157 pages. Bon état Couv. convenable Intérieur acceptable In-12 Carré Broché The Theatre.
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Adapted from a series of four lectures, originally delivered as the first of the Granada Northern Lectures Peter Brook's The Empty Space is an exploration of four aspects of theatre, 'Deadly, Holy, Rough and Immediate', published in Penguin Modern Classics. 'I can take any empty space and call it a bare stage' In The Empty Space, groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht's revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional and fascinating, his book shows how theatre defies rules, builds and shatters illusions and creates lasting memories for its audiences. Peter Stephen Paul Brook CH CBE (b. 1925) is a highly influential British theatrical producer and director. During the 1950s he worked on many productions in Britain, Europe, and the USA, and in 1962 returned to Stratford-upon-Avon to join the newly established Royal Shakespeare Company. Throughout the next the 1960's he directed many ground breaking productions for the RSC before in 1970 forming The International Centre for Theatre Research in Paris. If you enjoyed The Empty Space, you might like John Berger's Ways of Seeing, also available in Penguin Modern Classics. 'A brilliant book ... should be read by the many besides the passionate few to whom it will be required reading'Daily Telegraph
Peter Stephen Paul Brook CH CBE (born 21 March 1925) is a highly influential British theatrical producer and director.During the 1950s he worked on many productions in Britain, Europe, and the USA, and in 1962 returned to Stratford-upon-Avon to join the newly established Royal Shakespeare Company (RSC). Throughout the next the 1960's he directed many ground breaking productions for the RSC before in 1970 forming The International Centre for Theatre Research in Paris.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0140214151I5N00
Quantité disponible : 1 disponible(s)
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR001362384
Quantité disponible : 2 disponible(s)
Vendeur : AwesomeBooks, Wallingford, Royaume-Uni
Paperback. Etat : Very Good. The Empty Space (Pelican S.) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 7719-9780140214154
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Good. New Ed. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur GRP10248213
Quantité disponible : 3 disponible(s)
Vendeur : Bahamut Media, Reading, Royaume-Uni
Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee. N° de réf. du vendeur 6545-9780140214154
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Vendeur : medimops, Berlin, Allemagne
Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. N° de réf. du vendeur M00140214151-G
Quantité disponible : 1 disponible(s)
Vendeur : Eric James, Lewisporte, NL, Canada
Soft Cover. Etat : Very Good. Mass market paperback, later (1979) printing, 157 pages; very gently read, two vertical creases to front cover, tiny traces of shelf wear, light foxing along edges and margins, ink signature dated "8-1981" on first non-text page, otherwise clean and unmarked throughout. N° de réf. du vendeur 045407
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Vendeur : PAPER CAVALIER UK, London, Royaume-Uni
Etat : very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block. N° de réf. du vendeur 9780140214154-3
Quantité disponible : 1 disponible(s)
Vendeur : RIVERLEE BOOKS, Waltham Cross, HERTS, Royaume-Uni
Soft cover. Etat : Fair. Paperback in fair condition. N° de réf. du vendeur 109085
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Vendeur : Crappy Old Books, Barry, Royaume-Uni
Paperback. Etat : Good. The Empty Space is Peter Brook walking onto a bare stage, looking you dead in the eye, and saying: ?Right then ? what are we actually doing here?? And somehow you feel both inspired and mildly indicted. This is the 1977 Pelican Books edition (ISBN: 0140214151 ), offered in Good condition by Crappy Old Books . A classic, sensible paperback that?s done what Pelicans were born to do: be read, carried, argued with, and occasionally waved about by someone trying to win a point in a pub. Expect honest wear consistent with that life ? maybe a softened spine, a bit of rubbing, a touch of age ? but still solid and very readable. Brook?s central premise is wonderfully simple and quietly explosive: theatre can happen anywhere . ?I can take any empty space and call it a bare stage,? he says (paraphrasing, but you?ll feel the line land when you meet it), and from that he builds a sharp, practical philosophy of performance. This isn?t theatre as polite cultural wallpaper. It?s theatre as a living thing ? something that can be dead, deadly, holy, rough, immediate, or (worst of all) boring. The book is famously organised into Brook?s big categories ? ways theatre behaves when it?s functioning, failing, or pretending. He pokes at Deadly Theatre (the respectable, well-funded kind that somehow makes you want to nap), celebrates Rough Theatre (alive, scrappy, direct), explores the lure of the Holy Theatre (transcendence, ritual, the ?something more?), and argues for the Immediate Theatre (presence, attention, electricity). It?s the kind of framework that makes you start diagnosing every production you?ve ever seen, and several meetings you?ve ever attended. What makes The Empty Space so enduring is its tone: Brook writes like a practitioner who has actually been in the room when things work ? and when they very much do not. He?s not selling mystique. He?s talking about craft, attention, truth, and the brutal fact that audiences can smell dishonesty at twenty paces. There?s a generous humanity to it, but also a steeliness: theatre matters because it?s one of the few places humans can gather and really look at each other without immediately reaching for their phones. (Brook got there early; the rest of us followed.) This book is perfect if you: Love theatre and want to understand why some performances feel like lightning and others feel like homework Make things ? plays, talks, videos, websites, pitches ? and suspect ?empty space? might apply to more than stages Enjoy criticism that is practical, a bit ruthless, and strangely uplifting And yes, it reads brilliantly even if you?ve never stepped on stage. Because Brook is really talking about attention, intention, and what it means to make something alive . Which is a useful thought whether you?re directing Shakespeare, running a meeting, or trying to write an email that doesn?t die on impact. Condition: Good ? a sturdy copy with the usual Pelican patina, ideal for reading with a pencil in hand and a slightly superior expression on your face. From Crappy Old Books , where we appreciate books that don?t just fill space on a shelf ? they make you look at the space differently. Open it. Clear a little room. Brook would call that a stage. N° de réf. du vendeur 5527
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