Benvenuto Cellini tells the story of his life as a hot-tempered rebel and outstanding sculptor in Renaissance Italy.
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This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
Although most of Cellini's works in precious metals have been melted down, one surviving gold saltceller, which he completed for Francois I of France, and a number of major sculptures have secured his reputation as one of the finest Italian artists in the generation after Michelangelo. But he is most celebrated for his autobiography, which chronicles with unflagging energy and force one of the most tempestuous lives and one of the largest egos in all of history. Cellini served dukes, bishops, cardinals, and kings and queens of several nations, and he quarreled with them all, including two popes, one of whom, by Cellini's account, tried to murder him. He confesses to several murders himself, at least one rape, a notorious prison-break, innumerable fights and feuds. He also claims a pivotal role in defending Rome against invasion. From its first appearance in 1728 (150 years after his death), this portrait of a fanatical individualist helped define our notion of the Renaissance.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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