Porn freak and jetsetter, John Self, is the shameless heir to a fast-food culture where money beats out an invitation to futile self-gratification. Out in New York, mingling with the mighty, Self is embroiled in the corruption, the brutality and the obscenity of the money conspiracy.
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One of Time’s 100 best novels in the English language—by the acclaimed author of Lionel Asbo: State of England and London Fields
Part of Martin Amis’s “London Trilogy,” along with the novel London Fields and The Information, Money was hailed as "a sprawling, fierce, vulgar display" (The New Republic) and "exhilarating, skillful, savvy" (The Times Literary Supplement) when it made its first appearance in the mid-1980s. Amis’s shocking, funny, and on-target portraits of life in the fast lane form a bold and frightening portrait of Ronald Reagan’s America and Margaret Thatcher’s England.
Money is the hilarious story of John Self, one of London’s top commercial directors, who is given the opportunity to make his first feature film—alternately titled Good Money and Bad Money. He is also living money, talking money, and spending money in his relentless pursuit of pleasure and success. As he attempts to navigate his hedonistic world of drinking, sex, drugs, and excessive quantities of fast food, Self is sucked into a wretched spiral of degeneracy that is increasingly difficult to surface from.
COVER DESIGN BY STEVE DAVIES AT SAATCHI & SAATCHI
'Super-charged, anarchic and full of narrative acrobatics, Money burst on to the Eighties literary scene leaving a trail of imitators and devotees in its wake' Observer
This is the story of John Self, consumer extraordinaire. Rolling around New York and London, he makes deals, spends wildly and does reckless movie-world business, all the while grabbing everything he can to sate his massive appetites: alcohol, tobacco, pills, pornography, a mountain of junk food and more. Ceaselessly inventive and thrillingly savage, this is a tale of life lived without restraint; of money, the terrible things it can do and the disasters it can precipitate.
'Terribly, terminally funny' Guardian
Published by Vintage Classics in association with the Victoria and Albert Museum
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