Luogo Upper Saddle River Anno 2007 Pagine 736 Dimensioni 22x29x3 (cm) Illustrazioni ill. a colori e b/n n.t. - colors and b/w ills Legatura bross. ill. a colori - paperback Conservazione Usato condizioni accettabili - Used acceptable Lingua Inglese - English text Peso 2300 (gr) ISBN 0131882473 EAN-13 9780131882478. N° de réf. du vendeur LdS20187
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