When it was first published in 1984, this book exposed the pressures, rewards and insecurity of an actor's life, and caused a storm of controversy for its forthright views on the shortcomings of contemporary directors. Ten years later, Simon Callow has provided a new and gloomy assessment of the state of British theatre today, with the decline of ensemble playing, a lack of training for young actors, "brochure theatre" where novelty replaces substance, and audiences who applaud the hydraulics of the stage machinery rather than the quality of the actor's performace. It ends with a warning that without attention to the roots of the art of stagecraft, the tree of British theatre will surely die.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Few actors are more eloquent, honest or entertaining about their life and their profession than Simon Callow. Being an Actor traces his stage journey from the letter he wrote to Laurence Olivier that led him to his first job, to his triumph as Mozart in the original production of Amadeus. This new edition continues to tell the story of his past two decades onstage. Callow discusses his occasionally ambivalent yet always passionate feelings about both film and theatre, conflicting sentiments partially resolved by his acclaimed return to the stage with his solo performances in The Importance of Being Oscar and The Mystery of Charles Dickens, seen in the West End and on Broadway in 2002.
Being an Actor is a guide not only to the profession but also to the intricacies of the art, told with wit, candour, and irrepressible verve by one if the great figures of the stage.
Simon Callow is an actor, director and writer. He has appeared on the stage and in many films, including the hugely popular Four Weddings and a Funeral. His books include Being an Actor, Shooting the Actor, Love is Where it Falls, the first two volumes of his four-volume life of Orson Welles, his theatrical memoir My Life in Pieces, and, most recently, the highly acclaimed Charles Dickens and the Great Theatre of the World.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. When it was first published in 1984, this book exposed the pressures, rewards and insecurity of an actor's life, and caused a storm of controversy for its forthright views on the shortcomings of contemporary directors. Ten years later, Simon Callow has provided a new and gloomy assessment of the state of British theatre today, with the decline of ensemble playing, a lack of training for young actors, "brochure theatre" where novelty replaces substance, and audiences who applaud the hydraulics of the stage machinery rather than the quality of the actor's performace. It ends with a warning that without attention to the roots of the art of stagecraft, the tree of British theatre will surely die. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR001865013
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