The Death of Ivan Ilyich and Other Stories is a collection of stories that emerged from a profound spiritual crisis, during which Leo Tolstoy believed that he had encountered death itself. This Penguin Classics edition is translated with an introduction by Anthony Briggs, David McDuff and Ronald Wilks.
These seven compelling stories explore, in very different ways, Tolstoy's preoccupation with mortality. 'The Death of Ivan Ilyich' is a devastating account of a man fighting his inevitable end, and asks the existential question: why must a good person be taken before his time? In 'Polikushka', a light-fingered drunk's chance to prove himself has tragic repercussions, while 'Three Deaths' depicts the last moments of an aristocrat, a peasant and a tree, and 'The Forged Coupon' shows a seemingly minor offence that leads inexorably to ever more horrific crimes. And in three tales about soldiers, 'After the Ball', 'The Wood-felling' and 'The Raid', Tolstoy portrays the brutality that all too often accompanies military life.
The translations by Anthony Briggs, David McDuff and Ronald Wilks capture Tolstoy's powerful, vivid prose. This edition also includes a new introduction by Anthony Briggs discussing Tolstoy's breakdown and the effect this had on his writing, as well as a chronology, further reading and notes.
Leo Tolstoy (1828-1910) was born at Yasnaya Polyana, in central Russia. He led a life of wasteful idleness until 1851, when he travelled to the Caucasus and joined the army with his older brother, fighting in the Crimean war. After marrying Sofya Behrs in 1862, Tolstoy settled down, managing his estates and writing two of his best-known novels, War and Peace (1869) and Anna Karenina (1878). In 1884 Tolstoy experienced a spiritual crisis, becoming an extreme moralist, rejecting the state, the church and private property. His last novel, Resurrection (1900), was written to raise money for the Doukhobor sect of Christian spiritualists.
If you enjoyed The Death of Ivan Ilyich, you might like Fyodor Dostoyevsky's Crime and Punishment, also available in Penguin Classics.
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Count Leo Tolstoy was born on September 9, 1828, in Yasnaya Polyana, Russia. Among his best-known works are the novels War and Peace (1869) and Anna Karenina (1877). Tolstoy died on November 20, 1910.
Anthony Briggs has written, translated or edited many books and articles on Russian and English literature. A leading authority on Alexander Pushkin, he has also edited five volumes of English poetry. His recent translation of War and Peace has been widely acclaimed.
David McDuff has translated a number of nineteenth century Russian prose works for the Penguin Classics series. These include Dostoyevsky's Crime and Punishment, The Brothers Karamazov, The Idiot, The House of the Dead, and Tolstoy's The Cossacks.
Ronald Wilks has translated The Little Demon by Sologub and, for Penguin Classics, My Childhood, My Apprenticeship and My Universities by Gorky and four volumes of stories by Chekhov: The Kiss and Other Stories, The Duel and Other Stories, The Party and Other Stories and The Fiancée and Other Stories.
Hadji Murat
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I was returning home through the fields. It was the very middle of summer. The meadows had been mowed, and they were just
about to reap the rye.
There is a delightful assortment of flowers at that time of year: red, white, pink, fragrant, fluffy clover; impudent marguerites; milk-white “love-me-love-me-nots” with bright yellow centers and a fusty, spicy stink; yellow wild rape with its honey smell; tall-standing, tulip-shaped campanulas, lilac and white; creeping vetch; neat scabious, yellow, red, pink, and lilac; plantain with its faintly pink down and faintly perceptible, pleasant smell; cornflowers, bright blue in the sun and in youth, and pale blue and reddish in the evening and when old; and the tender, almond-scented, instantly wilting flowers of the bindweed.
I had gathered a big bouquet of various flowers and was walking home, when I noticed in a ditch, in full bloom, a wonderful crimson thistle of the kind which is known among us as a “Tartar” and is carefully mowed around, and, when accidentally mowed down, is removed from the hay by the mowers, so that it will not prick their hands. I took it into my head to pick this thistle and put it in the center of the bouquet. I got down into the ditch and, having chased away a hairy bumblebee that had stuck itself into the center of the flower and sweetly and lazily fallen asleep there, I set about picking the flower. But it was very difficult: not only was the stem prickly on all sides, even through the handkerchief I had wrapped around my hand, but it was so terribly tough that I struggled with it for some five minutes, tearing the fibers one by one. When I finally tore off the flower, the stem was all ragged, and the flower no longer seemed so fresh and beautiful. Besides, in its coarseness and gaudiness it did not fit in with the delicate flowers of the bouquet. I was sorry that I had vainly destroyed and thrown away a flower that had been beautiful in its place. “But what energy and life force,” I thought, remembering the effort it had cost me to tear off the flower. “How staunchly it defended itself, and how dearly it sold its life.”
The way home went across a fallow, just-plowed field of black earth. I walked up a gentle slope along a dusty, black-earth road. The plowed field was a landowner’s, a very large one, so that to both sides of the road and up the hill ahead nothing could be seen except the black, evenly furrowed, not yet scarified soil. The plowing had been well done; nowhere on the field was there a single plant or blade of grass to be seen—it was all black. “What a destructive, cruel being man is, how many living beings and plants he annihilates to maintain his own life,” I thought, involuntarily looking for something alive amidst this dead, black field. Ahead of me, to the right of the road, I spied a little bush. When I came closer, I recognized in this bush that same “Tartar” whose flower I had vainly picked and thrown away.
The “Tartar” bush consisted of three shoots. One had been broken off, and the remainder of the branch stuck out like a cut-off arm. On each of the other two there was a flower. These flowers had once been red, but now they were black. One stem was broken and half of it hung down, with the dirty flower at the end; the other, though all covered with black dirt, still stuck up. It was clear that the whole bush had been run over by a wheel, and afterwards had straightened up and therefore stood tilted, but stood all the same. As if a piece of its flesh had been ripped away, its guts turned inside out, an arm torn off, an eye blinded. But it still stands and
does not surrender to man, who has annihilated all its brothers around it.
“What energy!” I thought. “Man has conquered everything, destroyed millions of plants, but this one still does not surrender.”
And I remembered an old story from the Caucasus, part of which I saw, part of which I heard from witnesses, and part of which I imagined to myself. The story, as it shaped itself in my memory and imagination, goes like this.
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