Jonson's plays, with their grotesquely obsessive characters, offer us unforgettable glimpses of a period of rapid socio-economic change. Every Man in his Humour presents the sexual fantasies of London's citizens and social climbers as the 'humours' that involuntarily create comedy. Sejanus, with its networks of spies and court informers, dramatizes the Jacobean system of censorship from which Jonson himself suffered. Volpone reveals Venice, the ideal Renaissance republic, as a hotbed of greed, sexual intrigue, and self interest, while in Epicone's London, a noise-hating misogynist decides to take a fashionable wife, with surprising qualifications.
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Ben Jonson (1572-1637) began to work in 1597 for Henslowe's company as a player and playwright. In 1616 he was granted a royal pension and made, in effect, Poet Laureate. He was twice imprisoned for his work as co-author of satirical dramas.
Lorna Hutson read English at Oxford and is now Reader in Renaissance Studies.
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