'A revelation' Sunday Times, Books of the Year 2018
The first Penguin anthology of Japanese haiku, in vivid new translations by Adam L. Kern.
Now a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its brevity, usually running over three lines in seventeen syllables, and by its use of natural imagery to make Zen-like observations about reality, in fact the haiku is much more: it can be erotic, funny, crude and mischievous. Presenting over a thousand exemplars in vivid and engaging translations, this anthology offers an illuminating introduction to this widely celebrated, if misunderstood, art form.
Adam L. Kern's new translations are accompanied here by the original Japanese and short commentaries on the poems, as well as an introduction and illustrations from the period.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Adam L. Kern studied Japanese literature at Harvard University, where he earned his PhD in East Asian Languages and Civilizations before joining the faculty for nearly a decade. In Japan, he has been affiliated with the University of Kyoto, the University of Tokyo and the National Institute of Japanese Literature. Kern teaches Japanese literature and visual culture at the University of Wisconsin-Madison.
First Penguin volume
Of best Japanese haiku
Vivid translations
Now a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its minimalism and brevity, usually running three lines in seventeen syllables, and by its use of natural imagery to make Zen-like observations about reality, in fact the haiku is much more: it can be erotic, funny, crude and mischievous. Presenting over a thousand exemplars in vivid and engaging translations by Adam L. Kern, this anthology offers an illuminating introduction to this widely celebrated, if misunderstood, art form.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Good. Now a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its brevity, usually running over three lines in seventeen syllables, and by its use of natural imagery to make Zen-like observations about reality, in fact, the haiku is much more: it can be erotic, funny, crude and mischievous. Presenting over a thousand exemplars in vivid and engaging translations by Adam L. Kern, this anthology offers an illuminating introduction to this widely celebrated, if misunderstood art form. N° de réf. du vendeur 00110415662
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Paperback. Etat : Good. Now a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its brevity, usually running over three lines in seventeen syllables, and by its use of natural imagery to make Zen-like observations about reality, in fact, the haiku is much more: it can be erotic, funny, crude and mischievous. Presenting over a thousand exemplars in vivid and engaging translations by Adam L. Kern, this anthology offers an illuminating introduction to this widely celebrated, if misunderstood art form. N° de réf. du vendeur CIN0140424768G
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Paperback. Etat : new. Paperback. First Penguin volumeOf best Japanese haikuVivid translationsNow a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its brevity, usually running over three lines in seventeen syllables, and by its use of natural imagery to make Zen-like observations about reality, in fact, the haiku is much more: it can be erotic, funny, crude and mischievous. Presenting over a thousand exemplars in vivid and engaging translations by Adam L. Kern, this anthology offers an illuminating introduction to this widely celebrated, if misunderstood art form. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780140424768
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Paperback. Etat : New. 'A revelation' Sunday Times, Books of the Year 2018The first Penguin anthology of Japanese haiku, in vivid new translations by Adam L. Kern. Now a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its brevity, usually running over three lines in seventeen syllables, and by its use of natural imagery to make Zen-like observations about reality, in fact the haiku is much more: it can be erotic, funny, crude and mischievous. Presenting over a thousand exemplars in vivid and engaging translations, this anthology offers an illuminating introduction to this widely celebrated, if misunderstood, art form. Adam L. Kern's new translations are accompanied here by the original Japanese and short commentaries on the poems, as well as an introduction and illustrations from the period. N° de réf. du vendeur LU-9780140424768
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Paperback. Etat : New. 'A revelation' Sunday Times, Books of the Year 2018The first Penguin anthology of Japanese haiku, in vivid new translations by Adam L. Kern. Now a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its brevity, usually running over three lines in seventeen syllables, and by its use of natural imagery to make Zen-like observations about reality, in fact the haiku is much more: it can be erotic, funny, crude and mischievous. Presenting over a thousand exemplars in vivid and engaging translations, this anthology offers an illuminating introduction to this widely celebrated, if misunderstood, art form. Adam L. Kern's new translations are accompanied here by the original Japanese and short commentaries on the poems, as well as an introduction and illustrations from the period. N° de réf. du vendeur LU-9780140424768
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