Book by Gauldin Robert
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EUR 23,04 expédition depuis Etats-Unis vers France
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Destinations, frais et délaisVendeur : FITZ BOOKS AND WAFFLES, Buffalo, NY, Etats-Unis
Hardcover. Etat : Fine. 1st Edition. Music. First Printing. This is a clean, undamaged copy signed by the previous owner, but otherwise unmarked. N° de réf. du vendeur ABE-1754681533035
Quantité disponible : 1 disponible(s)
Vendeur : BookHolders, Towson, MD, Etats-Unis
Etat : Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: SOME ] [ Edition: Repirnt ] Publisher: Prentice Hall Pub Date: 1/15/1985 Binding: hardcover Pages: 310 Repirnt edition. N° de réf. du vendeur 6877526
Quantité disponible : 1 disponible(s)
Vendeur : About Books, Henderson, NV, Etats-Unis
Hardcover. Etat : Near Very Good condition. NOT a library discard (illustrateur). First Printing of the First Edition. Englewood Cliffs, New Jersey: Prentice - Hall, Inc., 1985. NOT a library discard. Condition would be Very Good but for pencil notes, underlining and a few pages with yellow highlighting, mostly in the first third of the book. Sharp corners. Previous owner's name in 3 places. Pencil notes on the rear endpapers. 22 chapters. Three appendices. Bibliography. Index of names and works. Index of terms. Bound in the original glossy white, blue and brown laminated boards. From the publisher: "Practical work in writing counterpoint! Robert Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.". First Printing of the First Edition. Hardcover. Near Very Good condition/No dust jacket, as issued. Illus. by NOT a library discard. 8vo. viii, 312pp. Great Packaging, Fast Shipping. N° de réf. du vendeur 022432
Quantité disponible : 1 disponible(s)
Vendeur : Magus Books Seattle, Seattle, WA, Etats-Unis
Hardcover. Etat : VG. used hardcover copy in illustrated boards, no jacket, as issued. light shelfwear, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. N° de réf. du vendeur 1489358
Quantité disponible : 1 disponible(s)
Vendeur : HPB-Red, Dallas, TX, Etats-Unis
Hardcover. Etat : Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_438449168
Quantité disponible : 1 disponible(s)
Vendeur : Toscana Books, AUSTIN, TX, Etats-Unis
Hardcover. Etat : new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. N° de réf. du vendeur Scanned0136892582
Quantité disponible : 1 disponible(s)
Vendeur : The Book Spot, Sioux Falls, MN, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur Abebooks10361
Quantité disponible : 1 disponible(s)