One of the most powerful, perceptive and influential works of criticism in Western literary history
In his near-contemporary account of classical Greek tragedy, Aristotle examines the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis ('purification'). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals. The Poetics has informed thinking about drama ever since.
Translated with an Introduction and Notes by Malcolm Heath
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Aristotle was born in the Macedonian city of Stagira in 384 BC, and died in 322. He studied in Plato's Academy in Athens and later became tutor to Alexander the Great, before establishing his own school in Athens, called the Lyceum. His writings, which were of extraordinary range, profoundly affected the whole course of ancient, medieval and modern philosophy. Many of them have survived, including The Nicomachean Ethics, The Politics and Poetics, among others.
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